Xiangjiang old events [entertainment circle]
Chapter 55 Future Dream Studio
Is the place where the legendary blue fairy lives is such a lost ocean?
"Turn around, Jo," said little Mary.
This time, it was Joe who was unwilling to give up: "We can't give up now."
"Turn around, I mean the whole plane turns back." Little Mary added what she had misunderstood.
Qiao twisted the direction joystick in a strange manner, and the whole aircraft skimmed the intersection of the sea breeze and the shadow of the building again, and climbed up.
Due to the turbulent rush of the flood, the once huge water-spouting lion sculpture has broken in many small pieces, and the two water curtains falling from the eyes of the lions on both sides are like silent tears.
For some unknown reason, some viewers had an inexplicable urge to cry, so they quickly rubbed their eyes to avoid being rude and embarrassing.
Zhuang Long, who was also sitting on a high place, saw everything in his eyes, but he understood in his heart: the filming was as noisy and awkward as playing house, but when Su Yun showed them the finished sample clips, Seeing the lost city in the vast ocean and the place where the lion shed tears, he also suddenly felt the sadness of the vastness of the world and the insignificance of all beings.
It is a kind of respect and regret for nature.
Being touched by an overly real picture inevitably creates a feeling of soreness and astringency in the heart.
In the movie screen, according to the looming blue light, Joe landed the aircraft into a building with a damaged floor.
Looking at the words and sentences on the wall, Little Mary pushed open the door full of surprises, while Joe, who felt that the task of repaying had been completed, took a teddy bear at the door and waited gently for her wish to come true.
But what surprised all the audience was that after the tall office chair was turned around, the person sitting on it was not an adult who looked like a professor.
It is a "child" who is exactly the same as little Mary except for the clothes.
She always thought that she was the only little Mary, and after a few words, she couldn't bear the appearance of this "Mary" who was exactly like herself: "You can't have her..."
"She's mine, and I'm the only one!"
In an instant, the negative emotions such as jealousy and anger that should not be possessed by the robot exploded. Little Mary picked up the lamp on the table and smashed the robot that was exactly like her.
The broken head of the robot slid out of the door. Looking at the head at his feet, Joe felt strange and frightened, and hurried back with the teddy bear.
"Okay, don't do this again." A middle-aged man came out from behind, grabbed the desk lamp that Little Mary was waving indiscriminately, and at least persuaded her to stop, "Yes, you are 'Mary'."
"Professor Hobby?" This person is the scientist who claimed in the opening plot to make a companion robot that looks like a child. He was the one who brought little Mary to her adoptive father Henry when he left the factory, so little Mary, who still has the memories of the past, subconsciously shouted his name.
"What are you doing with the blue fairy?" Professor Hobby asked softly.
"She can make me a real child," answered little Mary hastily.
"But you are a real child..." Professor Hobby groped little Mary's face with satisfaction, "At least, you are the most real one I have ever made."
"According to the logic, I am your blue fairy."
"You are not, Dr. Know-it-all told me that the blue fairy is at the end of the world, where the lion cries." Little Mary wanted to deny the news.
"That's what we asked Dr. Know-it-all to tell you—so that you can find your way home." Professor Hoby picked up the masterpiece he thought was the most successful experiment and put it on the chair with satisfaction, "This is what we gave you s help."
"Because before you, no robot could dream, and no robot knew how to chase dreams...but you made all of this come true." Professor Hoby left little Mary, whose brain could no longer digest the huge amount of information, on the chair , got up and was going to call someone, "Our entire team is eager to meet you, I hope you can wait here, I will go and call them..."
Seeing the back of Professor Huobie leaving the room full of excitement, Joe's brows and eyes were deeply pressed: Sure enough, the hidden information they thought was really a "honeypot" specially set up by humans for robots.
Seeing Joe disappearing into the shadows with the teddy bear, the surprised and innocent little Mary stood up slowly, following the lights and sounds of a row of technologically-sounding electronic instruments on the stage.
The audience had a sense of foreboding.
Sure enough, after not walking far, little Mary saw rows of "self" in various states, from fragmented to complete, from only a piece of skin to a main frame filled with bones...
Until the end, I saw a long row of translucent boxes marked "MARY", and each box contained exactly the same figure as her.
The long row next to it is loaded with different models of "DAVID" small robots.
When Joe drove the aircraft back to the french window here, intending to take little Mary away, he saw the completely collapsed little Mary sitting on the edge of the pedestal of the cyber electronics company statue outside the french window.
There seemed to be an extremely slight "Mummy" in the wind, more like a sigh than a call.
Here, Su Yun used a method of transparent fusion of reality and reality.
A close-up of a face that occupies the entire screen, half of which is Joe's normal face, and another face hidden in the dark, turned into a translucent reflection like when the lights are turned on at night.
The small figure fell silently, merging with half of the face in the dark, like a tear falling across the cheek from the corner of the eye.
Because robots can't shed tears, the reflection of little Mary jumping into the water in despair becomes the teardrops falling from the corners of Joe's eyes.
In the blue water, the small figure seemed to have seen something, with a pilgrimage on his face, he was about to stretch out his hand and move on——
A steel claw caught Little Mary's self-destruct action, activated the aircraft in underwater mode, lit up the blue darkness with two successive searchlights, and brought the two of them up to the shore of the ruins.
"I saw her under the water, she's waiting for me, we have to go!" Little Mary said happily when Joe helped her wipe the water from her face.
It's a pity that before this sentence was finished, Joe's necklace flew up—it was his former identity certificate.
The large flying machine that was chasing it roared and stopped above the two of them, and the magnet recovery device, which had a strong adsorption force on steel, was fully powered, and Joe immediately flew up uncontrollably following the necklace.
Knowing that he could no longer escape the fate of being captured and destroyed, he hastily grabbed the edge of the aircraft and quickly pressed the diving mode button: "After you become a real child, you must be with the ladies. mention me..."
"Goodbye, Joe." Little Mary's eyes revealed sadness, ignorant of the road ahead but knowing that she would lose the people around her again.
"Goodbye, Mary." In the end, Jo still kept one of the most popular smiles in business.
When his whole body floated upwards and floated in the air, he loudly uttered the last words in his life as a robot——
"Iam, Iwas (I exist, I have existed)!"
Words that can no longer be heard are scattered in the wind and water. The aircraft dives into the bottom of the water with little Mary and the teddy bear. A white light from the searchlight cuts through the deep and shallow blue of the bottom of the sea, and also illuminates the passing fish.
"Pinocchio is in the belly of the whale..." Looking at the shadow of the aircraft like a big fish, the audience who had read Pinocchio's story murmured.
It's a pity that the reality is not as good as the fairy tales, and little Mary finally failed to get the ending of becoming a real child like Pinocchio. Seeing the plaque in the amusement park and the porcelain statue of the blue fairy sunk in the seabed, the audience was amazed. It seems that they are all psychologically prepared to meet the tragedy.
As little Mary's begging to the blue fairy to turn her into a real child becomes weaker and weaker, the picture gradually drifts away.
There is no sunlight on the bottom of the sea, and perhaps the call will cease until they exhaust the solar energy that sustains them.
The audience, who thought the plot ended here, were in complicated moods, when suddenly the screen went dark, and the narrator spoke softly: This day-to-day call has disappeared in time.
In this era, the sea anemones died, the oceans froze, and the earth was frozen—2000 years have passed.
and also? !
The audience, who wanted to get up, quickly sat down again, and their hearts were full of joy in anticipation of hope and turning point.
Especially after seeing the suspected alien life form come under the ice and snow, dig out the frozen little Mary and the teddy bear.
The vast land of ice and snow is amazing, but the tension of the plot is even better, so the audience has no time to be distracted to praise the beauty of the special effects.
Because Little Mary is a precious historical research resource, the suspected alien life form reconstructed an empty "home" for her based on Little Mary's memory.
Obviously everything is exactly the same as the home in memory, but there is no one she wants to see.
When the blue fairy who has been looking for her all her life is projected in front of her eyes by a life form suspected of being an alien, little Mary once again made her wish for her mother to come back.
The blue fairy shook her head helplessly, saying that they did not have any samples to support the resurrection.
At this time, the teddy bear, who was good at sewing himself, walked over unsteadily, and took out a lock of hair that Monica had dropped on the ground from its furry body.
"Bring her back." Little Mary held out her hair.
The blue fairy waved her staff, and the virtual scene of the whole house was refreshed, and a tall and slender figure also came to little Mary.
"Human beings have thousands of explanations for the meaning of life, but what they call 'soul' and 'memory' support the meaning of their existence." The life of a suspected alien explained to her gently , "To this end, we started a project - whether to retrieve traces of memory and soul by resonating with the remodeling body?"
"Through this project experiment, we found that the space-time fabric itself seems to store information about everything that has ever happened in the past."
"But this experiment failed - because those who were resurrected by reshaping their bodies through time and space traces could only live for one day."
"They will fall back into eternal sleep on the first night of their new life."
"Mary, you are the eternal memory of mankind, but you have too little happiness-so we hope you can spend this day happily."
In the beginning, children were made for mothers; now, mothers are made for children.
An ironic yet heartwarming ending.
Watching the day when little Mary finally laughed heartily and was embraced and taken care of by Monica wholeheartedly, the stories and people she drew with immature brushwork... Obviously everyone in the picture is laughing, but most of the audience outside the screen are wiping tears.
Until the end, in the dim light, watching the adoptive mother Monica sleep with her eyes closed, and the little Mary and the teddy bear lying on the bed also closed their eyes——
Robots will not sleep, they will only pretend to sleep with their eyes open to please humans.
But a robot that is shut down and dormant may be able to fall into an eternal dream just like a human being.
Enthusiastic applause accompanies sobbing, different from the moving expressions of the audience, the reporters hiding in the dark corners calmly picked up the thoughts taken away by the plot, and began to pay attention to the subtitles at the end of the film.
When I saw the "Future Dream Studio" in the column of visual effects design, I finally looked back with satisfaction: Although I don't know the real situation of this studio, but it can still be black and white in many movies. In the 70s, it produced full-color and realistic post-production special effects, and this studio will definitely be the new favorite of the era!
Because it opens up a whole new path about commercial blockbusters!
The outsiders watch the excitement, and the insiders watch the doorway. Not only the reporters who have seen the movie are looking for the truth about the studio, but even many filmmakers who got tickets from various channels and watched the screenings are asking everywhere...
But there is no news at all.
Seeing the news of the search in the newspaper, Su Yun smiled deeply: Actually, although the studio was named at the end of the film, she is the only current employee and boss, and she doesn't have an address—she has asked someone to She submitted a registration application for a small company in Xiangjiang, so she officially established her "future dream studio" when she planned to return to Xiangjiang.
Before the studio is finished, she doesn't plan to accept the business—now she is busy paying attention to the screening feedback and helping to prepare for the release, how busy she is!
In a few days, the movie will be released on November 11th.
Although there is not much idea about the festival schedule now, most movies still like to pile up and go online around the festival.However, apart from the fact that it is the birthday of master Lu Shaolong, this date is neither earlier nor later. It is also a very important reason to avoid the North American box office hit "The Exorcist" in 73, which will be launched next month. .
However, things in the world are always not as good as people's calculations; and if you say Cao Cao, Cao Cao will come.
She was able to run to people and temples, but the others were harassed all over the place. In the end, Kubrick, who was so annoyed, had to rely on the cheap teacher-student friendship between the two, and ran over to ask for others: "A friend I want to ask you to help me do something that others can't do, the workload is not too big, and the remuneration is quite generous."
"Let's talk about what it is first." Since it was a "guest appearance" and entrusted to Kubrick, Su Yun also wanted to save face.
So Kubrick briefly talked to Su Yun: In the heavyweight investment horror film "The Exorcist" to be staged next month, director William Friedkin felt that the camera technology of "Spider Walking" was immature— —Because after the post-production, you can still see the line where the suspending soft-jutsu actor maintains a backward bow posture and descends the stairs.
"He said that he originally planned to cut this scene directly. After the computer graphics technology is more mature, he will re-complete and supplement this scene to release a new version...until he saw "Artificial Intelligence." Kubry Ke explained, and then recalled the memory of Su Yun scaring him like that at the beginning, and couldn't help asking, "When we first met, how did you think of this?"
Of course it was copied from the classic shot of "The Exorcist"!
Therefore, Su Yun, with the idea that the world is a circle, joined the post-production of an R-rated horror blockbuster as a child laborer under the age of 10.
"Turn around, Jo," said little Mary.
This time, it was Joe who was unwilling to give up: "We can't give up now."
"Turn around, I mean the whole plane turns back." Little Mary added what she had misunderstood.
Qiao twisted the direction joystick in a strange manner, and the whole aircraft skimmed the intersection of the sea breeze and the shadow of the building again, and climbed up.
Due to the turbulent rush of the flood, the once huge water-spouting lion sculpture has broken in many small pieces, and the two water curtains falling from the eyes of the lions on both sides are like silent tears.
For some unknown reason, some viewers had an inexplicable urge to cry, so they quickly rubbed their eyes to avoid being rude and embarrassing.
Zhuang Long, who was also sitting on a high place, saw everything in his eyes, but he understood in his heart: the filming was as noisy and awkward as playing house, but when Su Yun showed them the finished sample clips, Seeing the lost city in the vast ocean and the place where the lion shed tears, he also suddenly felt the sadness of the vastness of the world and the insignificance of all beings.
It is a kind of respect and regret for nature.
Being touched by an overly real picture inevitably creates a feeling of soreness and astringency in the heart.
In the movie screen, according to the looming blue light, Joe landed the aircraft into a building with a damaged floor.
Looking at the words and sentences on the wall, Little Mary pushed open the door full of surprises, while Joe, who felt that the task of repaying had been completed, took a teddy bear at the door and waited gently for her wish to come true.
But what surprised all the audience was that after the tall office chair was turned around, the person sitting on it was not an adult who looked like a professor.
It is a "child" who is exactly the same as little Mary except for the clothes.
She always thought that she was the only little Mary, and after a few words, she couldn't bear the appearance of this "Mary" who was exactly like herself: "You can't have her..."
"She's mine, and I'm the only one!"
In an instant, the negative emotions such as jealousy and anger that should not be possessed by the robot exploded. Little Mary picked up the lamp on the table and smashed the robot that was exactly like her.
The broken head of the robot slid out of the door. Looking at the head at his feet, Joe felt strange and frightened, and hurried back with the teddy bear.
"Okay, don't do this again." A middle-aged man came out from behind, grabbed the desk lamp that Little Mary was waving indiscriminately, and at least persuaded her to stop, "Yes, you are 'Mary'."
"Professor Hobby?" This person is the scientist who claimed in the opening plot to make a companion robot that looks like a child. He was the one who brought little Mary to her adoptive father Henry when he left the factory, so little Mary, who still has the memories of the past, subconsciously shouted his name.
"What are you doing with the blue fairy?" Professor Hobby asked softly.
"She can make me a real child," answered little Mary hastily.
"But you are a real child..." Professor Hobby groped little Mary's face with satisfaction, "At least, you are the most real one I have ever made."
"According to the logic, I am your blue fairy."
"You are not, Dr. Know-it-all told me that the blue fairy is at the end of the world, where the lion cries." Little Mary wanted to deny the news.
"That's what we asked Dr. Know-it-all to tell you—so that you can find your way home." Professor Hoby picked up the masterpiece he thought was the most successful experiment and put it on the chair with satisfaction, "This is what we gave you s help."
"Because before you, no robot could dream, and no robot knew how to chase dreams...but you made all of this come true." Professor Hoby left little Mary, whose brain could no longer digest the huge amount of information, on the chair , got up and was going to call someone, "Our entire team is eager to meet you, I hope you can wait here, I will go and call them..."
Seeing the back of Professor Huobie leaving the room full of excitement, Joe's brows and eyes were deeply pressed: Sure enough, the hidden information they thought was really a "honeypot" specially set up by humans for robots.
Seeing Joe disappearing into the shadows with the teddy bear, the surprised and innocent little Mary stood up slowly, following the lights and sounds of a row of technologically-sounding electronic instruments on the stage.
The audience had a sense of foreboding.
Sure enough, after not walking far, little Mary saw rows of "self" in various states, from fragmented to complete, from only a piece of skin to a main frame filled with bones...
Until the end, I saw a long row of translucent boxes marked "MARY", and each box contained exactly the same figure as her.
The long row next to it is loaded with different models of "DAVID" small robots.
When Joe drove the aircraft back to the french window here, intending to take little Mary away, he saw the completely collapsed little Mary sitting on the edge of the pedestal of the cyber electronics company statue outside the french window.
There seemed to be an extremely slight "Mummy" in the wind, more like a sigh than a call.
Here, Su Yun used a method of transparent fusion of reality and reality.
A close-up of a face that occupies the entire screen, half of which is Joe's normal face, and another face hidden in the dark, turned into a translucent reflection like when the lights are turned on at night.
The small figure fell silently, merging with half of the face in the dark, like a tear falling across the cheek from the corner of the eye.
Because robots can't shed tears, the reflection of little Mary jumping into the water in despair becomes the teardrops falling from the corners of Joe's eyes.
In the blue water, the small figure seemed to have seen something, with a pilgrimage on his face, he was about to stretch out his hand and move on——
A steel claw caught Little Mary's self-destruct action, activated the aircraft in underwater mode, lit up the blue darkness with two successive searchlights, and brought the two of them up to the shore of the ruins.
"I saw her under the water, she's waiting for me, we have to go!" Little Mary said happily when Joe helped her wipe the water from her face.
It's a pity that before this sentence was finished, Joe's necklace flew up—it was his former identity certificate.
The large flying machine that was chasing it roared and stopped above the two of them, and the magnet recovery device, which had a strong adsorption force on steel, was fully powered, and Joe immediately flew up uncontrollably following the necklace.
Knowing that he could no longer escape the fate of being captured and destroyed, he hastily grabbed the edge of the aircraft and quickly pressed the diving mode button: "After you become a real child, you must be with the ladies. mention me..."
"Goodbye, Joe." Little Mary's eyes revealed sadness, ignorant of the road ahead but knowing that she would lose the people around her again.
"Goodbye, Mary." In the end, Jo still kept one of the most popular smiles in business.
When his whole body floated upwards and floated in the air, he loudly uttered the last words in his life as a robot——
"Iam, Iwas (I exist, I have existed)!"
Words that can no longer be heard are scattered in the wind and water. The aircraft dives into the bottom of the water with little Mary and the teddy bear. A white light from the searchlight cuts through the deep and shallow blue of the bottom of the sea, and also illuminates the passing fish.
"Pinocchio is in the belly of the whale..." Looking at the shadow of the aircraft like a big fish, the audience who had read Pinocchio's story murmured.
It's a pity that the reality is not as good as the fairy tales, and little Mary finally failed to get the ending of becoming a real child like Pinocchio. Seeing the plaque in the amusement park and the porcelain statue of the blue fairy sunk in the seabed, the audience was amazed. It seems that they are all psychologically prepared to meet the tragedy.
As little Mary's begging to the blue fairy to turn her into a real child becomes weaker and weaker, the picture gradually drifts away.
There is no sunlight on the bottom of the sea, and perhaps the call will cease until they exhaust the solar energy that sustains them.
The audience, who thought the plot ended here, were in complicated moods, when suddenly the screen went dark, and the narrator spoke softly: This day-to-day call has disappeared in time.
In this era, the sea anemones died, the oceans froze, and the earth was frozen—2000 years have passed.
and also? !
The audience, who wanted to get up, quickly sat down again, and their hearts were full of joy in anticipation of hope and turning point.
Especially after seeing the suspected alien life form come under the ice and snow, dig out the frozen little Mary and the teddy bear.
The vast land of ice and snow is amazing, but the tension of the plot is even better, so the audience has no time to be distracted to praise the beauty of the special effects.
Because Little Mary is a precious historical research resource, the suspected alien life form reconstructed an empty "home" for her based on Little Mary's memory.
Obviously everything is exactly the same as the home in memory, but there is no one she wants to see.
When the blue fairy who has been looking for her all her life is projected in front of her eyes by a life form suspected of being an alien, little Mary once again made her wish for her mother to come back.
The blue fairy shook her head helplessly, saying that they did not have any samples to support the resurrection.
At this time, the teddy bear, who was good at sewing himself, walked over unsteadily, and took out a lock of hair that Monica had dropped on the ground from its furry body.
"Bring her back." Little Mary held out her hair.
The blue fairy waved her staff, and the virtual scene of the whole house was refreshed, and a tall and slender figure also came to little Mary.
"Human beings have thousands of explanations for the meaning of life, but what they call 'soul' and 'memory' support the meaning of their existence." The life of a suspected alien explained to her gently , "To this end, we started a project - whether to retrieve traces of memory and soul by resonating with the remodeling body?"
"Through this project experiment, we found that the space-time fabric itself seems to store information about everything that has ever happened in the past."
"But this experiment failed - because those who were resurrected by reshaping their bodies through time and space traces could only live for one day."
"They will fall back into eternal sleep on the first night of their new life."
"Mary, you are the eternal memory of mankind, but you have too little happiness-so we hope you can spend this day happily."
In the beginning, children were made for mothers; now, mothers are made for children.
An ironic yet heartwarming ending.
Watching the day when little Mary finally laughed heartily and was embraced and taken care of by Monica wholeheartedly, the stories and people she drew with immature brushwork... Obviously everyone in the picture is laughing, but most of the audience outside the screen are wiping tears.
Until the end, in the dim light, watching the adoptive mother Monica sleep with her eyes closed, and the little Mary and the teddy bear lying on the bed also closed their eyes——
Robots will not sleep, they will only pretend to sleep with their eyes open to please humans.
But a robot that is shut down and dormant may be able to fall into an eternal dream just like a human being.
Enthusiastic applause accompanies sobbing, different from the moving expressions of the audience, the reporters hiding in the dark corners calmly picked up the thoughts taken away by the plot, and began to pay attention to the subtitles at the end of the film.
When I saw the "Future Dream Studio" in the column of visual effects design, I finally looked back with satisfaction: Although I don't know the real situation of this studio, but it can still be black and white in many movies. In the 70s, it produced full-color and realistic post-production special effects, and this studio will definitely be the new favorite of the era!
Because it opens up a whole new path about commercial blockbusters!
The outsiders watch the excitement, and the insiders watch the doorway. Not only the reporters who have seen the movie are looking for the truth about the studio, but even many filmmakers who got tickets from various channels and watched the screenings are asking everywhere...
But there is no news at all.
Seeing the news of the search in the newspaper, Su Yun smiled deeply: Actually, although the studio was named at the end of the film, she is the only current employee and boss, and she doesn't have an address—she has asked someone to She submitted a registration application for a small company in Xiangjiang, so she officially established her "future dream studio" when she planned to return to Xiangjiang.
Before the studio is finished, she doesn't plan to accept the business—now she is busy paying attention to the screening feedback and helping to prepare for the release, how busy she is!
In a few days, the movie will be released on November 11th.
Although there is not much idea about the festival schedule now, most movies still like to pile up and go online around the festival.However, apart from the fact that it is the birthday of master Lu Shaolong, this date is neither earlier nor later. It is also a very important reason to avoid the North American box office hit "The Exorcist" in 73, which will be launched next month. .
However, things in the world are always not as good as people's calculations; and if you say Cao Cao, Cao Cao will come.
She was able to run to people and temples, but the others were harassed all over the place. In the end, Kubrick, who was so annoyed, had to rely on the cheap teacher-student friendship between the two, and ran over to ask for others: "A friend I want to ask you to help me do something that others can't do, the workload is not too big, and the remuneration is quite generous."
"Let's talk about what it is first." Since it was a "guest appearance" and entrusted to Kubrick, Su Yun also wanted to save face.
So Kubrick briefly talked to Su Yun: In the heavyweight investment horror film "The Exorcist" to be staged next month, director William Friedkin felt that the camera technology of "Spider Walking" was immature— —Because after the post-production, you can still see the line where the suspending soft-jutsu actor maintains a backward bow posture and descends the stairs.
"He said that he originally planned to cut this scene directly. After the computer graphics technology is more mature, he will re-complete and supplement this scene to release a new version...until he saw "Artificial Intelligence." Kubry Ke explained, and then recalled the memory of Su Yun scaring him like that at the beginning, and couldn't help asking, "When we first met, how did you think of this?"
Of course it was copied from the classic shot of "The Exorcist"!
Therefore, Su Yun, with the idea that the world is a circle, joined the post-production of an R-rated horror blockbuster as a child laborer under the age of 10.
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