Treasure Hunt America

This screen painting is the work of Kano Naganobu, a famous painter of the Edo period in Japan in the seventeenth century.

And this Kano Naganobubi happens to be a well-known and original figure in the history of Japanese ink painting. His style and skills have deeply impressed several generations of Japanese painters.

Therefore, the calligraphy handed down by him can be said to have a profound influence on the Japanese painting industry.

And this preserved painting by himself is one of his representative works. As early as the 1920s and 1930s, when it was just obtained by the museum, it was identified as a national treasure by the museum's appraisal staff.

Now that so many years have passed, as Kano's autograph paintings have become less and less today, the value of this complete screen painting has become even more precious. It is rated as the treasure of the town hall of the Tokyo National Museum, and it is a national treasure among the national treasures of Japan.

But now the national treasure among Japan's national treasures has fallen into the hands of Jin Muchen. He looked at the painting, and that's actually the case.

In the past, I had seen a lot of paintings by famous ancient Chinese masters. When looking at this painting, Jin Muchen didn't feel much.

Especially when he thought that this painting was actually painted by the ancestors of those disgusting Japanese devils. In this way, even if the archaeological value and artistic value of this painting are high, Jin Muchen has no intention to appreciate it.

However, although he did not appreciate this painting very much, it did not prevent him from taking this painting into his pocket.

How did the Japanese burn, kill, loot and loot on our land in China back then, how many of our national treasures were robbed by them?

Now let’s talk about the Chinese national treasures displayed in the Tokyo National Museum. How many of them were obtained through serious channels?

The descendants of this gang of gangsters actually took out the spoils of their thief ancestors for exhibition. What's so special is that his uncle can bear it, but his aunt can't bear it!

Now that I have entered the Tokyo National Museum, I would be very sorry if I badly harm these Japanese people. It's my Chinese name.

So even if these Japanese national treasures and antiques are despised, they should be kept and taken away. You Japanese didn't do it with us back then, you couldn't get it, and you didn't leave it to us Chinese.

So many treasures, just because you can't move, and then you set fire to it. Either it's smashed, or it can't be left to us Chinese anyway.

Well, today, don't blame Lao Tzu, and play your old three-light policy in your old nest. You can't even imagine what your ancestors left behind.

Just let you have a good taste of how we Chinese felt when we suffered so much.

Continuing to go down, he came to the next glass cabinet. Through the glass cover, Jin Muchen could see the painting behind the glass cover. The pure yellow light that shines.

Moreover, this yellow light dream is simple and atmospheric, and it is different from that kind of royal aura. It is more simple and soft than that kind of royal aura.

Just from the feeling this light gave Jin Muchen, Jin Muchen knew that he must have met a treasure related to the Buddhist family again.

And the origin of this thing should be quite remarkable, just by the light shining on this treasure, it can be concluded that this must be another national treasure among national treasures.

But think about it. The second exhibition hall of this museum is originally a national treasure exhibition hall, and all the top national treasures of Japan are on display, so there can be such a light. Then it shouldn't be surprising.

He came to the glass cover, took a closer look inside, and sighed, it turned out to be this painting, no wonder!

It turns out that this painting is an old man dressed in the Central Plains, and the name of this painting is even more incredible. It is called "Statue of the God of the Tang Dynasty", and it is also a famous Fujiwara Buddha painting.

This Fujiwara is also a very famous painter in Japanese history. Like Kano, he is an artist who can influence several eras, but his paintings are very distinctive, because he likes to paint Buddha statues very much, or it is related to Buddhism The paintings of allusions, so his works are generally called Fujiwara Buddha paintings.

His paintings have far-reaching influence and significance on the spread of Buddhism in Japan.

And this "Statue of the God of the Tang Dynasty" is one of his representative works, and the reason why this painting has such great influence is entirely because this painting not only successfully went out of Japan, but even sold it back to Japan. China is the place where their culture was introduced, so the Japanese are very proud.

Later, there were countless imitations of this painting in Japan, but none of them was as influential as Fujiwara's original.

And this statue of the **** of the Tang Dynasty, the **** inside, was indeed sold back to China at one time, and became a little **** that did not exist in Chinese mythology.

Putting it aside until now, that is, the exams that college entrance examination students and their parents often worship must pass!

Speaking of the prototype of the old man dressed in the Central Plains in this portrait, it is also very famous in Japanese history.

The prototype of this **** of crossing the Tang Dynasty, whose real name is Sugawara Michizane, was a right minister in the Japanese court during the Heian period of Japan, that is, probably in the late Tang Dynasty.

But if you are a politician, you will inevitably have political enemies. Although this guy has learned a lot, his level of political struggle is much worse. Later, it is said that he was framed by the then left minister Fujiwara and was exiled to Kyushu, but he died in depression. Hearing this, many people have basically understood the routine. Isn't this the story of the suffering loyal ministers in China in the past?

In fact, it is almost the same, except that a little wild fox Zen is mixed in at the end.

Sugawara Michizane just hung up not long ago. Those who framed him before, etc., political enemies were either violent death or sudden illness. Even the Japanese capital at that time, Heianjing, suffered repeated disasters, whether it was a hurricane today or an earthquake tomorrow. , or it was a volcanic eruption the day after tomorrow, in short, it was a vision falling from the sky, which made people panic, and the people were even more complaining.

It's a pity that the legendary **** Seimei of later generations in Japan has not yet been born, so the emperor is very panicked and scared. This thinking is definitely the ghost of Sugawara Michizane.

No, I can't let the ghost of this guy continue to make trouble, so this Sugawara Michizane was posthumously named the God of Fire and Thunder.

But this Sugawara Michiru is an out-and-out official fan. He feels that this position is far from enough. You emperor is completely lacking in sincerity! And give me such a **** official, this Nima is not as good as the police chief of the heavenly court, isn't this the official position of Bi Ma Wen? You don't fool people. . . Forehead. . . Don't you fool the ghost?

Well, you have humiliated me again and again, and I will not let you go if I am a ghost.

So this guy lingered on his grievances and began to take revenge, and this time he was a relative of the royal family, and he was not spared, and the casualties were countless.

This time, the emperor has nothing to do. He can only upgrade this guy by three consecutive levels, so after his death, Sugawara Michi really rose step by step, and finally became the **** of learning in Japan, and after getting this title, the Japanese nation has settle down.

This wild fox meditation sounds like a lot more eccentric than those ancient Chinese gods, who dared to coerce the emperor, and finally made an official fortune, which has never appeared in the history of ancient Chinese mythology.

However, this Prime Minister Sugawara Michizane has never been abroad in his entire life, so how did Sugawara Michizane have a relationship with the Great Tang Dynasty in the Middle Earth, and how did he become a "transcending Tang Tianshen"?

It turns out that after this mythical story of Sugawara Michizane spread, various portraits about him have been circulated all over Japan, but the characters in the specific portraits are all kinds, all kinds of strange, in short, there is no A kind of conclusion, which person in the portrait is the true body of Sugawara Michizane.

And various schools of painting in Japan are also arguing about this issue. They all say that what they paint is genuine Sugawara Michizane, and those of you are all **** and fake.

Until the Muromachi era, the then general Ashikaga Yoshihide also received such a portrait, but there is a "like" on the picture. Of course, this like is not the one we like on Weibo now, but Poems used for praise in Buddhism at that time, and according to legend, it was "Zan" written by Wuzhun Shifan.

This biography is incredible, there is no quasi teacher, this is a **** in Japanese Buddhism!

The specific source of this "like" is said to come from this: One morning, Wuzhun Normal School just got up and went out, eh? How did this grow a sagebrush? As soon as the words fell, there was a Confucian man who came down from the sky with a "Yizhimei" in his hand.

"Who?" Wuzhun Teacher asked that person, but the Confucianist said nothing.

Wuzhun teacher suddenly realized, "Mao" is "Suga", and the person who comes must be the Prime Minister of Japan!

So the two met late, tears welled up in their eyes, and so on.

In short, it is roughly that Prime Minister Suga claimed that he flew over from Japan with "Ichimei", and he said, "Okay, okay, now you are my disciple!"

So the Japanese **** of learning, Sugawara Michizane, worshipped Wuzhun Teacher, who was 300 years younger than him, as a teacher, converted to Buddhism, and became the "God of Crossing the Tang Dynasty". At that time, "Tang" was the name for China in Japan.

Feelings as early as more than a thousand years ago, the Japanese people already had such a wonderful time-travel story, and it happened to two men. . .

However, this story has been circulating for a long time, and no one has verified its prototype so far.

But even so, it is precisely because of the legends in this painting that the standard drawing method and character image of this statue of the goddess of the Tang Dynasty became popular in Japan. Since then, the statues of the gods of the gods of the Tang Dynasty have all followed that painting. The image of the old man in the Central Plains came to be painted. (To be continued.) Enable new URL