Tokyo life starting with painting

As the review said, this is a very exaggerated oil painting, but at the same time, it is also a very realistic oil painting.

Of course, this is also a good painting.

It's as if there is a real middle-aged man showing his emotions, anger, sorrow, and dissatisfaction with the city of Tokyo on the oil painting.

Some of the reporters below were not only deeply moved, but they also felt an inexplicable resonance in their hearts.

After all, people living in Tokyo are under too much pressure and naturally have inexplicable emotions towards this seemingly glorious and luxurious city.

It's like complaining, but also like sighing - why is the city of Tokyo unwilling to accept me?

It's like listening to a love song for someone who has just lost love. Listening to it will bring back memories and cry - don't believe it, this kind of thing really happens in college, at least Toyoshi encountered it more than once.

And "Tokyo" gives people the same feeling, but "Tokyo" is the kind of thing that is easier to attract other people's emotions. It seems to have hands that can inexplicably capture people's eyes into the painting, making people feel a sense of resonance. feel.

It is indeed a good work

Below, a group of students from the five major art academies gritted their teeth reluctantly while continuing to read reluctantly.

They wanted to learn something from Higashino Tsukasa's "Tokyo", but they felt bad when they thought that this was actually drawn by a high school student four or five years younger than them.

No one is willing to be a slave to others.

However, Higashinoji on the stage obviously did not care about the thoughts of the five major art academy students below. He once again received the blessing from the first floor of Yamauchi: "Congratulations, Higashino-kun. This "Tokyo" is well-deserved for winning the gold medal in the adult category."

"Thank you." Higashinoji took the gold reward certificate with gold flowers from the first floor of Yamauchi and nodded with a smile.

""Tokyo" is a good work. I hope you can continue your efforts and add more glory to the art education community in Tokyo."

The first floor of Yamauchi also nodded.

After receiving the certificate, Higashinoji quickly stepped down from the stage, followed by Yamauchi's concluding speech on the first floor.

It’s also a bunch of innocuous gobbledygook, which basically means that the art education sector in Tokyo is booming now, and I hope you can continue to work hard.

After Yamauchi gave a rough concluding speech on the first floor, the emcee took the microphone again and began to formally organize the closing.

"Then I will go back first, Higashino-san." Madoka Fukushima greeted Higashino.

Higashinoji can't leave yet. As a double gold reward winner, he will have to answer some reporters' questions in front of the camera, which is a so-called interview.

"Okay, Fukushima-senpai, walk slowly." Higashino nodded, watching Madoka Fukushima leave with an envious face.

After about ten minutes, the entire venue was empty, and Higashinoji was invited by the staff to a small conference room specially used for interviews.

At this time, it was already filled with interview teams from various media.

Looking at the number of people, Higashino felt a little helpless and couldn't help but let out a breath.

Who can bear this? It’s probably around ten o’clock when the whole process is finished, right?

For a full hour, you will be asked questions.

Now you know why many people don’t like to be interviewed, right?

Trouble is, you are just tormenting yourself.

The key is to accept it.

Tonoji shook his head inwardly, but quickly sat down in the middle position.

When the reporters in the conference room saw Higashinoji, they were like wolves seeing flesh, and their eyes seemed to be oozing green light.

"There really is a TV interview." Yumi Takahashi picked up a potato chip with chopsticks, ate it in one bite, and looked at Higashino Tsukasa on the TV and sighed again: "You are on TV at this age, Mr. Higashino must be very happy. Right? Now he is very prestigious in the school."

That's right, today the teacher of Kita Education School gave a special homework, asking all the students of Kita Education School to watch the Tokyo Youth Art Award Ceremony broadcast on TV Asahi at 8 o'clock.

In other words, Higashinoji is equivalent to showing his face in front of all the students in the school - in the future, when he walks in the school, someone might point at him and say, 'Look, isn't that so-and-so? ’

"This interview will last one hour." Fujiwara Aoi snatched the potato chip bag from Takahashi Yumi's hand and stuffed a few slices into her mouth. She muttered incoherently: "Think about it for yourself, in one hour you will only Is it uncomfortable to sit there and be questioned by others?"

Fujiwara Aoi still knows a little bit, and knows that this thing is basically torturing Higashinoji.

After eating a few more potato chips, she stuffed the potato chip bag back, wiped her hands with toilet paper and looked around: "Speaking of Lianghua?"

"Lianghua is behind you and seems to have fallen asleep a long time ago."

Yumi Takahashi pursed her lips and motioned for Aoi Fujiwara to look back.

Fujiwara Aoi turned around and realized that Konoe Ryoka's chin was resting on the pillow, her little face was quiet and peaceful.

She had fallen asleep at some point.

"Ryuka couldn't hold on anymore at nine o'clock, but" Yumi Takahashi happily took out the potato chips from the bag of potato chips and put them towards Konoe Ryoka's mouth——

Something happened that left Fujiwara Aoi speechless.

Konoe Ryoka, who was already asleep, twitched her snow-white and pink nose, and then took a bite of potato chips into her mouth.

The key is that she hasn't woken up yet.

"Hehe, that's awesome."

"It's quite powerful."

Looking at Konoe Ryoka who never forgot to eat even when she was sleeping, Fujiwara Aoi was speechless for a moment.

"There is something even more powerful!"

Takahashi Yumi grabbed another potato chip and stuffed it into Konoe Ryoka's mouth.

But this time she caught too many and it was all over her hands.

"What are you doing?!" Fujiwara Aoi stopped Takahashi Yumi's prank.

"Lianghua can eat it bit by bit, just like a mouse. Trust me, I've fed it before."

Okay.

Co-authored, you are still a repeat offender!

Fujiwara Aoi's mouth twitched: "You can eat it yourself. Ryoka has already fallen asleep. It's not good to wake her up."

"That's right for you to say."

Takahashi Yumi nodded and looked at Higashinoji on the TV screen while eating the potato chips on hand.

The interview at this time is coming to an end.

Higashinoji has answered many questions before.

These include the creation of "Tokyo" and the reasons why he participated in both the adult and student competitions.

Anyway, there are all kinds of problems, but none of them are the same.

Just when Higashinoji thought he could take a break at the last moment, the reporter next to him asked another question:

"I once interviewed students from the five major art academies. Some of their works are allegorical, some are specialized in technique, and some are specialized in brushwork. How do you evaluate Higashino-san?"

The raising of this question first stunned Tonoji.

Then he thought for a moment and replied: "Everyone has a different understanding of painting, so they have their own strengths and weaknesses in various aspects, which is normal. I don't think it's my place to comment."

"Then how does Mr. Higashino evaluate himself?" The reporter asked him again.

In response, Higashinoji lowered his eyes first, nodded, and seemed to be thinking about something.

Then he laughed, raised his head and replied humbly: "I know a little bit of everything."