This actor just wants to verify

Chapter 962: I am most afraid of being set off by my peers (asking for monthly tickets)

After practicing for a few days, Hao Yun gradually mastered the technique of going in and out.

Not only did he go in more smoothly, but he also went deeper!

When he felt that it was almost done, he finally started to shoot the last few important scenes.

One was that he dreamed of two children, saying to him, "Dad, can't you see that we are on fire?"

Seeing two children in a dream is definitely different from the performance before the fire, but it is also different from when you are awake, so the degree here is very difficult to grasp.

The several actors watching were talking about it, and each expressed their views on this scene.

But there is one point that is easy to reach a consensus.

That is, it is very difficult to act.

Many people can't even describe how this scene should be acted in words.

There is no clue, no direction, and they can only explore it bit by bit.

One bad thing may be that you can't shoot it for several days in a row.

Although Hao Yun didn't pass it in one try, the impact it caused to these colleagues was no less than passing it in one try.

Because it took only half a day to shoot and the actors were amazed.

So...

This scene can be acted like this!

It is definitely a textbook-level acting.

When the movie is released, someone will definitely dig out this scene for research.

However, Hao Yun's performance is still restrained.

He only carves out the subtle details. In just a few dozen seconds, he shows how a person who is half asleep and half awake will face his beloved... and nightmare.

There are several changes, and if you are not a professional actor, you may not understand.

"OK, this scene is over, take a break, and continue shooting later." Hao Yun lay on his chair, and he was exhausted in order to shoot this scene.

There is no way, he wants to use this movie to win the Best Actor Award in Cannes, so he must pay so much.

Then he also wants to finish the filming and return home as soon as possible, his wife and children are still waiting at home.

In order to speed up the shooting progress, Hao Yun personally demonstrated more and more for Freddie Highmore.

Just like Stephen Chow shooting "Kung Fu".

If you say that "Kung Fu" was performed by Zhou Xingxing alone, this statement is not wrong, because he often demonstrates how to act to every actor on the set.

Some actors perform very amazingly in Zhou Xingxing's movies, but they look dull and dull outside of Zhou Xingxing's movies, because the director's training is not good.

Hao Yun trained Freddie Highmore in an enlightenment-style way in the early stage, just like teaching elementary school students, raising him up little by little. Now that he has reached a higher level, he can try a different teaching method.

Hao Yun also helped the lawyer in the scene with him.

He himself is a law graduate, and even if he has never been in the workplace, he can still perform the feeling of a lawyer.

But the biggest difficulty of this scene is still himself.

His brother's lawyer read out his brother's will for him, hoping that the protagonist Li can become the guardian of his son.

However, the protagonist Li naturally does not want to become a "father" again.

It was in the room with the lawyer that the protagonist Li recalled the past when he made a mistake after being drunk and let his three children die in the sea of ​​fire.

For the protagonist Li, taking on the responsibility of being a guardian father requires living in Manchester for a long time, which will constantly hurt his painful and guilty heart, and also means that he has to become a father again.

Taking on the responsibility of a father again is undoubtedly a more difficult thing for him.

However, Hao Yun has experienced so much, and the scene with the lawyer did not take too long, and the most difficult part to shoot still came to him.

There are two most difficult scenes in "Manchester by the Sea".

One is the suicide with a gun in the police station, and the other is the conversation with his ex-wife.

The scene shot two days ago where the daughter said that there was a fire, whether it was well acted or to what extent, actually has no big impact on the movie.

At most, professionals will cut out that section for analysis.

Analyze how awesome Hao Yun is.

Fans don't care at all, and they can't understand it.

But the suicide with a gun in the police station and the conversation with the ex-wife are different. These two scenes will have a huge impact on fans.

It will become the highlight that breaks the psychological defense line of fans.

The effect of the last scene was amazing, and this time it must not be dragged down.

Hao Yun arranged for this scene to start shooting a week after he returned to the crew, and the entire shooting cycle has entered the post-production stage.

The seaside town at the end of November is even colder.

The whole town is like an empty painting, mixed with snowflakes flying all over the sky, without a single bit of temperature.

"Do we need to rehearse first?" When Rosamund Pike first came, she saw Hao Yun with a smile on his face, and was worried about whether he could get into the state when acting, and whether he, a part-time actor whose main job is directing, has enough strength to play the role of Li.

Now there is no worry.

No, it can't be said that there is no worry. She is worried about whether she can play this scene well, and whether she will be killed by Hao Yun in seconds.

She can be suppressed, but she can't be killed in seconds.

Otherwise, not only will she not get any bonus from the movie, but she will also be pulled out and repeatedly whipped when everyone discusses this play.

This scene could have become a classic, but because Rosamund Pike's performance was not good...

The most feared thing is to be set off by her peers.

"Let me tell you about the play first. You need to understand what this play is for..."

Every play has its purpose.

So, what does this scene want to express?

At an ordinary intersection, the ex-wife and the newborn in the stroller, they met just like that.

One has walked out, the other cannot walk out, one wants to apologize, the other cannot accept it, one actively wants to communicate, the other passively just wants to get out of it quickly.

Do you think this is just an ordinary encounter and dialogue, the heroine vented her emotions and it was over?

Actually not.

The purpose of this scene is to use the role of the ex-wife to launch a final test on the protagonist Li on behalf of the audience.

Test whether this man who has been depressed to the extreme throughout the movie can still walk out of the shadow.

Can he repair the emotional trauma and reconcile with the past.

After all, it has been a long time since the incident, the ex-wife divorced and remarried and had children, and the brother also passed away. It seems that everyone has walked out of the haze of the past.

The protagonist Li should also walk out.

If he doesn't walk out, the whole movie will end!

Of course, the ex-wife is not testing him, the ex-wife really hopes that the protagonist Li can walk out.

"That's about it." Hao Yun took the water handed over by the fake Taoist priest and took a sip.

It's rare that it's warm...

Warm?

Hao Yun observed the color and smell of the water and then breathed a sigh of relief.

"I understand!" Pei Chunhua nodded.

She trotted in circles on the spot, using this method to relax herself.

And Hao Yun went to talk to Cao Dun about the shooting of this scene.

Cao Dun was so relaxed in shooting this movie, but some things should be presented.

Hao Yun asked that the vertical line of the corner should be highlighted during the adjustment of the camera position. The cut made by the wall between the two people also implies that the protagonist Li He could not reconcile in the past.

Until the two said goodbye, this line was still so conspicuous.

All the links were prepared, and Hao Yun stood where he should stand.

Quickly enter the play, and then further immerse yourself.

If there is a progress bar above Hao Yun's head, it will probably show 100%, 200%... and so on.

Then he made a gesture.

Han Yan started the countdown and announced the official start of the shooting.

The first scene was not intense. At most, it was just two people who shouldn't meet. There was a little avoidance and some discomfort.

As the plot unfolded, the ex-wife began to get emotional.

"Cut, too fast, the emotions are too fast, start again, start from the thirteen mirrors again, gradual performance, if you are so emotional now, how are you going to act later?"

Hao Yun quickly pointed out the problem and didn't give time to rest.

The next time started quickly.

Then they talked about nephews and eating.

The ex-wife wanted to persuade the protagonist Li by the topic of eating, but the protagonist Li didn't accept it, he was completely on guard and still evaded.

Hao Yun's performance was almost completely expressionless, making people unable to detect emotions. It was a very real performance. He repeatedly interrupted the ex-wife with the matter of settling the nephew.

The ex-wife turned her head to adjust her emotions, cut into the topic, and see the man's reaction...

Pei Yuehua NG several times, finally entered the state. Her strength is very good, better than Hao Yun imagined.

Especially in the second half.

"My heart was broken, and I know your heart was broken, too, because that's our child, and we can empathize..."

"I'm just heartbroken, but you bear more self-blame, guilt, pain and suffering than I do..."

This is the first step for the ex-wife to try to help the man heal his wounds.

If there is still a glimmer of hope in life, you should try to get out of it.

Unfortunately, the protagonist Li played by Hao Yun is still indifferent.

This segment was shot very cruelly, and even made Pei Chunhua uncomfortable to the point of NG.

And Hao Yun's highlight moment finally arrived.