The perfect rich man in the city

Zheng Banqiao experienced ups and downs in his life, tasted the ups and downs, and saw through the harshness of the world. He dared to incorporate all of this into his works.

Zheng Banqiao's poems on paintings have broken away from the traditional stereotype of simply using poems to compose paintings or painting to compose poems. Every painting he paints must be inscribed with a poem, and the title must be good, achieving"the image of a painting like a painting" and"the meaning of poetry is difficult to paint" , reflecting poetry and painting, infinitely expanding the breadth of the picture. Zheng Banqiao's painting poems are concerned with real life and have profound ideological content. He uses words like guns and swords to criticize the current ills, just as he said in"Orchid, Bamboo and Stone Pictures" :"There must be words that shake heaven and earth, words that shock lightning and thunder, words that scream at gods and curse ghosts, paintings that are unprecedented and unprecedented, and certainly not in the ordinary way."

Zheng Banqiao's paintings are absolutely unique, and his thin bamboo paintings are ,"He is like Po Gong in spirit. He is not chaotic when there are many, not sparse when there are few, he is free from all the habits of the times, and his beauty is unparalleled.""

《"Portraits of Scholars in the Qing Dynasty" said that he spent two-thirds of his life painting bamboo portraits. He once wrote in a poem:"For forty years, I have been painting bamboo branches, writing my thoughts at night during the day, and trimming away the redundant and thin, leaving only thin and thin."The time of painting is the time of maturity."

Later he said:"Whenever I paint bamboo, I have no teacher. I mostly learn from paper windows, white walls, sunlight, moonlight, and shadows." Through the practice of observation and artistic creation, he refined the"bamboo in the eye""、"Bamboo in mind"、""Bamboo in the hand" theory."Bamboo in the eye" is the real scene of nature, the observation of nature and the experience of painting from it;"bamboo in the heart" is the conception of artistic creation;"bamboo in the hand" is the realization of artistic creation. He The organic integration of subjectivity and objectivity, phenomena and imagination, reality and art creates a realm of learning from nature but being higher than nature.

Natural bamboo exists objectively, and the bamboo in the painter's eyes has become the same as nature. Bamboo is different, and then it needs to be processed and subjectively processed to form the bamboo in the heart. This is what is said, the intention is in the pen first, and when it falls on the paper, it is transformed into the bamboo in the hand. The"bamboo in the hand" refers to the painter. A"second nature" created, the bamboo in the chest and the bamboo in the hand are the sublimation of the bamboo in the eyes. In summary, the painter takes the objective image seen by the eyes, processes it with the brain's imagery, and finally materializes it through technical processing. Typical artistic images are the process of artistic creation

······

Zheng Banqiao's"Ink Bamboo Picture" is no worse than Tang Bohu's"Mingyue Game Picture".

They are all cultural scholars.

What's more, this"Ink Bamboo Picture" also contains Zheng Banqiao's poems.

Those words and poems are also a kind of evidence

"This is too precious." Zhong Jing's eyes widened.

He originally wanted to give"Ming Yue Chess" to Tang Yunan, but he didn't expect that the other party actually sent back another one.

"Mr. Li, how are you?" Tang Yunan looked at the old man

"It’s authentic." Mr. Li couldn’t help but click, this is indeed the original work of Tang Bohu.

"That's great." Tang Yunan was so excited.

"Zhong Jing, thank you. You have helped me a lot."

""You're welcome." Zhong Jing felt it was nothing, but to others, it was really too important.

······

In the evening, Zhong Jing did not run around, but went to Gu Man's home.

During the May Day holiday, Gu Man happened to have two days off.

Gu Man's husband is also at home.

When Zhong Jing arrived, Gu Man was so enthusiastic

""Master Zhong", Chen Cong didn't dare to say anything when he saw Zhong Jing coming.

The last time Chen Cong returned to the company, he was promoted and received a raise not long after.

He also deeply felt Zhong Jing's energy.

"Yes." Zhong Jing nodded.

"Did you have meal?"Gu Man helped Zhong Jing get the shoes, like a wife, very gentle and considerate.

Chen Cong on the side was quite envious.

His wife has never done such a thing to him. It's really true.······

"Not yet." Zhong Jing changed his shoes and shook his head. He really hadn't eaten. After separating from Tang Yunan, he came here directly.

"We just ate too, let's eat together." Gu Man's eyes suddenly lit up.

""Okay", Zhong Jing will not be polite.

Of course, Zhong Jing did not go back in the evening._Fei

Lu reminds you: three things about reading - collection, recommendation