Treasure Hunt America

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"You are like that fire, blazing fire illuminates me, your big eyes are bright and twinkling, like the brightest one in the starry sky. www.geiliwx.com;..."

In Jin Muchen's chest, it was as if there was a fire in his chest. The frequency of the hammer dancing became faster and faster, and the technique of smashing glass became more and more skilled.

But those who see it, all waved their hands gently, taking away all the fine china, leaving only the broken glass all over the floor. . .

In this porcelain exhibition hall, Jin Muchen carried forward the spirit of hard-working Chinese people, worked hard for an hour, smashed more than a dozen glass cabinets in a row, and collected nearly a thousand pieces of exquisite porcelain.

But at this time, he already felt his spirit and began to feel a little tired, especially the tattoo of the purple jade gourd on his chest, he had begun to feel a little feverish.

There was no such situation before, but Jin Muchen knew that this might be because the purple jade space was almost full.

You must know that the things that were obtained from the Boston Museum of Art last time have not been dealt with. Those statues of Buddha heads are as light as tens of kilograms, and the weight is calculated by tons, and they are not small. , it must have taken up a lot of space in the Ziyu space.

Jin Muchen knew that he couldn't take it like this anymore. Although he really wanted to take away all the Chinese porcelain in this museum, he knew that in his current situation, it was absolutely not allowed.

Because there are tens of thousands of pieces of porcelain displayed on the bright side alone, and it is impossible to take them all away. His purple jade space can no longer hold them.

What a blissful trouble, since you can't take them all away, you can only pick the best ones.

Jin Muchen took out two pieces from the space and compared them with the ones placed outside, which really made him embarrassed for a long time, after all, the porcelains of different eras. But they all have different characteristics and styles, and almost all of them are the boutiques of that era.

But even though it is difficult to make a choice, in the end, a choice has to be made. Jin Muchen can only pick the ones with the highest value and the most exquisite workmanship.

Even so, in this porcelain exhibition hall, picking and choosing, and finally took away nearly a thousand pieces of exquisite porcelain. And these porcelains are almost the most essential part of the development history of ancient Chinese porcelain.

If only these porcelains were sold, they would be worth tens of billions. . . It has to be dollars. . .

With a little bit of unwillingness, Jin Muchen left the porcelain exhibition hall. Before leaving, he turned back every three steps. He didn't know if there would be another chance to do such a crazy 'looting' next time!

This action must have stabbed a hornet's nest, tomorrow morning. The theft of the British Museum will surely cause a national shock in the UK.

At that time, the British police will not have to act like crazy, searching for suspicious people everywhere?

Anyway, I came gently, just as I walked gently, waved my hand, and took away all the fine products, leaving only the broken glass all over the floor. . .

After leaving the porcelain exhibition hall, Jin Muchen turned into another exhibition hall, this one. It is filled with all kinds of bronze ware, which started from the Shang and Zhou dynasties until the end of the later Bronze Age.

It can be said to be the essence of ancient Chinese bronze wares. However, Jin Muchen didn't have much interest in these guys. Last time, I got a batch from Yamamoto Shingo. Those guys are big and heavy. It still occupies space, and it is not easy to shoot, Jin Muchen has lost interest in this thing.

He has acquired so many antiques, many of which he wants to circulate in the country, but the current domestic market does not allow the circulation of bronzes, so even if he gets them back, no one might dare to collect them. Think about it. .

Then I entered another exhibition hall. In this exhibition hall, some ancient jade articles were displayed. From the Hongshan period to the end of the Qing Dynasty, all kinds of jade articles were available.

But to be honest, Jin Muchen doesn't have much interest in these jades. Although we Chinese like all kinds of jades, the most popular among ancient jades is Hetian jade. Most of the Hetian jades shown here are small objects.

These things are exquisite in workmanship and small in size. They are all handles that people often play with. Although they look good, the market price is not high.

The quality and workmanship are only a few hundred thousand yuan, and the better ones are only a few million yuan. Jin Muchen doesn't want to waste the few purple jade space for these things.

After all, in his opinion, there are more good things in this museum worthy of attention.

However, just before he was about to leave the exhibition hall, a jade sculpture at the door suddenly caught his attention.

Grass mud horse, this is really a grass mud horse!

I saw a white horse carved from pure Hetian white jade. It was placed near the entrance of the exhibition hall of the Jade Museum. At this time, the lights in the museum were dim, but even in such a dim situation, the faint light shone in this place. On top of the white jade horse, the white jade horse can still reflect the warm white light.

I finally know what it means, Bai Yu is a horse for Tang Jin, this Nima is really luxurious.

During the day, I looked at the exquisite porcelain, but ignored the dazzling white jade horse in the jade museum!

Walking in front of the white jade horse, I glanced at the introduction below. The English introduction above is rather sloppy, and can even be described as shabby. Obviously, the British don't want to waste more words on this white jade horse, but they don't want to expose it. short.

Jin Muchen knew the origin of this white jade horse because he had read the introduction of this white jade horse in the court records of the Qing Palace.

It is rumored that this white jade horse was the original stone that was dedicated to Emperor Qianlong after Emperor Qianlong quelled the Zhungeer rebellion and opened the new route to Xinjiang. A carved royal tribute.

This white jade horse is three feet long and two feet high. The whole body is carved from Hetian white jade. The carving is delicate, the lines are soft, the strength is insufficient, and the softness is more than enough. These are the obvious characteristics of jade carving in the Qing Dynasty.

However, Emperor Qianlong had a very daring official, Heshen. This guy is really daring. After supper with Qianlong, he took the opportunity to steal the white jade horse from the palace and hid it in the palace. In his own home, after Qianlong hiccupped, Heshen was raided by Jiaqing, and the white jade horse was recovered and sent to the palace.

Later, it was put into the Yuanmingyuan, but unfortunately, the British and French allied forces entered the capital, and then looted the Yuanmingyuan. into the hands of the British Museum.

When I met Jin Muchen this time, it was a matter of returning to the original owner. Jin Muchen was rude at all, waved his hand, and directly received the Ziyu Space.

Walking back, I came across a Buddhist exhibition hall. In this exhibition hall, there are Buddhist exhibits from the Han Dynasty to the subsequent dynasties.

Most of them are Buddha statues and porcelain carvings. Among them, the Ming Dynasty is the most exquisite. The Buddha statues of other dynasties have been damaged due to poor maintenance.

People from the British Museum have also maintained these statues, but unfortunately their maintenance methods may not be very good. In short, those things look very ordinary.

With the Buddha sculptures from the Boston Museum of Fine Arts at the bottom, the ordinary Buddha sculptures here are not very attractive to Jin Muchen.

And because the Purple Jade Space was almost full, Jin Muchen had no idea of ​​moving these Buddha statues. After all, in his opinion, there were more important things waiting for him.

It seems that we have to wait until the next time, after the Ziyu space is emptied, to see if there is any chance.

With full of regret, Jin Muchen left the China Pavilion in three steps, because he still had more important places to go.

That place is the famous Stein Chamber of Secrets in the British Museum.

There can be stored a treasure of the British Museum, the Tang Dynasty copy of Gu Kaizhi's "Nu Shi Zhen Tu" in the Eastern Jin Dynasty! !

The British Museum has collected so many Chinese antiques, such as those exquisite porcelains. There are more than ten pieces of rare Ru kilns in history, and hundreds of treasures of the same level as Ru kilns.

Such a treasure, if you take one out at random, if it is in the country, it can be called a top national treasure, but here, it is regarded as a commodity by the British, and it is not ranked at all.

Truly regarded as a treasure by the British, and even as a treasure of the town hall, this is indeed the Tang Dynasty copy of Gu Kaizhi's "Nu Shi Zhen Tu" in the Eastern Jin Dynasty, which shows the treasure of this treasure.

The reason why the British have such an evaluation is not because they do not know the goods, but because they really know the goods too well, so they have such an evaluation.

Needless to say about Gu Kaizhi's reputation in the Eastern Jin Dynasty~www.wuxiaspot.com~ History gave him the name of a painting idiot! But one of the most famous great painters in Chinese history, who created a precedent for ancient Chinese silk painting.

But unfortunately, few of his works have been handed down. Since its birth, his "Proverbs of Women's History" has been a treasure of the imperial court of all dynasties, and was later destroyed in the fire of war.

But since the past dynasties, many people copied this painting, and now there are only two sets of copies.

One set in the Palace Museum in Beijing is a picture scroll copied by people in the Song Dynasty, and the other is a picture scroll copied by people in the Tang Dynasty now in the British Museum.

The set of paintings copied by the Song Dynasty people in the Palace Museum in Beijing, in terms of artistry and painting skills, is incomparable with the painting scroll copied by the people of the Tang Dynasty collected by the British Museum.

Therefore, this silk painting has been regarded as a treasure of the town hall since it was collected by the British Museum. You must know that the original version of this painting was born around 400 AD, and at that time, their European The old ancestors are still playing with mud! (To be continued.) xh211

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