The Director of Music Department

In every movie, the director will use certain things as a symbol of a certain aspect of the role of the movie.

Of course, the movies mentioned here must be relatively good movies.

For example, some film directors like to use the color of the character's costume or the style of the costume as a symbol.

This symbol may be an object, it may be an expression, it may be a body language, and so on.

By the way, there are some different makeup looks.

It is also often used in these TV series.

For example, in "Zhen Huan Biography" such as "Mi Yue Biography", the makeup of the heroine in it will always change with the continuous advancement of the plot.

The same is true of "Devotion of Suspect X"!

In fact, in the previous life, in the domestic version of "Suspect X's Devotion", there were also some easter eggs or details arranged by the director.

For example, the brand name Erdos, which Chen Jing bought clothes for Shi Hong, is exactly the name of the Hungarian mathematician whom Shi Shen admired most in the original work.

Another example is the pen, the little policeman next to Tang Chuan who likes to bite the cap; and when Tang Chuan uses the pen himself, he likes to put the pen upside down on the table and push the tip of the pen upside down before using it.

These are the details that some directors deliberately worked out.

The biggest difference between movies and TV shows is that the shots of movies are limited. Every shot, most of the time, a successful director will give charm.

In this movie, the invisible symbol given by Chen Shaojun is a bag!

The lens deliberately gave a close-up of the bag carried by Shi Shen, which was an old brown clamshell briefcase!

In the stereotype, Shishen’s old briefcase shows his rationality, and contains hints of his stereotype, nostalgia, and self-conventionality.

Here, Bao is endowed with social attributes by Wu Xiaozu, giving the audience a suggestion and expressive display of the characters.

Of course, most of the time the general audience will not deliberately pay attention to this.

But Zhang Weiming felt that this shot must be meaningful, otherwise, why would you give this bag a close-up?

The camera finally gave a close-up of Shi Shen's face for the first time, under the intermittent long light.

The audience saw the complete face of Shi Shen for the first time!

Old-fashioned glasses, his eyes were slightly numb, his face was sallow, but he was very thin.

Ordinary like office workers can be seen everywhere in the streets. Let the audience see him as if they saw themselves.

Zhang Weiming wrote the word "bag" in the notebook and also put a question mark!

Jingle bell... The sharp difference from the sharp ringtone in the sound montage at the beginning is that this ringtone is very soothing! It sounds very comfortable.

A red bicycle entered the picture, Shi Shen stiffened, and subconsciously bent down to tie his shoelaces, as if he was waiting for the bicycle to pass by.

The heroine Chen Jing is wearing a long skirt, a jacket with a sweater, and riding a red bicycle. On the back seat sits a white and lovely girl with a bright yellow schoolbag on her back. Holding a flowerpot with small bright wild flowers in one hand.

This picture is completely different from the previous pictures where the stone **** traveled alone.

The charm of a movie lies not only in the lens, but also in the same color palette.

Zhang Weiming nodded involuntarily.

The red bicycle, the bright yellow schoolbag, and the bright little wild flower pots, women and children, immediately let the whole picture relieved from the previous lifelessness and the previous depression.

As if the picture came to life.

This opening scene has surprised many insiders.

Wang Yifan was also a little surprised.

I have to say that Chen Shaojun has indeed grown a lot.

The movie "Devotion of Suspect X" is actually a commercial movie.

But it doesn't mean commercial movies, it can't be art.

In fact, the opening of this period really gave people a very amazing feeling.

Especially the screen switching.

It's very smooth. In fact, in this opening paragraph, there is no dialogue, and only the students' discussions in the previous voice montage.

After that, the Stone God walked under the night, through his body language, through his clothes, through light, and color, he placed the Stone God in a depressive environment, making people suddenly feel that the Stone God was very depressed!

In fact, this kind of picture makes people look at it, and I certainly won't like it too much.

Because it is too depressing, I feel that the picture is "dead"!

After that, the amazing thing was that the soothing bicycle ring was used to introduce Chen Jing and her daughter into the venue.

The two of them were like spirits breaking into the lifeless, repressed world of the stone god.

Suddenly, the whole picture was filled with various bright colors, making the whole picture come alive.

Especially at the end, in the lens, a seagull flew in, and then landed on the indeterminate long lamp. The extinguished lamp returned to its light, and the light hit the stone **** at the same time.

The split use of light indicates the fragmented life of the stone god.

Old briefcases, flashing long lights, red bicycles, small wild flowers in flower pots, and seagulls that suddenly give people hope for transportation.

The beginning of the movie was very depressing, but the seagull at the end brought hope again.

And this hope is gradual.

Not that kind of abrupt appearance.

People like Wang Yifan who knew the plot nodded even more.

In fact, this opening session contains a lot of information.

A lot of things are expressed.

For example, the scar on Shi Shen's wrist is a bedding, but at the same time, it also means that Shi Shen is a weird person in everyone's eyes.

He himself doesn't mind, but at the same time his life is indeed very depressive. In his life, there are no other colors at all, and some have only depressive, dim colors.

Until, the appearance of the mother and daughter pair brought him light and different colors!

The character of the stone **** himself is constantly looking for the spiritual support he has lost in his heart.

Therefore, under the lens, there will be a kind of faint lens alienation, which makes the audience feel that this person is like a person close at hand, but if he really touches it, he will find that the other person is thousands of miles away, walking in his own world. .

Only in this way can the audience sink their hearts and look at this relationship and this story objectively.

The movie continues. In the scene, Shi Shen is standing downstairs with a bag in his hands, which is a large staircase with an outer arc. Under the stairs, all kinds of debris were piled up in a mess.

The camera followed the people slowly up the stairs. The corridor in front of the single-row house was very congested, and there was still dirty water hidden in the potholes in the corridor. Pots and pans, clothes rails, etc. are randomly placed in a mess, very cold.

Shi Shen appeared to walk by silently. As if all this has nothing to do with him!

"Crunch—"

The voice seemed a little abrupt.

A clean room door suddenly opened, and Chen Jing, the mother of the mother and daughter who had appeared before, came out carrying a pot of small wild flowers. In her door hung a simple dressing mirror with a height of one person.

"Ms. Shi." Chen Jing smiled politely.