Tokyo, everyone is drawing comics, who still wants to fall in love?

On comic-related websites, there are more and more comments about the fight between Kurokawa Rumiko and Oda Shingo.

[Oda Shingo strikes back! Kurokawa Rumiko is defeated for a while! ]

[Tops the love list! Oda Shingo returns to the top of the glory! ]

[Double first place in funny comics and love list, "Uncle in Another World" is so scary! ]

A lot of comments are aimed at picking fights.

During the Showa period, you drew yours, I drew mine, and everything was peaceful. Although there was constant competition in the market, there was almost no tension between them.

The most famous one is that two cartoonists competed for a beautiful assistant... Anyway, it was not the market competition that caused the feud, and the Showa era was beautiful.

The above is the traditional impression of the Japanese. Of course, under the surface of the Showa era, there would be filth and dirt.

But the common concept in the comics industry in the Showa era was: if no one reads the drawings, it is the cartoonist's responsibility, not a question of who is worse than who.

However, the Heisei era began to change.

"My serialization performance is not good, it must be my opponent who is messing with me!"

"XX is a despicable person who caters to the market and forgets the duty of a cartoonist!"

"The essence of comics is dreams! Those who make money for the market are not worthy of being called cartoonists!"

Various fierce hedging remarks began to appear in the comics industry.

But since the Great Depression in Japan, the market tone has begun to change.

Because of the traffic, more and more comic critics have begun to pay attention to the conflicts between cartoonists, the grievances between comic companies and cartoonists, and the personal scandals of cartoonists, and deliberately began to stir up trouble.

The good professional qualities of media people have long been abandoned by the times.

Media people who don't know how to stir up trouble are not good media people.

Comic fans love to read, and water friends are willing to fight each other, so won't the traffic come? With the traffic of the website, the assessment can be qualified, and the performance award will be complete.

For the sake of eating, don't knock it.

Sometimes the comics industry is too dull, and comic critics and website editors have nothing to say, so the monthly and quarterly assessments will be very ugly.

Because all major entertainment websites have popularity assessments, and the same is true for comic websites. If the popularity is low, the income will decrease.

Fortunately, Tokyo has a Shingo Oda.

This guy is really good at picking up trouble. After beating this and that in the group of heroes, everyone never has to worry about not having fun.

Comic fans are happy to see the direction of his public opinion. When the popularity is up, the assessment will be better.

"Thank you, the great devil Oda, for giving us a bite to eat." Many comics thanked him in mid-air.

Some people even thanked Shingo Oda for giving us a bite to eat when they put their hands together to announce the end of the meal.

"Shingo, they are all talking for you!" Fujido Kaozu happily collected recent reports.

She didn't wear black silk today, Shingo Oda thought to himself, but he still felt helpless when looking at these media reports: "They are fence-sitters. If my performance is poor, I will definitely be beaten up."

"Anyway, we are in an advantage now, and it is worth celebrating." Namikaze Yukaku is in a good mood.

She will be happy when she sees others praising Shingo Oda.

"It's great to be able to learn comics under the guidance of Mr. Oda." Yuko Mikami always wanted to be a disciple.

Perhaps in her mind, all the traditional disciples serving their masters need mosaics...

"By the way, we have already taken the advantage. Don't be too distracted and just focus on drawing." Oda Shingo told Fujido Kaoru that she didn't need to continue collecting more information data.

"Hi!" Fujido Kaoru and Yuko Mikami responded at the same time.

However, Namikaze Yukaku glanced at Oda Shingo.

Now she has no main painting.

As the main painter who started painting with Oda Shingo, has she been eliminated by her juniors?

Namikaze Yukaku was a little bit unconfident.

"Don't worry, you continue to improve your painting skills, and pay attention to how to refine your strokes and improve efficiency." Oda Shingo read Namikaze Yukaku's values ​​through the system and knew that her painting skills had reached a high point of more than 90, which was completely capable of handling most comics.

"Okay." Namikaze Yukaku continued to start from the basics.

There are some problems in habitual techniques that can only be discovered after a lot of experience. But it takes a lot of concentration and time for a painter to change his bad habits of brushwork.

The new issue of "RED" is also on sale.

The Osaka battle of "GANTZ" has entered its climax.

Kaze Ozaemon starts the battle of conferring the gods, challenging the slippery ghost alone with bare hands! And he not only killed one form, but also killed it several times alone!

Of course, he couldn't do it later, but he also stole the show.

The blood, horror and despair of the Osaka battle can be seen through the situation of the stronger black ball Osaka team hunter.

The powerful team composed of several people who have won multiple 100 points far surpassed the Tokyo rookie team.

As a result, such a strong team was almost wiped out. The remaining rookie can be regarded as a seed.

However, the strongest Okahachiro made an important contribution: the weakness of the slippery ghost is that it has poor resistance to unexpected attacks!

The responsibility of killing the slippery ghost actually fell on the Tokyo team.

However, the difference between the Tokyo team and the Osaka team appeared.

The Tokyo team will cooperate, care about each other, and actively help each other!

In contrast, the previous performance of the Osaka team, even when the captain was killed, the players just stood by and watched without taking it seriously.

Cover shooting? Emergency rescue? None.

Everyone on the Tokyo team risked their lives to earn points, survive, and revive their dead teammates...

[Ah, I didn't even notice that I had finished reading it. ]

[I hate the small words at the end "Part 1 is finished", which means I won't be able to see the next issue. ]

[Will "GANTZ" win the best work award this year? ]

[It's unlikely. The selection committee will only choose those comics with so-called profound connotations, and never pay attention to bloody horror comics. ]

[But I really enjoyed it! ]

However, comic fans soon noticed that the next page was the end of the new comic.

"Peacock King" was published, the script was written by Oda Shingo, and the painting was by Nobukata.

In order to attract comic fans, "RED" also adopted Oda Shingo's suggestion and made the end of "GANTZ" directly. And attached some sample pictures, you can tell at a glance that it is that kind of astringent style, plus bloody killings.

[Is Mr. Oda starting to write scripts? Comic scripts are equivalent to screenwriters, right? ]

[Yes, but I can't believe it. It takes a lot of time to come up with a plot. ]

[Humans, please don't use mortal standards to estimate a demon king! ]

[Is it Mr. Oda's apprentice? ] Some fans actually guessed it.

Everyone turned the page.

What came into view was a close-up of a beautiful woman, which aroused people's imagination.

In fact, this beautiful woman is the character of OVA Peacock King, the twin sister of the protagonist. The image is too outstanding, so Oda Shingo directly moved it here.

In his words, this is a gimmick.

"Since everyone has seen such a beautiful woman, they must want to see the trembling in the plot. Attract them first, after all, we need to trick the fans into coming in and kill them..."

The black-hearted Oda Shingo taught his apprentice like this.