This actor just wants to verify

After coming back for lunch in the afternoon, An Xiaoxi saw Heimi and Heidu's family.

An Xiaoxi first flew here and then took a car, and these animals could only be transported here by car.

An Xiaoxi sat on the stone mill in the yard and ate with a bowl in her hand, looking very relaxed and comfortable.

Several small animals were acting coquettishly around her.

They were all very smart and knew who to please in order to live more comfortably.

When the clouds on the horizon gradually turned red, the car carrying Heiniu also arrived.

The several pets rewarded by the system finally achieved a big reunion.

Heiniu was sent to Shandong by a special car from Hengdian. After a long journey, she seemed to be a little carsick, so her mental state was not very good, and she stood listlessly under the big tree at the door.

In addition, it couldn't cheer up after leaving the beauties of the equestrian club.

Who stipulated that it would definitely like pastoral life.

He liked to be ridden by beautiful women, and all the happiness of his horse life came from this.

At this time, it looked at a dog chasing a cat with contempt.

When it ran past it, it whistled to scare the two unlucky little ones.

Unexpectedly frightened by this big guy, Hei Dou and Hei Mi fled in embarrassment.

An Xiaoxi began to educate Hei Nu.

The reason why Hei Dou and Hei Mi fell out was because Hei Mi had just beaten his daughter.

In Hao Yun's eyes, the picture was very harmonious.

He began to explain the play to the animals participating in the movie.

No matter whether they could understand it or not, if anyone performed poorly, you can forget about eating.

Hei Nu was set as the property of the village. She was unruly and loved freedom. Her specialty was that she could untie various rope buckles with her mouth, so there was no rope that could tie her up.

The village simply didn't tie her up and let her wander around.

There is no logic to the movie. This movie is more like a peaceful and quiet Peach Blossom Land.

It is full of irrationality, but the food and scenery can soothe all the sadness and confusion.

The meaning of movies is not to escape, hide, or record, but to reshape your worldview and discover what is truly important in your heart in an environment beyond imagination.

Then, there is a free-range horse in the village, which can be interpreted in the language of movies.

Hao Yun can even write a paper to interpret this.

This horse represents the heroine's unwillingness to be bound by life.

"You start practicing untying the rope with your mouth these days. If you don't practice well, you will not be allowed to eat. Another thing, you will not be tied with a rope later. Don't think about running away. With your appearance, if you are caught, you will either be sliced ​​and put in a pot, or castrated and pulled to plow the fields..."

Some alarmist, but not impossible.

Movies may be the Utopia of dreams, but the reality of filming is not. It would be strange if the villagers saw such a horse passing by and didn't catch it and sell it.

"Whew~"

Hei Niu spit at Hao Yun. It couldn't accept these two possibilities.

"Okay, I'll tie three knots on the tree. This is your task today..."

Hao Yun was talking while tying the knots.

When he turned around, Hei Nuo directly untied the first knot he tied, and then looked at him with a look of looking at a fool.

If she could talk, she might have started to curse.

Then it was Hei Dou.

Hao Yun held Hei Dou by the back of his neck and told Hei Dou about his "dog setting".

In this movie, Hei Dou was picked up by the heroine from the ditch.

The heroine found it dying.

Then she brought it back, bathed it, cleaned its wounds, fed it, and it slowly survived.

In addition, Hei Dou is not a Shiba Inu, but a local dog. Anyway, it looks very similar to the iron-clad gold local dogs commonly seen in rural areas.

"Come on, you act out the dying for me."

Hei Dou looked confused, as if he didn't understand what Hao Yun was saying at all.

However, when Hao Yun held its neck, it immediately cooperated and collapsed, and even stuck out its tongue and hung it on the side of its mouth, and even its eyes were full of drama.

Damn, this acting is quite awesome!

Fortunately, Hao Yun didn't pull out the acting attribute, otherwise I would start to doubt my life again.

I am an actor, but I am not even as good as a dog.

"Make a pitiful expression, pay attention to the body language to express..."

Hao Yun tested it again.

Hei Dou showed pitiful without any pressure, and being cute is its survival skill.

It can kill you with cuteness, or it can make you vomit with cuteness.

However, Hei Dou can't act out too complicated things.

It is a system reward, and its IQ is higher than that of ordinary dogs, but not too high.

"Meow~" Hei Mi ran to Hao Yun's feet and rubbed.

Probably hoping to have some room for performance, Hei Mi is a very active cat, scratching here or there all day long.

The cubs of Heidou's family were bullied by it.

But if nothing unexpected happens, when the dog grows up, Heimi will probably have no advantage.

"Go away, there is nothing for you to do, just play a good cat." Hao Yun ignored it.

He arranged three pets for An Xiaoxi, not to make the movie lively, but to use this method to further present the loneliness of the heroine.

There is a sentence in the script:

"The color of the large field is beautiful to the heart. In those days when it is so quiet that you can only hear your breathing, you understand that loneliness is life."

This movie uses pastoral life and food to present not healing, but a sense of loneliness.

Its keynote is that life or the nature of human beings is lonely.

When choosing a location, it was also based on this feeling. The location of Quanshang Village is at least more than ten kilometers away from the nearest villages, and it is at least more than twenty kilometers to the city.

It is surrounded by mountains.

Because of the scattered springs, people live in scattered places near the water, and the communication between them is not frequent. There is a sense of chickens and dogs hearing each other but never communicating with each other.

There are rarely rows of houses connected together like in other villages.

On this land, people give birth to children, work in the fields, and do housework.

They reproduce and thrive according to their own living habits, without too much turmoil or too much ups and downs.

Everyone repeats this life day after day, year after year.

Such a repetition is essentially a kind of loneliness.

The heroine tries to show her own life color on the basis of lonely life.

These colors are attributed to the daily vegetables and meals, spring, summer, autumn and winter.

These can all be called the best taste of the world.

What is the best taste in the world? It is the bond between you and life, and the friction between you and the things and humans that come and go in life.

Hao Yun has no intention of promoting how beautiful the countryside is.

He was born in the countryside and knows better than anyone that rural life is not beautiful.

The movie strips off the coat of pastoral life, which is actually a core spirit of the heroine's self-salvation.

This core spirit is wrapped with various bonds such as food and friendship, and then cooked into a pot of "good soup".

This pot of good soup is the best taste in the world.

So, this is a movie about loneliness and growth.

It is not that it has no core, but its core is shallow and hidden deeper.

The last person to be told by Hao Yun was An Xiaoxi.

She squatted among a group of animals and listened to Hao Yun's teachings, but she was not a small animal.

The next morning, the opening ceremony was held in the open space at the door.

People from all over the village came to watch the excitement.

From the 80-year-old paralyzed old man in bed to the baby who was just one month old in the cradle, they watched these city people "worship the gods" like watching a big show.

In addition to Hao Yun, Cao Dun and other behind-the-scenes staff, there are several actors.

Persimmon is played by An Xiaoxi, and the name of the original work was slightly changed by Hao Yun.

There happened to be a few persimmon trees at the gate of the yard, and red persimmons were already hanging at this time. The crew has eaten a lot of them these days.

Zhuzi is played by Hao Yun as a guest. He is the heroine's childhood friend. After failing the college entrance examination, he returned to the village and became a primary school teacher in the village.

When the heroine lived in the village, he often helped with work.

The mother is played by Ms. Liu as a guest.

This role is not much, but it is very important.

Although she is a villager, there is no need to act like a villager. After all, this is a movie that does not talk about realistic logic.

The heroine's bestie is played by Wang Jia, the class leader of Hao Yun, An Xiaoxi and others.

She is not particularly beautiful, and her development is also quite average.

She once helped Hao Yun record classroom content. Hao Yun has never forgotten this favor. Supporting roles like this usually give her opportunities.

There were other characters who appeared on the screen. Hao Yun gave the villagers a chance. There were also people in the crew, and there were also guest appearances.

Under the curious eyes of the villagers, Hao Yun led everyone to solemnly worship the camera covered with red cloth.

The children in the village looked very lively, kneeling on the ground and kowtowing to the camera from a distance.

It seemed that there was something very extraordinary covered inside.