Super Dimensional Wizard
Vol 6 Chapter 3425: polar region
Angel: "Huh?" Use a mysterious thing?
Laplace put the previous dragon scale in his palm: "You can use the dream conch to pull it into the dream crystal field."
Pulling Eya's dragon scale into the dream crystal field?
So, does this dragon scale have a special effect?
Maybe seeing Angor's question, Laplace handed the dragon scale to Angor: "You can see for yourself."
Angel took the dragon scale and used his mental power to investigate directly.
Soon, there will be information feedback.
"Is this a space prop?" Angel muttered in a low voice, but his tone was very firm.
Laplace nodded: "Yes, the space does not have any defenses, and the spiritual power can penetrate directly. You might as well take a look at the things inside."
Anger didn't hesitate, directly manipulated the tentacles of mental power, and drilled into the space.
With the vision of almost no dead ends with spiritual power, once entering the dragon scale space, you can see everything inside at a glance.
The space of the dragon scale is not large, it can even be said to be extremely narrow.
Only the size of a storage box.
The capacity can hold one or two folded quilts at most.
And such a small space is still very spacious at this time, which is enough to show that there are not many things inside.
There is only a delicately framed oil painting, a pure white quill, a bottle of lacquer ink, and two stacks of paper. One stack is ordinary paper, which is relatively thick; the other small stack may only have dozens of pages, but it is shining faintly.
When he saw clearly that it was an oil painting and a paper page, Angel immediately understood what Laplace meant: "Is this text space? And the corresponding paper medium?"
Laplace nodded: "Yes."
Before, they were interested in this after experiencing the text space.
This is a special ability involving "lower-level operating logic", which is even more magical than the Witchcraft Garden. They really want to know, when the text space is included in the dream crystal, will there be some special operating rules?
Because of this, when they chatted privately at the Dragon Banquet, Laplace said that she would go to Eya to borrow a text space. At that time, use the dream conch to pull the text space into the dream crystal field to see if there is any change.
Angel thought that this matter would start after the party, but he didn't expect Laplace's actions to be so efficient. Not long after the Dragon Banquet ended, he directly communicated with Eya.
Even, text space and paper media are brought in!
While feeling emotional, Angel did not forget to look at the oil painting carefully.
Based on the relationship between Laplace and Eya, the borrowed oil painting must have a more advanced text space than the previous Dragon Banquet space.
Just don’t know what kind of environment it will be?
forest? grassland? Or, ice fields, deserts? Or, is it an extraordinary vacuum?
Angel looked at the oil painting curiously.
However, when he saw the surface of the oil painting clearly, he was stunned.
Painting... nothing.
is a piece of paper with a slight oil mist.
Such a dull paper, framed in such a delicate frame? What does it mean?
Could it be that there is actually something wrong with this oily and oily paper? For example, is there a quaint castle hidden in the fog? You just have to wait until the fog clears to see it.
"There is no theory, and there is no castle." Facing Angel's inquiry, Laplace said indifferently: "This is a blank drawing paper coated with tung oil."
Angor: "..."
Laplace: "However, although there is no picture, there is indeed a text space hidden inside it. Moreover, it is the highest level text space."
Angel looked at the foggy coating in the oil painting, full of doubts. If it is the highest level of text space, why is there no picture?
Laplace: "Because it is still in an initial state, if you want a picture, you need to write on paper and then add it."
To put it simply, the "oil painting" presented by the text space is not drawn with paint, paper and pen, but described with words.
For example, the oil painting of the Dragon Banquet, from outsiders' perspective, the oil painting depicts a luxurious court and a banquet.
But these banquets, including tables and chairs, tableware, curtains, etc., are actually described sentence by sentence. When the text description takes shape, the external oil painting will present a corresponding picture.
Now, the oil painting in front of me is blank, which means that the text space inside is empty.
If you want to make the blank oil painting wonderful, you have to enter the text space and describe these things by yourself.
Laplace: "The text space contained in this oil painting is actually cut from the secret library of the Arcana, and belongs to the same source."
The Austrian secretary library is also a text space, and it is the strongest text space created by Eya so far. So, don't look at this oil painting as nothing, but its own level is very high.
Also because of the extremely high level of this oil painting, it can carry at least wizard-level extraordinary items.
"The luminous paper that Eya left in the space is the paper made by Eya, which can be used to describe extraordinary items."
Don't look at the pile of glowing paper that Eya left them, but it's really not much.
Because, if you want to create a supernatural item in the text space, you can’t succeed with a sentence or two of description, and you must be detailed enough to describe it from every material.
That is to say, you must have an understanding of supernatural materials and sufficient alchemy knowledge, and then describe different supernatural materials on different supernatural pages, and finally create supernatural items through the combination of these materials.
Therefore, don't look at a stack of glowing paper, but if you really want to create extraordinary items in the text space, it is estimated that one piece can consume all the paper pages.
However, Eya only kept this small stack of specially made paper pages, not because he was stingy.
It is this kind of special paper, which is very difficult to produce, and it is manufactured by consuming the potential of the "Book of Time". Occasionally producing one or two copies will not have much impact on the talent of the "Book of Time", but if it is produced frequently and in large quantities, it will cause permanent damage to the "Book of Time".
So, Eya was able to leave such a stack of specially made paper pages for them, it was already for the sake of Laplace, and he was very sincere.
But then again, the number of special paper sheets is small, but it is not a big problem for them...
They will not consume these specially-made paper pages in reality, use the dream conch to pull into the dream crystal source, and then pull new ones after consumption. Such a cycle is almost equivalent to prostitution.
Anyway, there is nothing to do for a while now, Angel looked at Laplace: "Then should we pull him into the dream crystal field now, or should we create something in the oil painting first, and then pull it?"
…
Finally, they decided to pull the oil painting into Dream Crystal.
Because, this blank oil painting was just "borrowed" from Eya by Laplace under the pretext of "research", and it will be returned when the time comes.
Since the ownership is no longer in their hands, there is no need to "get involved" in it.
Of course, even if a blank oil painting was used in reality, Eya wouldn't care. After all, he is willing to lend it out, and he has prepared all the paper and pen, which is for them to use.
But for Ingres and Laplace, it doesn't matter that no literal space is used. It is their goal to pull the text space into the dream crystal field.
After confirming the plan, Angel began to act.
Although Laplace has determined that the current crystal cluster space can hide the mysterious atmosphere to the greatest extent, Angel still decided to do multiple layers of protection just in case and to prevent the "monitoring" left by the giant city spirit.
Take out the geometric lock, and enter the Yinsen space in the geometric lock.
Used Dream Conch in Yinsen Space.
In this case, although a part of the mysterious aura escaped from the Yinsen space, it was firmly suppressed by the geometric lock of the outside world, and did not disperse to the outer crystal cluster space.
Under this kind of multi-layer protection, even if the giant city spirit has the means of "monitoring", it is difficult to detect any abnormalities.
Let’s get back to the topic.
Angel has already pulled Eya's dragon scale into the dream crystal field.
Because the text space involves the underlying rules, Angel is worried that after it enters the dream crystal field, it may have some impact on the current power logic.
At that time, there may be some abnormal celestial phenomena and changes.
In order to avoid any impact on the creatures of the Dream Crystal, Angel placed the dragon scale registration location in a polar region far away from human habitation.
"Has anything changed?" Laplace asked.
Angel withdrew from the vision of power: "I haven't seen any changes yet, maybe because the oil painting is in the dragon scale space, why don't we go in and have a look?"
Laplace thought for a while and nodded. With Angel here, if something goes wrong, it won't have much impact.
Angel and Laplace landed in the Crystal Field of Dreams at the same time.
When they opened their eyes, they had already come to a vast crystal field.
Here is the "polar region" of Dream Crystal Field.
The "extreme" here does not mean the end, but "pure".
The "crystal" in Dream Crystal Source refers to "crystal". Almost the whole world is made up of crystals.
It seems that these crystals are all the same, but in fact... crystals in different regions show different properties.
Just like the outside world, there are also red soil and black soil, and the same is true for the crystals of the Dream Crystal.
In some places, the crystal structure is thin and scattered, that is, the relative stability is relatively low, which also leads to a very peculiar double-layer world view in these areas.
Because the crystal structure is weak, large areas of underground space appear.
There is a world on the surface and a world underground.
In some places, the crystal structure is extremely pure and firm, and there is almost no space underground in such places.
And this kind of crystal is more solid, and there is little underground space, which is called "polar region" by Angel.
Angel chose to place the dragon scales in the polar regions not only because of the sparse population, but also because the crystal fields here are very stable. If it is really because of the arrival of the text space, some earthquakes and natural disasters will occur.
Then, with the structure of the polar region, its ability to resist risks must be stronger than that of other regions.
Anger looked around, and soon found Eya's dragon scale on a crystal protruding like a table not far away.
Angel picked up the dragon scale and checked it. Not long after, Laplace's voice came from next to his ear: "How is it? Has there been any change?"
Looking back, Laplace had already walked to his side.
Perhaps because of the special landforms of the polar region, the temperature here is much lower than other places. When talking, you can clearly see clouds of white cold mist spewing out of your mouth.
Angel shook his head: "There is no abnormality yet. Maybe we have to take out the oil painting to see if it will affect it."
Laplace: "Then try it now?"
Angel thought for a moment, nodded and said, "Okay."
After speaking, Angel took a deep breath, and took out the... quill from the dragon scale space.
The appearance of the quill did not cause any abnormalities, so Angel struck while the iron was hot and continued to take out the ink.
Angel originally thought that the ink should be similar to a quill pen, but what he didn't expect was that the moment the Eyate ink was taken out, the sky, which was originally normal, began to darken.
Pieces of dark clouds are constantly gathering.
On the crystal plain, there were also bursts of bitter cold wind...
Such a change, Angel and Laplace will naturally not ignore it.
Laplace pushed the silver-white hair that was blowing in front of his eyes behind his ears: "Is this the reaction of Dream Crystal?"
Angel pondered: "Maybe."
It is also difficult for Angor to tell whether it is a coincidence, or whether Eya's ink really caused the Dream Crystal to react.
However, it is not difficult to know the answer, as long as the remaining paper pages and oil paintings are taken out, you can confirm whether they are related to the changes in the celestial phenomena.
In order to confirm accurately, Angel still did not choose oil painting, but took out a stack of ordinary paper pages from the dragon scale space.
The moment the paper appeared, the dark clouds in the sky gathered faster, layer by layer, forming deeper black clouds.
It is not yet evening at the Crystal Field of Dreams, but the polar region has been shrouded in black clouds, like night.
Moreover, the black cloud covers a huge area, at least with the naked eye, there is no white space in the sky. Has completely entered the day and night.
The surrounding wind is getting stronger and stronger.
It was like a pair of cold knives oncoming, and the shaving of the face was painful.
Feeling such sudden changes in the world, Angel has basically confirmed that these changes should come from the stack of paper in his hand.
Because Angel, through the perspective of God, has already seen the range affected by the black cloud, almost covering the entire current polar region.
And the center of the whole black cloud is exactly where they are!
Ink drew dark clouds and cold wind.
Stacking papers attracted black clouds to press down on him.
According to this rhythm, once the extraordinary paper pages and the final oil painting are taken out, it is estimated that there will be further influences, and the scope will continue to expand.
Come to think of it, at least half of the dream crystals will be included.
Anger is also a little lucky now, fortunately he chose a polar place far away from human habitation...
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