The author's diary of ghost stories
Chapter 6 How to use pawns
Yu Liang's eyes stayed at the corner of his field of vision, where there was a list of strange stories that only he could see.
[Main Line-Changhong Zoo]
[Branch line-Monkey who can’t be alone]
According to the notes of the main line of ghost stories, the source of the strangeness of this zoo is "it", and all they, the recruited tourists, can do is escape, or find "it" and escape again.
This kind of comment is a bit clever, but from Lao Du's mouth, we can also know that there is no way to escape by normal means except taking off the moon synthesis key. Then the answer is obvious. The only way is to explore and analyze "it" Existence and origin make it easier to find other ways to escape.
In short, you have to learn more about this place.
Yu Liang made up his mind and walked behind Lao Du, silently memorizing the huge zoo map in front of Lao Du.
There is a Swan Lake in the center of Changhong Zoo, with an island in the middle of the lake. The various exhibition halls are arranged around the Swan Lake. In addition, there are scattered small lakes, but these small lakes are not on the map. They are all in the annotation format of "XX Pool".
Visitor Service Center, Ahong Supermarket, Children's Paradise...
Yu Liang wrote down the locations of these key locations, and then focused on the lower right corner of the map.
That is the grassland animal exhibition hall where they are at the moment. There is a ticket gate No. 2 about two inches to the right of the exhibition hall. There are four similar ticket gates, located at the top, bottom, left and right of the map, namely north, south, west and east.
In other words, is it possible that there are more than three newcomers?
Yu Liang recalled the actual distance from the No. 2 ticket gate to the Grassland Animal Museum and calculated the area of the entire zoo. He licked his lips and suppressed the surprise in his heart.
This zoo is so big, it's almost the size of a small town.
Seeing Lao Du still squinting his eyes and planning the route on the map, Yu Liang's eyes also drifted to the flowers and trees on the roadside, and at the same time he rubbed the chess pieces in his pocket.
Fortunately, the reward for his newcomer mission was a set of chess pieces, and they were not simply regarded as "chess pieces", but as individual Chinese characters.
Red: Handsome 1, Official 2, Prime Minister 2, Horse 2, Cannon 2, Chariot 2, Soldier 5.
Black: 1 general, 2 soldiers, 2 elephants, 2 horses, 2 cannons, 2 rooks, 5 pawns.
There were thirty-two chess pieces in total, which seemed like a lot. However, after Yu Liang went through them completely in his mind, he slowly shook his head.
Obviously, most of the chess pieces are useless just relying on the rules that Lao Du said.
For example, handsome and general are too complex characters, and there is no way to synthesize them worth trying.
After thinking about it, only the "horse", "bishop", "rook" and "pawn" chess pieces are of some use.
Among them, the value of the five "pawns" far exceeds the others.
Water, combined with "quenching", is a heat treatment method for workpieces that hardens the surface. It may be possible to force-harden the object, but I don't know if it can harden the body.
Refers to the fist.
Grass, combined with "cui", describes lush vegetation, but Lao Du said that some characters can be chosen by the person when generating them, and the verb "cui" means gathering. If it can be used on people...
Forced gatherings may be considered a hard control?
And the last and most critical thing - add stone.
"Broken" means broken.
And the broken objects naturally include people.
The first two usages are somewhat reluctant, after all, they are not that common, but there is definitely no problem with "broken" characters.
However, Yu Liangzhong prefers that "quenching" and "cui" can also be used. From the previous performances of "狋", "狇" and "玎", we can see that the core of this word game is actually very hard-core.
Lao Du also said before that if it is a compound noun, it only needs to coincide with its meaning. However, if it is a verb that needs to be actively used, random combinations will not succeed. Only when you understand the meaning of the word can the synthesis be successful and effective.
To a certain extent, this writing rule is Yu Liang's only comfort after traveling through time. At least he is quite familiar with Chinese characters.
Lao Du doesn't look strong, but he can carry a huge travel bag for so long, and he can survive to this day and has even experienced a world of ghost stories. In terms of strength, he is definitely far better than him and Xiao Zhize.
Water, grass, and stones are all very common things in this zoo, and you don't have to bother to find them.
The symbols derived from the word "pawn" are very useful no matter which one they are. The only thing that makes Yu Liang feel a little pity is that there are only five black "pawns" in a chess set, which cannot be used for squandering.
Yu Liang glanced at the roadside, determined to get some rocks and grass and put them in his inventory while Lao Du and Xiao Zhize were not paying attention.
Previously, I saw that Lao Du's synthesis of characters was not slow, so he didn't need to make these verb characters in advance. He just had to prepare the materials and synthesize the ones he needed on the spot.
In comparison, the other five red chess pieces with the word "bing" are useless, at least he can't think of any useful composite characters yet.
but……
Can Lao Du stop the "broken" characters?
Suddenly, an idea flashed through Yu Liang's mind, and he couldn't help but look at Lao Du's back. However, he gave up the idea completely without thinking too much.
Putting aside whether such a thing was necessary, he guessed that Lao Du might not be afraid of character attacks.
The "broken" character is similar to the "broken" character, and "broken" is not difficult to obtain. If Lao Du can have it, others can also have it, but Lao Du was clearly respected on the bus just now.
Just like firearms, if everyone has a gun, they will not be afraid of each other, so Yu Liang thinks that Lao Du may have some countermeasures.
For now, it is better to follow Lao Du closely to understand the general situation of the zoo, and at the same time secretly collect some characters for emergencies.
Yu Liang rubbed his fingertips between the strokes of the word "pawn".
I don't know if the "broken" character can directly crush the crocodile. From the perspective of the ghost story, there is no mention that the "monkey" can have the means to kill the crocodile. The underlying logic of this ghost story is very simple. He guessed that the "monkey" All attacks should be ineffective against crocodiles.
It would be nice if I could try to attack the crocodile with something like a spear, and I would have some confidence in my mind. Otherwise, I would probably be in despair when I find that the "broken" character is completely useless when I am alone and face the crocodile, right?
"Let's go, let's go to the Turtle Park first." Lao Du finally made up his mind. He turned around and glanced at the two people behind him, "Today is the day for new tourists to enter the park. We won't be staying at the visitor center. How about during the day? It’s hard to say, but the visitor center at night is definitely a dangerous area for all kinds of weird stories to break out.”
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