This actor just wants to verify

It is common for celebrities to live apart, which is also the main reason for their frequent relationship breakdown.

This time, Hao Yun and An Xiaoxi lived apart again.

And An Xiaoxi was in Tangshan, while Hao Yun went to Hong Kong for filming.

For the time being, the two can only chat on the phone.

Hao Yun cannot interfere with An Xiaoxi's progress, and Ma Dagang is still very good at filming.

This time, "Tangshan Earthquake" is also a big production.

It cost a lot of money just to build the scene.

The Tangshan Earthquake Film and Television Base, which is 1 kilometer in radius, took three and a half months to build. Many props of life in the 1970s were searched, and the total cost was close to 10 million yuan.

Then, these things were destroyed by "earthquake".

The total investment of Hao Yun's "A Simple Life" was only 10 million yuan. In fact, it couldn't even afford Hao Yun's salary.

So, Hao Yun starred in this movie for free.

In terms of investment, Anhao Film and Television and Black Bean Media each accounted for 20%, and the remaining 6 million was all taken up by the Emperor of Film.

The movie king not only invested 60% of the funds, but also sponsored luxury houses and cars for the movie. Boss Yang even personally came forward and invited many big names in the Hong Kong circle to guest star in the movie.

In fact, the movie king originally hoped that Yip Tak-hsien would play the role of Tao Jie.

In "Fight Back to School 2", her rivalry with Stephen Chow and Ng Man-tat was very exciting and created many famous memes.

In "New Shaolin Five Ancestors", she played the hidden weapon master-"Thousand-handed Guanyin" Zhu Xiaoqian. She is also a humorous, witty, smart and cunning, and a stingy mother who loves her daughter very much.

It has to be said that the older Yip Dexian gets, the better her acting skills are. When she was middle-aged, she was particularly good at playing these street women and stingy aunts.

The role of "Tao Jie" might really be better for her than Cheng Pei-pei.

However, Hao Yun felt that she was "unworthy" and refused to play a supporting role for her.

Yes, the real No. 1 in "Tao Jie" is "Tao Jie", and Hao Yun can be said to be a supporting role for "Tao Jie".

It's just that Hao Yun has been in the Hong Kong entertainment industry for many years and has a lot of knowledge about Ye Dexian. She has also met him in some public occasions, especially in the two years before Hao Yun became famous. It can be clearly felt that this old woman disdains mainlanders.

Hao Yun is not a stingy person.

Well, he is indeed a little stingy. He remembers the coldness at the beginning. Even if this person is very suitable for the role, he will never compromise.

What's more, this kind of coldness is a condescending attitude towards mainlanders.

The movie king can't do anything.

They don't have the capital to control Hao Yun at all. If Hao Yun says no, then it can only be no.

As for Zheng Peipei, who immigrated with her husband and became a Japanese citizen.

When she was interviewed by "Feichangdao", she talked about her "anti-various fate" background and said, "I am more of a worker, peasant and soldier than the children of workers, peasants and soldiers, and I am proud to be a Chinese all my life."

Such a clear statement is more acceptable to people.

Moreover, Hao Yun has contacted this person several times and got along relatively comfortably.

Hao Yun's rejection of the movie king is not just a rejection of Ye Dexian.

Huang Qiusheng also refused.

He did work with Huang Qiusheng before, and more than once, but some people just don't like him.

There was no way before, you have to have the attitude to make money.

Now he is awesome, and he has returned to Hong Kong as a king, and he can do many things willfully.

The movie king not only has no objection, but also thinks it is natural.

He is worthy of being an international director, and he really has personality.

This movie is relatively simple to shoot.

The tradition of domestic help in Hong Kong has gradually disappeared with the arrival of an aging population.

The nursing homes everywhere are inhabited by a pioneer generation that has been abandoned or forgotten.

As the earliest batch of builders, they created this Hong Kong where every inch of land is worth a lot of money, but they can only gradually rot and disappear in oblivion.

Tao Jie is both lucky and unfortunate as one of them.

She has no children, and has been in the Liang family for decades. As she gets older, she is still diligent even if she is a little overwhelmed.

Master Roger is busy with work. He is still single in his thirties and forties, and has long been accustomed to Tao Jie's care.

If it weren't for the afternoon when he had a stroke, he might not realize that Tao Jie would also age. She used to cook well, but now she can't even hold a pot or a spoon.

The story abandons the means of sensationalism and expresses this journey with an extremely calm attitude and a resolute refusal to take one more step forward.

Calmness and restraint are things that Hao Yun has discussed with actors and assistant directors many times.

In order to play the role of "Tao Jie" well, Cheng Peipei has done a lot of preparation.

Her acting skills are actually not bad. When she was young, she was a vase. With the precipitation of years, she is now a proper acting school.

Although most of the shots cannot be done in one go, at least three or five shots will definitely satisfy Hao Yun.

Moreover, she has experienced the glorious era of Hong Kong films and has a very strong ability to withstand pressure.

At such an old age, she shoots for sixteen hours a day without any complaints.

In the process of studying the script, Hao Yun has a very deep understanding of the script and the role.

She acted better than Cheng Peipei.

Therefore, the performance of the two can be said to be smooth as "cutting the Gordian knot".

The original schedule of 50 days feels that it can be completed in 40-45 days.

Hao Yun is in his twenties, and playing a middle-aged man in his thirties or forties (Hao Yun is set to be 36 years old) is actually quite challenging.

He changed his skin color a little, grew a little beard, and dyed his hair to make it look a little gray, which added a bit of vicissitudes.

Of course, appearance is only auxiliary, and the performance is the final result.

Influenced by Wang Shunliu and "Hello! Mr. Tree", Hao Yun changed his style this time.

The highest level of performance pursued by a professional actor is to make the audience unable to detect that he is performing, and completely transform himself into the character himself, which is the legendary documentary-style performance.

Hao Yun eats and lives in Roger's house. He walks, eats, and even breathes in the way of Roger, a middle-aged man.

He is simply possessed by Wang Shunliu.

Often after the show, Hao Yun feels that he is Roger.

He and Cheng Peipei were sitting in the living room sorting things out, and accidentally saw some old items kept by Tao Jie, many of which were related to Roger. Tao Jie was reluctant to throw them away and collected them as souvenirs.

When he took out a silk scarf, Hao Yun couldn't laugh.

He was silent and folded the silk scarf carefully.

Assistant director Han Yan held his breath and watched this scene. At this time, Hao Yun had no lines and no expression on his face.

At this time, the state presented by Hao Yun was actually the most accurate performance. Once he spoke, the atmosphere was wrong. Even if there was one more expression, it would be redundant.

After Han Yan shouted OK, Hao Yun still sat there motionless.

Others did not dare to disturb him.

After a long time, Hao Yun walked behind the monitor to see the effect.

The effect was naturally extraordinary.

This movie will definitely win awards, but I don’t know who will win more between him and Cheng Peipei.

Then, Hao Yun felt that "A Simple Life" could be played like this.

But "Manchester by the Sea" must not be played like this, because it is really possible to go crazy.

The "healing" effect of the two scripts is completely on a different level.

By the end of March, "A Simple Life" was smoothly completed, and Hao Yun also finished editing "Hello! Mr. Tree" during the break.

At this time, An Xiaoxi's "Aftershock" had not yet been finished.