This actor just wants to verify

There are still many good films at the Cannes Film Festival, not all of them are obscure independent films.

"Good Boys" is very enjoyable to watch.

Park Chan-wook's previous "Revenge" is also worth watching.

This guy is obsessed with revenge. After the movie screening, he said that he would make another movie about revenge.

"Labyrinth of the Heart" premiered on the 18th, and many film reviews and media reports came out the next morning.

Media reports tend to be objective facts, talking about who participated in the premiere, the audience's reaction at the premiere, and the interaction between the main creators and everyone after the screening.

The focus is on the director Hao Yun's understanding of the film, which makes filmmakers amazed.

And film critics are more subjective and emotional.

Thierry Fremaux is a French film critic and founder of the Lumière Film Museum. He has been the artistic director of the Cannes Film Festival and a member of the film selection committee since 2001.

His film review titled "A New Star Shines, a Film that Allows People to See Destiny from a God's Perspective" was published in the festival's program magazine "Screen".

As the name suggests, Thierry Fremaux gave a very positive review of the film.

However, his film review is quite different from his previous style.

Thierry Fremaux rarely talks nonsense, and is usually sought after by fans for his spiciness and sharpness.

But this review starts with how he met this young director.

It was the first day of the film festival at a cocktail party, and Thierry Fremaux met this young man on his way back from the toilet.

Hao Yun spoke French, which was not very fluent.

Thierry Fremaux actually spoke English, and there were very few people who did not speak English in such occasions, and he could not understand why Hao Yun had to speak French.

Hao Yun greeted him and started chatting.

Thierry Fremaux humorously said that he guessed that the young man must not know who he was, because the question he asked was about the director.

Although Thierry Fremaux was once a director, no one would consider him a director.

Hao Yun did not know Thierry Fremaux, but Thierry Fremaux knew him.

In the process of selecting films for the Cannes Film Festival, Thierry Fremaux was particularly impressed by "The Heart Labyrinth".

He commented on this film in his film review article:

"The director's first feature film can tell a fascinating story with extremely high narrative ability."

"A masterpiece made with half a million dollars."

"The director is smart and down-to-earth. In such a rough film, the talent is revealed."

Overseas entertainment media have published many similar comments.

Neon's "Film Junbao" review article said, "This is a movie like "Rashomon", but the young director Hao Yun is obviously more influenced by Nolan, Quentin and others. He re-sorted a simple thing through different perspectives of each person, breaking the limitations of time and space, and finally presented a thought-provoking truth."

Even the Hollywood Reporter, one of the two major newspapers in the entertainment industry, has a small report, saying that the film reveals "the most authentic human nature and the most profound sadness" and reflects "the true situation of rural China".

No one said that "The Labyrinth of the Heart" is too complicated and difficult to understand.

Because for film critics, it is a shame not to understand.

The domestic media praised it even more without concealing it.

Many people blindly worship foreign countries. If foreigners say it is good, it must be very good.

Being able to make foreigners admire is a kind of glory for the country.

Therefore, when these film reviews were translated back to China, Hao Yun's "The Labyrinth of the Heart" made the audience look forward to it.

And domestic film critics also published film reviews on major platforms and newspapers and magazines.

For example, a film review published in "Popular Movies" was written by Yao Weihong, a well-known domestic film critic. He used the title "The coffin that cannot be buried, the original sin that cannot be burned".

The opening line is "The Labyrinth of Heart is the biggest surprise of domestic films in 2004. I want to give it the crown of the light of domestic films in 2004".

Film critic Yao Weihong believes that "The Labyrinth of Heart is an ambitious film and a very skillful work. The dark tone, exquisite script, fancy narrative and playful tone accurately show the psychological ecology of the characters in the most basic autonomous unit in China".

This film is his "surprise at Cannes in 2004". Although there are still many shortcomings, he saw "the aura of a film master" in Hao Yun, the director himself.

The film review of "Daoye", a wild film critic who often appears in major online forums, chat rooms, blogs and forums, answered the most curious questions of domestic film critics.

He said that "non-linear narrative structure is not uncommon, but there are not many people who play it well in China. As a black debut with such a complex narrative structure, The Labyrinth of Heart is really surprising".

Daoye described what he saw and heard in the screening room on the day of the premiere.

He highly praised Hao Yun's performance after the screening and was surprised that he could talk with various movie gods.

The screening ended at one o'clock and lasted until after two o'clock.

Although he was speechless when asked some questions and touched on areas of knowledge gap, he could talk about most topics and had very unique insights.

Therefore, he was definitely not a puppet in the process of completing this movie.

Daoye has also watched the premiere of "2046".

The effect is much worse than "Heart Labyrinth". After the screening, Wang Jiawei's on-site interaction was also relatively cold.

The rhythm of "2046" is too slow, and the story is too decadent. After watching it, it does not give people any enlightenment.

Lao Wang forcibly continues his previous works, resulting in too many characters.

The film is full of stars, the material is bloated, the structure is too fragmented, and the dilemma of editing choices directly leads to the disorder of the film's rhythm.

And there are too many explanatory narrations, which is far worse than "Heart Labyrinth" where every frame is just right.

This exposes Lao Wang's inadequacy in using film language to realize his ambitions. The relationship between characters and the development of events are mostly narrated by narration, and the pictures are just illustrations of the annotated text.

Although it is not to say that Hao Yun's film is better than Wang Jiawei.

But the movie "Heart Labyrinth" is more "sincere" than "2046".

Yes, it is the word sincerity.

Hao Yun, a new director, is making movies with a sincere attitude, instead of the arrogance that Wang Jiawei, a truly international director, can hardly conceal.

Daoye posted this review article on many platforms, which attracted a lot of attention.

Many netizens commented below.

Ling Ao Yu Ling: Our village just got the Internet. Please ask, is this Hao Yun the Hao Yun we know? Is it the Hao Yun who played Yun Zhonghe? It's so magical that Yun Zhonghe actually directed a movie and went to the Cannes Film Festival.

Dong Dao Hai: This is called the counterattack of the silver thief. After some efforts, Yun Zhonghe finally deserves Wang Yuyan.

Running around and strolling: When I first knew that Hao Yun's new movie had a non-linear narrative structure, I thought he was too arrogant. He was walking on a tightrope at the beginning of filming, which was easy to collapse. I didn't expect him to succeed.

Generous Wind Chime: I really can't imagine how a new film was shortlisted for Cannes. Anyway, I don't believe that this was made by Hao Yun himself.

Wild and irritable: I don’t know if I can understand this movie with my IQ.

Qingshan Luoye: I look forward to the release of "Heart Labyrinth". I heard that it will be in September. Why is it delayed for so long?

Flash Strike Easy to Get: I heard that many of the actors are Hao Yun’s classmates. I would like to call it the most awesome graduation work.

Sun Delusion: Hao Yun should be considered a first-line star now. He became a first-line star three years after his debut. He is indeed a quick shooter.

Jifeng Zhijincao: You only see his glamorous side, but ignore his efforts in the process. From the first time I saw him playing guitar at the school gate in the middle of winter, and then tremblingly took out his wrong questions to ask for advice, I knew he would succeed.

Liangpin: Fool, as far as I know, Hao Yun only talked about guitar at the gate of Peking University and Shuimu. You upstairs turned out to be a top student.

Jifeng Zhijincao: You are wrong. I am Lao Qin, the doorman of Peking University.

The word of mouth is very good, which makes Hao Yun very much looking forward to how much the overseas copyright of this movie can sell for.