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Film critic Zhang Hong's film review has many people like and many people leave comments.

"Dear" is certainly not a perfect movie!

And "Dear" is related to the sensitive subject of abduction, so no matter how you shoot, there is no possibility of overwhelming praise.

What's more, "Dear" is far from perfect.

Of course, most people still give praise.

Lin Ke wrote a review of "Dear" on his personal blog.

"There are tens of thousands of ways to leave home, and there is only one way home"!

""Dear" focuses on abduction, narrates the loss and search of children, but also reflects the loss and search of people in society. Along the way, a lot is lost, but there is always something worthy of you desperately. Get it back.

The first half of the film is emotionally suppressed. After losing the child, Tian Wenjun desperately searched and posted on the Internet; because a photo went thousands of miles away, he was chased by scammers and had to jump into the river to protect his son's life-saving money; he spent all his savings to find the child. There is a scene where he tells the camera about the missing details of the child. In the close-up, Ge Jun’s eyes are covered with red threads and red eyes. How many nights of insomnia are those nights, how many times are they suppressing his collapse because he can’t cry, Because I can't fall, because I always have hope.

Tian Wenjun is the epitome of countless fathers who have lost children. In the film, when Tian Wenjun made a missing person notice, many young audiences in the theater laughed.

But my eyes were red because I once met such a father, when he and Tian Wenjun were evacuating, why he was so expressionless? He told me that he was afraid of pain and tears, which would scare others. At the same time, he tried his best to conceal his despair, wondering if anyone noticed that Ge Jun's eyes at that moment were definitely not expressionless, but he suppressed and restrained.

On the night when he found Pengpeng, he cried bitterly at the corner of the stairs of the police station. After three years of persistence, he finally broke away in despair. He could finally let go of everything, and finally broke out, his face twitching, and his voice hoarse.

Another unforgettable plot is that after finding the child, Tian Wenjun wanted to take out the trash one night, walked to the door and hesitated for a while, went to the room to pick up the sleeping child and then went to take out the trash. This scene made people laugh dumbly, but felt sad after the laugh. The three years of loss and recovery made Tian Wenjun not dare to take any risk. Such ridiculous cautiousness can't help but feel bitter.

Let’s talk about the controversial characters, Li Hongqin. In the first half of the movie, Li Hongqin can be said to stand on the opposite of everyone, including in the movie, and in reality, but regardless of the fact that his man is a trafficker, Li Hongqin This character has been constantly lost since she appeared on the scene. Her man died early, her son was taken back, and her daughter was taken away. It can be said that she has lost nothing. She plays the role of "the old brand of human traffickers" in society, which is the opposite of morality, but from her perspective, she is really a person who is cruelly treated by fate.

She used her meager power to find witnesses and lawyers, and wanted to find her lost daughter again, but the law was not allowed.

When I saw my son on the bus, I rushed out of the bus and hugged him tightly. The parents who lost the child vented the pain of losing the child on her. She burst into tears and knelt down and said sorry, but Is it her fault? Then who should say sorry for her suffering? At the end of the film, when she learned that she was pregnant, she hugged her knees and cried. Perhaps she finally accepted the result of her inability to be reunited with her daughter, or she was grateful that fate gave her a glimmer of hope.

Of course, some people may question whether Li Hongqin is really "honest" or not. Her phrase "We are all honest people" may sound ironic to many people, but it really doesn't matter.

Because the director wants to show us the identity of Li Hongqin, the wife of a human trafficker!

What I want to show and discuss is whether the wife of a human trafficker is qualified to be a mother! For this answer, the director gave an affirmation that is not certain at the last time!

In the movie "Dear", everyone has their own story, everyone is burdened with helplessness, everyone is facing pain, and each of us can find some inspiration in it.

As director Wu Tianxiong said in an interview, "Dear" is a hope to pave the way for the audience to return home about loss and search.

A little heavy, a little painful, face it, just as we must face the pain of life and find the way to "home". "

As for the media, most of them gave praise!

""Dear" is a very connotative movie. It is not just a sad tear-jerker. It is a bit sad and does not necessarily make people cry, but the heavyness will pierce the soul; some hope does not necessarily make people cry. Laughing, but there will always be a ray of sunlight inadvertently falling on the eyebrows. Everyone can see their inner anxiety and indifference to family affection through this movie, and the depth and sorrow of loss is actually everyone It can be felt and understood from life. People come and go, we are lost, we are lost, where is our "home"?"-Beijing Evening News!

"Dear" probably cried a lot of viewers, but after watching the movie, you will find that it is not just a painful tear-jerker. Some sadness may not make people cry, but the heavy will poke Heart; some hope, not necessarily to make people laugh, but there will always be a ray of sunshine casually falling on the brows. "Dear" is such a movie. Just like the starring Ge Jun said, "This movie has a hand, It reaches deep into your chest and touches your heart. ""-ECCOM Entertainment.

"The down-to-earth look, the loss of a child, and the sad process of finding a child are very real. Following Tian Wenjun's pain of losing his child, hatred of the trafficker, and with Li Hongqin, the wife of the trafficker who loves his children and does not want to be separated from the child. Reversal: The end of one tragedy makes another tragedy happen.

Every character is deeply affectionate. Whether it is Tian Wenjun and his wife Lu Xiaojuan who are looking for children, Li Hongqin who secretly took the older child, or Han Dezhong who is full of stories, there are many stories and his own. Helpless, this also makes the entire "Dear" greet the climax of the characters anytime and anywhere. "——"Chinese Film Report"

"All the characters in the film are tragic. The tragedies of Tian Wenjun and Lu Xiaojuan lie in the pain of the separation of their relatives, the helplessness and hardship in the process of finding a child, and even the final abandonment and despair; the lawyer Gao Xia is also a tragic character. He is a very small part of an unsound judicial institution, like a mayfly. When the brilliance of human nature flashes, he wants to fight against a huge judicial institution, but he is powerless. The end of the film does not give a result. Perhaps Gao Xia in reality is still on the way to struggle. I hope he is still persevering and has not given up. This shows that he still has hope."-Hua Guo Literature and Art!