This actor just wants to verify

Chapter 1050: You Didn't Treat Me as a Human Being (asking for monthly tickets)

Because there are award ceremonies every now and then, Hao Yun did not return to China for the time being, and played with An Xiaoxi in Miguo for a while.

He also went to Manchester by the sea.

Hao Yun thought he would never return to this place that made him uncomfortable, but in fact, he didn't feel anything after the filming of the movie.

I think Manchester by the sea in winter, if the weather is good, the blue sky and white clouds, and the endless coastline are also very beautiful.

Next is the 82nd Miguo National Review Association Award.

Hao Yun won the top ten films and the best original screenplay awards.

This kind of award has no gold content.

There are many opinions about the Oscar outposts. Some people say that there are four major outposts, and some people can make up eight. In fact, it doesn't matter how many there are. The key is to pull the momentum to the fullest.

The movie "The Social Network" won four major awards for the best film of the year, best director, best actor, and best adapted screenplay. It was also selected as one of the top ten films of the year, becoming the biggest winner of this year's National Review Association Award.

It can be said that Hao Yun lost the second battle.

Then on the 12th, at the 31st Boston Society of Film Critics Awards, The King's Speech won three awards: Best Picture, Best Director, and Best Actor.

And Manchester by the Sea only won the Best Cinematography.

It was also a lost battle.

On the contrary, at the 36th Los Angeles Society of Film Critics Awards on the 14th, Manchester by the Sea finally had a turn for the better.

The founders of this award were Charlie Chaplin, then a film critic for the Los Angeles Times, and Ruth Batchelor, a freelance writer, and it is one of the important weathervanes of the Oscars.

Manchester by the Sea won four awards in one fell swoop and became the biggest winner.

In addition to winning the Best Picture of the Year Award, Hao Yun once again won the important Best Director Award.

Then there were the Best Original Screenplay and Best Cinematography.

Following Hao Yun, Cao Dun has won two Best Cinematography Awards in a row with Manchester by the Sea.

This kind of experience of winning awards abroad, even if the awards are not of high quality, is enough to elevate his status in the domestic photography industry to a higher level.

That’s all for the award ceremonies in December.

In fact, Hao Yun has not only attended these four award ceremonies these days, but there are award ceremonies every now and then.

For example, the 63rd Directors Guild Awards, the 17th Screen Actors Guild Awards, the 22nd Producers Guild Awards, the 16th Broadcast Film Critics Association Awards, etc.

Sometimes he can go to two in one day.

These award ceremonies are very quick, and some do not even require going to the scene, and there is no ceremony.

Of course, such awards naturally don’t give out anything good.

Some give temporary attributes, and some give film essays.

Only those four award ceremonies have some weight. Hao Yun won a total of eight awards in these award ceremonies, including Best Picture*1, Best Director*2, Top Ten Films, Best Original Screenplay*2, and Best Photography*2.

The first four are all related to Hao Yun.

Hao Yun gathered them together to open the treasure chest, and the Top Ten Films and Best Original Screenplay both gave out essays.

And it is an English paper about Manchester by the Sea.

This must be published too, and published in foreign media magazines, so that they can also see what it means to be professional and boast about yourself for thirty years.

The best director and best film awards were given to the script.

The Good Earth!

Maudie!

The Keeper!

Hao Yun studied it and found that these three scripts were not particularly awesome scripts, at least they were not so commercial.

It would be hard to make any money if they were filmed, and it would be good if they did not lose money.

But they are definitely not rubbish scripts.

The script of The Good Earth is like a movie version of Walden, and also like a healing version of Manchester by the Sea.

The heroine who lost her husband and children has been trapped in the abyss of sadness, and she is depressed.

With a mentality of staying away from everything, she ran away to live alone in the deserted mountains and forests, trying to throw away all the worldly and entanglements and fend for herself.

Compared with the male protagonist of Manchester by the Sea, she is equally unfortunate, but can also be said to be lucky.

The hunter she met when she was dying gave her a new life. In the days that followed, she learned various survival skills in the wilderness from the hunter. The heroine's wounds slowly recovered, and she began to love life again and live her life in an orderly manner.

After the hunter died of illness, she faced the separation calmly, let go of the pain she had suffered, and returned to society again.

This is a film about self-healing and redemption.

Hao Yun felt that the system must know that it needs such a movie to heal those who were depressed by him.

Unfortunately, the quality of this script is far inferior to "Manchester by the Sea".

The second script is "Maudie".

This script is adapted from a true story and tells the inspirational story of Canadian folk artist Maudie and her husband who make a living by art.

This is a love story, but the script is also tear-jerking.

As for whether it is healing or depression, it can only be said that everyone has their own opinions. I hope the audience will be more sensible and like it more.

The third script "Goalkeeper", Hao Yun thought it was a football movie.

At present, the most popular football movie in China is probably "Shaolin Soccer", and abroad there are "Goal to Fame" and "Beautiful Football Soul" and so on.

However, when Hao Yun opened the script, he was immediately dumbfounded.

What a fucking goalkeeper...

Since I became disabled,

my family members are very reluctant to mention my legs.

Only Yu Hua took me to play football and asked me to be the goalkeeper.

He didn't treat me as a disabled person,

nor did he treat me as a human being.

When Hao Yun saw this synopsis, he was simply amused and confused. It turned out that this was the goalkeeper.

This entry point is really fresh and unconventional.

The third script is naturally Shi Tiesheng's personal biographical film. Hao Yun doesn't know whether there will be such a film in the future.

But the system still found a way to reward him.

If the system has not moved, Hao Yun's original plan was to wait for a few years for the directors in the company to grow up, and when he has free time, he will focus on making a biographical film about Shi Tiesheng.

Now that the system has given a reward, there is naturally no need to wait any longer.

Hao Yun plans to find Shi Tiesheng to check the script after returning to the capital in a while.

When you write someone's biography, you must check it with him.

If there is anything wrong, it is better to make changes at any time. Hao Yun does not have too high a requirement for the box office of this movie. It is best to make a profit, but if it can't, he can afford to lose money.

However, Hao Yun had too many activities in Miguo, so it was not easy to fly back and forth for a while.

An Xiaoxi stayed for more than half a month and then went home to raise crabs.

Hao Yun stayed alone.

He met with Mads Mikkelsen.

Mads Mikkelsen learned from Giancarlo Giannini that the Chinese director Felix wanted to take his contact information, and he has been in a state of anxiety.

Of course he knew Hao Yun's name.

Whether in Hollywood, Miguo, or Denmark, almost anywhere you can hear people discussing this young Chinese man, and there will be media chasing the latest developments of this person.

Hao Yun is more concerned than the richest man in China.

Mads Mikkelsen specially found Hao Yun's works to watch, from the earliest "Inner Labyrinth" to the current "Manchester by the Sea" and "Source Code".

He has not seen many of these movies.

The more he watched, the more frightened he felt, and the more uneasy he felt.

Everyone says that Hao Yun's works are high-quality. This young man has almost never made a bad movie. Only after watching his works can you know that this is not an exaggeration.

Especially his literary dramas.

"Inner Labyrinth", "Hello! Mr. Tree" and "Manchester by the Sea" are all classics, and they are the most solid foundation for a film master.

Mads Mikkelsen is looking forward to working with Hao Yun.

It is precisely because of this expectation that he is very nervous.

However, Hao Yun is busy all day long and has to play adult games with his wife. It was not until An Xiaoxi returned to China that he thought of auditioning for next year's movie.

The first person he contacted was Mads Mikkelsen.

"Just call me Mads." Mads Mikkelsen is 45 years old this year, more than ten years older than Hao Yun.

He debuted in 1996 and did not become famous until 2006, which took ten years.

"Just call me Felix. Max, have you been to China?" Hao Yun started with a small talk.

He entertained Max Mikkelsen at the mansion where he now lives.

He used tea brought by China.

"China has always been a place I want to go. I have seen a lot of Chinese scenery on the Internet and in movies. It is really fascinating..."

Mads Mikkelsen is probably a little introverted, but his IQ is not a problem at all.

Unlike the usually popular villain actors, he does not have too much bad feeling, or the more common vulgar and disgusting image. Mads Mikkelsen always maintains an elegant and rational attitude, calm and composed.

It is a very pleasant thing to chat with him.

Hao Yun talked to him about the beautiful scenery in China that is worth visiting, and then started to talk about this movie.

Hao Yun directly gave the script to Mads Mikkelsen to read.

Mads Mikkelsen was surprised. It is not popular to show the complete script to others even in Hollywood.

At most, it is just a chat about the character setting.

He didn't know that Hao Yun's audition of a person began the moment he stepped into the room.

During the chat, everything from words to expressions was within the scope of the examination.

Mads Mikkelsen was very relaxed at first. He and Hao Yun had a pleasant chat, and unconsciously no longer regarded this meeting as a serious audition.

After getting the script, he leaned back on the sofa with a polite smile on his lips.

However, he sat up straight soon.

He was always very focused when reading the script, but this time was different. He looked up from time to time and couldn't help but look at Hao Yun sitting opposite him.

Once, again and again...

He had seen almost all of Hao Yun's films that he could find on Miguo, especially "Manchester by the Sea".

In this Oscar battle, Hao Yun felt that others were the enemy. In fact, others also felt that Hao Yun was difficult to defeat, and could only rely on Hao Yun's Chinese identity, but this was not completely useful.

Even if it was xenophobic, it was to exclude foreign movies and foreign cultures, not foreigners.

Just like they didn’t exclude Li An.

After all, this place advocates tolerance.

Not only can they not exclude him, but they also have to consider the impact of unfair treatment on public opinion.

Once the opponent takes advantage of them, when they attack, they only focus on efficiency and not on means - arranging a dozen children of different skin colors to hold their legs and call them daddy is a routine method.

When Mads Mikkelsen watched "Manchester by the Sea", he was overwhelmed by that kind of despair, and even now he still can't completely let go.

Now, he was gradually overwhelmed by another kind of despair.

Especially since he is fighting for this role, he can't help but step into it.

The bone-chilling chill and the unresolved depression in his chest were his biggest feelings after reading this script.

"Oh, Shet, this is too...too..."

Desperate Mads Mikkelsen wanted to press Hao Yun on the coffee table and cut him into eight pieces, spread them with butter, and wrap them in bread crumbs...

Teach him how to behave and how to write a normal script.

"When faced with an incident, we always make subjective assumptions and enjoy the carnival of the masses brought about by the incident, but never think about the pressure and pain of the protagonist at the center of the vortex of the incident. This is probably the point of the movie. Something to talk about.”

Hao Yun looked at the paper box on the table. It seemed that at least this one was no longer needed.

"We always assume that children can't lie... I actually don't know how I would view the problem when encountering such a thing in real life, but after reading this script, I felt a chill down my spine."

Mads Mikkelsen doesn’t want to explore why Hao Yun always writes such scripts.

Especially his literary films, they actually create a feeling of despair in the audience.

But I have to admit that this guy's writing is indeed very good.

It is very real and makes many people feel the pain. After watching the movie, they will feel depressed for a long time.

"Actually, I don't know, because I'm also prone to prejudice. What do you think, are you interested in this role?" Hao Yun offered the other party a cup of tea.

Mads Mikkelsen picked up the drink and drank it in one gulp, then asked: "You didn't seem to mention who fired the gun at the end of the script."

"Who knows, he is standing on the moral high ground, standing in the sunlight, Lucas cannot see it, or it is not a single person, not anyone."

Hao Yun shook his head and said.

The two fell into silence, but Hao Yun was not worried that Mads Mikkelsen would reject the film.

And he also completed the audition.

Mads Mikkelsen will definitely be able to play the role of Lucas well. In fact, in the process of reading the script, he was already Lucas to a certain extent.

It's just that he doesn't know it.

"Thank you for giving me this opportunity. I think I would love to star in this movie." Mads Mikkelsen turned over the script again and then solemnly put it back on the table.

"OK, let's go to Denmark and find a town to shoot in. Maybe Max can help us choose a location. We'll shoot around March next year." Hao Yun finally decided on the male lead in "Hunting".

After filming, maybe we can go to Cannes or Venice.

This is a very powerful movie.

It is not impossible to win the Palme d'Or or the Best Actor in Cannes.

The Berlin Best Actor and the Venice Best Actor have already been awarded, but there is still one Cannes Best Actor.

"I'm available anytime." Mads Mikkelsen takes this script very seriously.

Even if he turned down all other invitations, he would keep waiting.

"Oh, by the way, the budget of the movie may not be high, only about five million US dollars." Hao Yun said apologetically.

The box office of "Manchester by the Sea" is close to 30 million US dollars. This is due to many factors. Under normal circumstances, 15 million US dollars would be good.

Therefore, Hao Yun limited the cost of "Hunting" based on a box office of more than 10 million US dollars.

Moreover, the cost of "Hunting" is indeed better to control.

Mads Mikkelsen's current salary is not high. For literary films, he can be hired for hundreds of thousands of dollars to star.

If Hao Yun's director's fee was less, five million would be quite comfortable.

"No problem, I don't need any pay." Mads Mikkelsen said decisively.

He had become obsessed with the script.

From a utilitarian point of view, although this movie cannot give him a high salary, it is still the starring role, which is a good resource for Mads Mikkelsen, who spends most of his time playing supporting roles.

If he wins any award, he will have more opportunities to choose scripts in the future.