The Director of Music Department

Even, it will make people produce:

"This bear kid is really annoying, I should really lose it..."

"Yes, when did you get abducted by traffickers? I'm afraid that traffickers would be enough?"

Don't think the audience is cruel. In fact, many times, people always look at problems from their own standpoint.

Of course, this is why the film "Dear" was originally made.

No matter how a child bears, it is only a child, and it is still a treasure in the palm of the parents.

It is difficult for people who have not experienced this kind of thing to understand.

Perhaps a bear child, parents will often complain, this **** in my family is really annoying to Balabala, but if their bear child is really bullied, they will immediately change their faces.

Of course, people of the older generation and the younger generation now have completely different views on children.

For the older generations, it is their pursuit to have more children, pass on the line, and prosper the family. No matter how poor and poor, they must have children.

Family planning can't stop stealing births.

Because of the people of that age, they put more hope on their children, but for young people nowadays, "children" are probably considered a burden...

Even if the second-child policy is liberalized, many people don't want to have a baby anymore. Different times have brought up different ideas and concepts.

Ten or twenty years earlier, what Dink do you mention, promise to not kill you.

But now, nowadays, many people pay more attention to self-enjoyment. Children are more of a burden to them and are asking for trouble.

Su Zhijun heard other audiences in his ears saying that this bear kid had lost what it deserved, and the whole person was not good.

How could this be?

Why do you think so?

For Su Zhijun, first of all, he himself was the father of the child. Second, although he could not understand the feelings of the parents who lost the child, he knew that if his child was lost, he would definitely go crazy.

But why, the young audience next to him, would have such thoughts, it is terrible.

Su Zhijun couldn't help but produced a kind. Maybe there are more movies like "Dear", at least it can make these people recognize clearly, whether it is a bear child or not, it is still every parent's treasure.

The plot advances slowly. On the screen, Tian Wenjun and Lu Xiaojuan are arguing fiercely. Tian Wenjun casually said: "The difference between us is when I accept our fate, you don't accept our fate."

In fact, another theme of "Dear" that runs through the entire film is this: Do you accept your fate?

Of course, many ordinary viewers don't think so much at this time.

"Dear" is not a purely commercial film, it is a realistic film.

In fact, the reason why many realistic films are not well shot, or that the audience does not like to watch them, is because, usually, the advancement of the plot is not as fast as a blockbuster film. This kind of film pays more attention to reality and more Attention to detail.

When the movie is here, many film critics and media people are more patient, but think that in terms of details, "Dear" is doing very well.

But for ordinary audiences, many ordinary audiences don’t have so much patience when watching movies, and the slow-paced narrative techniques like "Dear" obviously cannot make them accustomed to the fast-paced explosions. The ordinary audience of the rice flower movie is somewhat unacceptable.

"Hey, isn't it about the abduction movie? Why has it been short in the parents?"

"It's been so long, the child hasn't lost it yet."

Yes, for ordinary viewers, unless the movie is actually watched in, otherwise, the matter of losing a child, in their opinion, is actually no different from the murder and arson in the movie.

Because I watched a lot, I didn't think there was anything to say about this kind of thing.

The fact is that those gunfight movies will not happen in reality, but here, it has happened in reality.

With these trivial plots, the audience slowly began to understand the background story of Tian Wenjun and his wife, and the gears of fate slowly began to turn...

When Tian Wenjun asked Pengpeng to go out with the children in order to deal with random disputes in Internet cafes, when Lu Xiaojuan happened to drive past the kindergarten where Pengpeng was playing, many people were even ordinary audiences who didn’t care. At this moment, I couldn't help but feel my heart tightened by the atmosphere created by the movie!

When the child was gone, Tian Wenjun started to call the police. There was a close-up on the screen. His rush, nervous, flustered, lost, and trance tone, the performance was so full, helpless, crying without tears, the child Nothing, it seems that the whole world has collapsed.

Who can be ruthless, even ordinary audiences, even those who complained about the slow pace of the movie before, even the audience who said that the bear kid is still not lost, at this moment, the expression on his face freezes and begins Sit up straight and looked at the screen intently.

Tian Wenjun's various reactions, helplessness and despair, can also touch their hearts.

And film critics and media people.

Lin Ke and Su Zhijun also reacted differently.

Lin Ke remembered something he had encountered before, and that was the first time he had come into contact with this kind of thing.

At that time, he originally went to interview another incident. As a result, he saw a man rushing out. His reaction was that He Tian Wenjun almost retreated.

Lin Ke nodded involuntarily, this movie really seemed to be deliberate.

If you don’t use your heart, if you don’t investigate in depth, if you haven’t had contact with the parents who really lost their children, it’s hard to get this effect.

This made Lin Ke more and more looking forward to the next plot.

But Su Zhijun was a little dazed. He had interviewed parents who lost their children, but that was after all interviews. Therefore, he saw the parents who had been looking for children for a long time, and Tian Wenjun had just lost their children in this scene.

He also noticed that at this moment, the smile on the face of the audience who was talking coldly before, stared directly at the big screen.

Perhaps, his persistence is wrong?

Su Zhijun has some doubts about his previous views!

However, Su Zhijun soon dispelled this suspicion. When he watched Lu Xiaojuan scolding Tian Wenjun hysterically in the police station, an untimely voice of disdain from a young audience came from behind.

"This is too fake? As for?"

"As for being so excited? These two are so young, don't they just have one another? It's still like the end of the world?"

Su Zhijun couldn't wait to go up and grab the opponent and beat him up!

Just, are they cold-blooded? In fact, it's not cold-blooded. Many people think so in their hearts. Many young viewers don't know the importance of children.

Su Zhijun, looking at the big screen, felt extremely complicated.

He admitted that the film was not bad, but when he thought about the indifferent reaction of the audience behind the plot to the film, he felt that this kind of film should not be made at all.