Starting My Treasure Hunting In England

The construction of the museum takes a certain amount of time, so Liang En and the others can take this opportunity to make various preparations, such as training personnel.

Fortunately, professionals can be found to take charge of this type of work, so what Liang En has to do next is just to make as much money as possible, and then quickly pay back all the money he borrowed.

Although it is okay to borrow this money for three to five years, due to the consumption habits of ordinary Chinese people, Liang En feels that it is better to borrow less of this type of debt.

For Liang En, in addition to obtaining a large number of treasures and finding an almost permanent new source of wealth for Joan of Arc's manor, the biggest gain this time was a series of new cards.

So after finishing all the trivial matters, Liang En immediately returned to his room and checked the cards he had obtained this time.

The number of cards this time is not large. After all, Sutton Hoo Cemetery is not particularly famous now. Fortunately, the quality of the cards can make up for the lack of quantity.

There are five cards in total this time, which is less than the cards issued by such ruins of the same level. Three of them are common cards, and the other two are a skill card and an enhancement card.

The common cards this time were actually three [Legendary Power (N)] cards, which was the largest number of [Legendary Power (N)] cards released at the same time.

Gen Liangen's guess is that the reason for this situation is probably related to the fact that the number of cards issued this time is too small, so it is acceptable for the cards that appear to be of better quality.

"This is the legendary interdependence of good fortune and misfortune." Liang En sighed and said to himself. Compared to more cards, Liang En naturally preferred this view that was more meaningful to him.

After all, the legendary power is equivalent to his blue bar, and for Liang En, who is now closer to the blue bar mage, the higher the upper limit of his legendary power points, the better.

As for the other two cards, they are more interesting. The strengthening card is more practical for Liang En, and the skill card is a rare card that can use extraordinary power.

[Jewelry Master (R): The earliest jewelry was handmade by humans. As the times progress, the rate of machine intervention is getting higher and higher, and it has even reached the level of computer-aided design and fully automatic production.

Of course, this kind of large-scale industrial production of jewelry cannot be high-quality. Most of it is cheap jewelry that appears in mass production, while truly high-end jewelry is still hand-produced by high-level craftsmen.

Strengthen card (one-time use). By consuming this card, you can strengthen your small metal products and gemstone processing level to reach the master level, and you can create top-notch works of art under certain circumstances. 】

After seeing the content on the card, Liang En quickly used the card. As a result, he found that many contents related to jewelry making appeared in his mind, and his hands became more flexible at the same time.

After simply experimenting with a few movements, he found that he had gained more knowledge in jewelry making, especially small details that could improve his overall jewelry making level.

This card can be used in conjunction with the classical jewelry making card that Liang En obtained before, which can bring his jewelry making level to a higher level. The only problem is that producing top-notch art is still a hit-or-miss affair.

Of course, this is just Liang En's very Versailles exclamation, because for most artists in history, creating a work of art that will be famous throughout the ages is a rare thing.

To give the simplest example, everyone knows that Leonardo da Vinci is definitely one of the top artists in history, but there are many more abandoned drafts than products, and not every work can become a masterpiece.

The same is true for other great artists in history. It's just that those who can travel through a long time and leave behind are all high-quality works, so there is an illusion that the master's works must be high-quality works.

Liang En actually had personal experience of this matter. For example, even after he obtained the artistic level of the master Mucha, he failed to create a work that could truly be called a masterpiece.

Yes, his level can reach the master level. In the eyes of the public, whether it is the pictures he draws or the jewelry he designs, every piece of jewelry can be called a masterpiece of art. But Liang En knew that he had not created a real masterpiece.

This situation occurs partly because after suddenly acquiring these things, it still takes some time for Liang En to completely integrate and convert them into his own things, and he cannot master them immediately.

On the other hand, if you want to create fine works of art, you need the right time, location, and people. Liang En has not found a suitable opportunity since he obtained the card.

From Liang En's personal experience, we can see that even a 1% chance of creating top-notch art is very valuable to artists.

Unfortunately, without the golden finger like Liang En's hand, for most people, there is not even a certain low probability. To create a real masterpiece depends purely on luck.

"A card that doesn't look very cool, but is actually very useful." Liang En was quite satisfied with this card, but the next card was a completely different extraordinary power card. Card.

[Wind of Odin (SR): The ancient Vikings can also be regarded as a nomadic people, except that the tools they used were ships instead of horses. At their peak, the Vikings were distributed throughout northern Europe.

Britain also had a long Viking Age, and Viking civilization also penetrated this land. For example, the form of a ship tomb in Sutton Hoo Cemetery and the cultural relics unearthed in it all illustrate the relationship between this kingdom and the Vikings. Beijing ancestry.

For the Vikings, the secret to their vast territory lay in their longships, which could not only cross oceans but also travel up rivers.

When sailing in rivers or shallow sea areas with complex hydrology, these ships may choose to paddle manually, but when sailing on the ocean, they can only rely on sails, so the wind direction is crucial to them.

The emphasis on wind direction is reflected in many places in Viking culture. For example, in Viking culture, the person in charge of wind is their main god Odin.

Skill card (permanent) (active). When the card is used, it consumes legendary power to change the wind direction and wind-related climate in an area.

The initial range is a first-level wind within a quarter of an hour with the caster as the core radius upper limit of 1km. Each legendary point invested can increase the radius of influence by one kilometer, and a quarter of an hour or a level of wind.

Both the casting range and the wind strength can be slightly adjusted, but anything that exceeds the standard will require an extra point of destiny as a price. 】

"A skill that looks very cool, but may not be useful." Liang En thought after carefully studying the purpose of this skill card, because he really couldn't figure out what use this skill had in daily life.

"However, if you are on the sea or desert, being able to control the wind direction should bring some advantages. I just hope there will be no emergency situations where this card is used."