The most powerful god in the city

Zhu Qian may not be very famous, but in the world of calligraphy and painting, Zhu Qi is definitely a grandmaster-level existence.

This man is amazing.

And in the collecting world, Zhu Qi's works have also been sought after by many people.

Auctions can fetch millions of dollars.

Even, there are tens of millions of works.

It is not an exaggeration to say that it is priceless.

There are not many of Zhu Qi's hand-me-down works in private hands.

In Zhou Ye's hands, less.

Due to his special background and the background of the times, his paintings cannot be as straightforward as other painters, but are expressed through his obscure inscription poems and strange and bizarre metamorphosis.

For example, he paints fish and birds, with a few brushstrokes, or elongated or constricted.

In particular, the pair of eyes, sometimes oval, are not the eyes of the fish and birds that we see in our lives, the eyes of fish and birds in life are round, and the eyeballs do not rotate in the center.

The eyes of the eight big fish and birds can be turned, and sometimes they will roll their eyes and stare at people. The mountains and rocks he painted are not like those painted by ordinary painters, they are round and round, big at the top and small at the bottom, top-heavy, and he can rest wherever he wants, regardless of whether it is stable or not.

The trees he painted, with old dry branches, only a few coconuts and a few leaves, and tens of thousands of trees in the forest could not pick out such a tree. The landscapes, mountains, and bare trees he painted, all crooked, desolate and desolate, if there really is such a place, I don't think anyone would come here to settle down.

Also, the inscriptions, signatures and seals on his paintings are also strange. For example, he called himself "Bada Shanren", and there are many people who explain it, and scholars still have different debates. Some people say that it is composed of the four characters of "Bada Shanren", while others are cautious and call it "clog-shaped seal" because it is shaped like a clog. As for the inscription poem on his painting, many sentences are even more difficult to understand.

However, the Eighth National Congress clearly tells us: "The coconut tree in the troubled times is left to Wenlin to ponder." He also said, "I want to see the people of the time to interpret the pictures." He really wants people to understand the meaning of his paintings. Therefore, many scholars have carefully studied and listened to a lot of true news from his paintings and words. For example, he had a painting that was called a turtle for a long time because it resembled a turtle.

Later, it was found that it was originally composed of the deformation of the words "March 19th", which happened to be the last day of the Ming Dynasty's emperor Chongzhen's suicide, marking the fall of the Ming Dynasty. Then this painting also represents the commemoration of the death of the country.

In the twenty-first year of Kangxi, he once painted a "Gumei Tu", the trunk of the tree has been hollow, the roots are exposed, a few bare branches of coconut, and a few flowers are dotted, like the appearance of the rest of his life after the wind, frost, thunder and lightning. There are three poems inscribed on it, the first of which reads: "Divide the plum blossom Wu Daoren, and the quiet Zhai Zhai Mo blind date." The north and south of the South Mountain and the north of the mountain are so old that they burn fish and sweep away the dust. "Plum Blossom Wu Daoren" refers to the Yuan Dynasty painter Wu Zhen, who called himself "Plum Blossom Daoren".

The characters in the box were apparently deliberately stripped away by collectors at the time or later in order to avoid the scourge of the literal hell. It is not difficult to guess that this character is not "Hu", that is, "captive". The founder of the Qing Dynasty ruled the Central Plains with the Manchus, and the most taboo thing is these two words.

In order to sweep away the "Hu Chen" in the "north and south of the South Mountain, and the north of the mountain", Zhu Qi expressed his anti-Qing and national restoration thoughts very clearly.

The second poem reads: "It is not the end of the time to get the original, and there was no thinness and no fatness." Plum blossom painting Si Si Xiao, how the monk is like picking roses. Two allusions are used in the poem, one is Zheng Sixiao, a relict painter in the early Yuan Dynasty, who lived in seclusion in Wuxia after the fall of the Southern Song Dynasty, painting orchids and dew roots instead of painting sloping soil, people asked why, he replied: "The land has been robbed, don't you know?" It turns out that the Eight Great Paintings of "Gumei Tu" have exposed roots and do not paint sloping soil, which is modeled on the meaning of Zheng Sixiao's painting of Lan, implying that the land was robbed by the Qing people, and he, a descendant of the Ming Dynasty, became a monk, just like Boyi and Shuqi Caiwei Shouyang Mountain, who refused to surrender to the new dynasty. The country is ruined, and there is no hope of recovering the country, which makes him unable to "exchange a thousand bitter tears".

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Except for this one, the other two are not particularly precious.

Zhou Ye was satisfied and put the things in the mountains and rivers beads, and then left, he planned to taste acacia and eat, and take a look by the way.

Are there any beauties.

Soon, Zhou Ye drove his Ferrari to the Acacia branch.

There are also three branches in Kyoto.

They are managed by Fan Yunxi, Qin Mu, and Hou San.

In addition, the construction of a fourth division is also underway.

Zhou Ye's arrival this time was Hou San's place.

There are a lot of stars in this place.

And because of the proximity to Sanlitun, there are many beauties.

A lot of beauties come here - to fish for Kaizi.

There are even those who pretend to be drunk.