The bard joins the entertainment industry

After seeing Chen Shuo's actions, Cheng Xiaodong didn't say anything. He folded his hands and held his chin in thought for a long time.

Asked: "What equipment do you know?"

"Swords, guns, and sticks can be used as common weapons." Chen Shuo said matter-of-factly.

There are two martial arts athletes at the martial arts level, Yang Junyi and Zhang Jin, who are proficient in all kinds of weapons. How could he not follow suit?

With his level 12 stunt skills and powerful talent, it was very easy to learn these weapon routines.

Basically, you can master it as soon as you learn it, and after practicing for a period of time, you can become familiar with it.

"Let's show off some sword skills." Cheng Xiaodong said, and naturally his apprentice took a knife from the weapons rack and handed it to Chen Shuo.

Chen Shuo took it and saw that it was a machete with a wide blade and a thick back. It is said that the sword moves lightly but the knife moves fiercely.

The knife is bladed on one side, with a thin blade and thick ridge. It is famous for its powerful, heroic and tiger-like style.

He held the knife and slashed twice in the air. After getting used to the weight and center of gravity of the knife, he opened his stance and used a set of Wuhu door-breaking knives.

This sword technique is mostly used as a supporting martial arts in martial arts novels and is familiar to everyone.

But in fact, in reality it is a very famous art, with moves such as teasing, slashing, wiping, stamping, and splitting, among which slashing is the most powerful.

People who used to do tricks in the martial arts world like to perform this very much. It is a sword technique with beautiful and ruthless movements.

Chen Shuo has a strong body, which makes his talent more powerful with his sword. A prop knife makes him strong and powerful.

In particular, the sword technique is, to put it bluntly, one move that wraps around the head.

As long as you can always face the back of the knife towards yourself and cover your head with the blade while turning over flowers, then this sword skill will be good.

Different from swordsmanship, which requires delicate changes, swordsmanship is about speed, ruthlessness and accuracy. As long as it is danced, it is both powerful and beautiful.

Seeing Chen Shuo's sword skills, which were always sharp and powerful, Cheng Xiaodong knew that he was really capable.

And it can be seen from some of his little moves that he not only has practiced routines, but also has rich experience in fighting.

However, Cheng Xiaodong is not a very curious person. After he accepted the instructions, he nodded and said: "It's very good. The foundation is very solid. The routine I designed is not difficult for you."

"Thank you, Director Cheng, for the compliment." Chen Shuo held the knife and asked, "Is this the prop knife in our play? I feel it is different from the standard knife of the Tang Dynasty?

In my impression, the Tang Dao seems to be a narrow-edged straight knife, rather than the ghost-headed knife or machete style. "

Although not all the things in the dream can be used by him, some details can still give him a lot of knowledge.

Whether it is "Passing Love" or "The Secret History of Xiaozhuang", although they are just jokes and there are some untruths in them, there are still some things that can fit with the actual history.

For example, he was in the impressions of Zhu Yunwen and Fulin, or even Zhen Zhibing and Wei Bi.

For example, the horizontal sword of the Tang Dynasty and the ring-shou sword of the Han Dynasty were both straight swords, more like single-sided swords.

This kind of machete-like knife was mostly used by civilians, and it was not until the Song Dynasty that it became widely popular.

And there are restrictions on how to use it. At least you can't use such a machete to make any elegant movements.

This is also the reason why Chen Shuo chose to perform the Five Tigers Broken Door Knife.

Because this is already one of the most beautiful and practical knife skills.

"Yes, this is the knife used by the detectives in the play." Cheng Xiaodong took the knife and danced it with two swords and said: "Your knife is not like this, but a Tang Hengdao similar to a sword.

I didn't know you were coming today, so I didn't bring it over. You'll start training with that knife tomorrow. "

Zhang Yimou's last movie "Hero" was more about swords. In this movie "House of Flying Daggers" he plans to focus on swords.

The sword is a sacred weapon of the country, carrying the family, country and the world, so he asked Wuming and Qin Shihuang to borrow the sword to talk about the world.

However, the sword has more of a martial arts style, with universal and civilian characteristics, and can better express people's struggles in the martial arts world.

He made every character in the play use a knife and used different knives to distinguish each character.

For example, several members of the Flying Knife Sect all use flying knives to show that they are all wanderers in the world.

But except for the eldest sister who only uses throwing knives, which clearly represents her identity, several others also use different weapons.

On the way to escape, the blind girl will use weapons such as wooden sticks and bamboo sticks within easy reach. She will also have a small short knife for close combat. This knife also represents her last line of defense.

The second sister has a willow-leaf scimitar, which shows the woman's softness and twists and turns.

Liu Captou uses a machete with a wide back and a thin blade. The wide back represents his ambition and strong heart, while the thin blade represents his determination to pursue his goals by any means necessary.

On the government side, the previously designed props are still used. The chief arrester uses a ring-head ceremonial knife, which is ornately decorated to highlight his identity.

Sui Feng, on the other hand, used a simple and unpretentious horizontal sword and asked Cheng Xiaodong to move closer to the sword with a move designed by Cheng Xiaodong, but he also had to have the strength of the sword technique.

The freehand sword skills are like sword moves, which can fit his pseudonym of "Suifeng".

The simple horizontal sword shows that although he is as casual as the wind, there is a simplicity in his heart hidden under the ostentation.

After listening to Cheng Xiaodong's explanation, Chen Shuo couldn't help but admire the ideas of Zhang Yimou and the prop master. There were too many details.

Indeed, each weapon has different playing methods, and different playing methods can also reflect the personalities of different characters.

He nodded and said nothing more.

However, under Cheng Xiaodong's instructions, he went on the wire again and showed a few moves while hanging the wire, which gave Cheng Xiaodong some understanding of his level.

Immediately afterwards, Cheng Xiaodong did not continue to let him continue training, but prepared and combined with his style, modified Sui Feng's movements, and let him officially practice tomorrow.

When Chen Shuo saw that he had nothing to do, he ran to Liu Yifei's side and taught her the skills of playing Wia.

According to the design of Cheng Xiaodong and Zhang Yimou, when the blind girl and Sui Feng were being chased, they had to perform many moves that required Wei Ya.

This is considered one of his specialties. When filming "The Condor", "Dragon", "Water Moon" and other dramas, he used Wia a lot.

Special training has also been carried out.

And Liu Yifei has no such experience. She has not even studied in the martial arts film "Dragon", let alone the Republican drama "The Golden Family" and the modern drama "Crystal Love".

“When you stand up, exert force on your waist and lean back slightly.

Wait for Wia to pull you up, use your legs to roll up, and you will turn around easily. "

Chen Shuo coordinated the movements of the wire master and explained to Liu Yifei the techniques of exerting force.

Watching her try over and over again to do her best.

And after nearly a year of training, she not only picked up her previous dance foundation, but even trained even better.

There has also been a qualitative improvement in the control of the body, and it is not difficult to do such movements.

After finding the right technique, she got a feel for it after practicing it twice, and the next step was to become proficient.