The Director of Music Department

He Jun looked at Wang Yifan with a grimace on his face and said, "I am the No. 1 person in the China box office. Although the data is very beautiful, you know, I was framed in the crater of the volcano, waiting to see me. How can a movie fall apart."

Wang Yifan couldn't help but smiled: "It's not, it's not!"

"However, are you really tired? You don't need to rest for a while?" Wang Yifan asked again.

He didn't believe it when filming "Wolf Warrior", and He Jun didn't feel tired.

In China, making commercial films puts tremendous pressure on directors.

Because, when the filming is finished during the day, when others are resting, the director cannot take a break. He has to review the material shot during the day and prepare the shooting plan for the next day.

If it doesn’t work, retake it, wait and so on.

It can be said that the director needs to do everything himself.

In this regard, the domestic director-centered system does have great drawbacks.

In Hollywood, in fact, it is not so tired, because most of the time, the director does not need to be so tired.

After all, the producer in Hollywood is not like in China, it is basically a decoration.

There is no right to speak in movies at all.

In Hollywood, it is usually the producer who goes to the replay!

Of course, most Hollywood directors are also envious of the power of domestic directors.

After all, the domestic crews and directors, unless they are the kind of instrumental directors, basically, the director is the biggest.

"Tired, but I am even more worried about not filming." He Jun said.

"No filming? I'm afraid that the book you want to film now can fill your home, right?" Wang Yifan said in an angry manner.

"Hey, that's not it, there is no good book, so, that "Operation Red Sea"..." He Jun was a little embarrassed, and then looked at Wang Yifan with hope.

"You are not tired, of course I don’t care. I will let the screenwriter fill in the script later and give it to you. Actually, there are many things in "Operation Red Sea" that overlap with "Wolf Warrior". It is naturally the most suitable for you to continue shooting. That's it." Wang Yifan said with a smile.

"Operation Red Sea" can be said to be another version of "Wolf Warrior".

However, in contrast, the box office potential of "Operation Red Sea" is difficult to compare with "Wolf Warrior."

He Junxi left with a smile.

For him, the performance of "Wolf Warrior" is indeed an honor, but it is also pressure.

However, with "Operation Red Sea" as a later work, he finally breathed a sigh of relief.

As for Hollywood, He Jun feels he has embraced Wang Yifan's thigh anyway. If there is a suitable opportunity, how can he not think about himself?

Wang Yifan is destined to be very busy tonight.

In fact, these domestic directors who have cooperated, don’t look at Zhao Dongming, seem to have put the bait down, Hollywood A-level big production, but in fact, relatively, compared with the previous results of Ari Media, they are still more willing to trust Wang Yifan’s side. .

Of course, it does not mean that no one is tempted.

However, Zhou Zhan was the first to find it, which really surprised Wang Yifan.

Because, in Wang Yifan's view, Zhou Zhan is not the most urgent one. After all, Zhou Zhan is not exactly a commercial film director.

In fact, he himself is also the director of literary and artistic fan.

In fact, what he is best at is not a commercial movie.

Among the many big directors, Zhou Zhan's commercial achievements are actually the weakest.

But as the saying goes, a hundred flowers bloom and a hundred schools of thought contend, Zhou Zhan can be unique among many big directors, and there are reasons for his ability.

What Zhou Zhan is good at is that although the balance between business and art is still difficult to achieve, the same ability makes Zhou Zhan's movies often different from commercial popcorn movies.

According to some audiences, that is, if other commercial movies are popcorn, then Zhou Zhan's movies are the kind of chewy popcorn.

Something that makes people reminisce occasionally.

But for Zhou Zhan and others in the literary and artistic film circles, in fact, domestic films are still dominated by commercial films.

It can be said that literary and artistic movies are becoming more and more declining.

The main thing is that the movie market in China has exploded, but it is the box office market for movies that has exploded.

Normally, commercial films have become popular, and the film industry has begun to explode. It seems that for literary films, this is also an opportunity?

The fact is also true. In fact, the domestic film market does not mean that there is no room for literary and artistic films.

But the audience can be cultivated in a short time.

Hollywood has a dedicated art movie theater line. The reason why it can continue to operate and become a normal state is actually because they have cultivated a group of relatively high-level audiences.

These people are usually the main audience in the art cinema line.

In fact, the biggest problem on the domestic side is not that the country does not support it or that there is no living space for art films.

It is because the domestic movies have just started, and they have risen too fast. As a result, the audience is still that audience. Everyone's attitude towards movies is still entertainment-oriented, and they have not yet risen to the height of appreciation.

For this reason, filmmakers in the domestic literary and artistic circles often go out. The domestic film awards, interestingly, usually do not give these literary and artistic films too many opportunities.

As a result, Zhou Zhan and their group of early literary film directors became a little embarrassed.

In the early years, when the domestic market had not yet risen, these literary and artistic film directors were still very good.

At that time, instead, commercial film directors had always been miserable.

Because the investment in commercial films is usually larger, and at that time, the domestic film market was very small, and it was impossible to pay back.

On the contrary, it was a literary and artistic film. At that time, because of these domestic literary and artistic film directors, their ideas and ideas were all inspired by European film images.

So, on the contrary, the films they make are usually accepted by the three major European film festivals.

For this reason, they go to film festivals, mix up awards, and then sell overseas copyrights, which can make them extremely comfortable.

But now is different.

The three major European film festivals began to move closer to Hollywood and were influenced by Hollywood.

In the early years, it was the Berlin Film Festival, and even had a tough time, rejecting promotional advertisements from Hollywood films and the like.

But as a result, the Berlin Film Festival's influence dropped drastically after that year.

In the end, compromise with capital.

And because more and more literary and artistic film directors from countries have begun to follow the route of the three major European film festivals, naturally, there are more monks and less meat. Those directors from China can only gather at the three major European film festivals. Years are getting smaller.

This makes their life more and more difficult.

Those who know how to adapt, start to make commercial films, but soon they will find that commercial films have never been better than literary films.

The result is even more embarrassing!