Treasure Hunt America

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Speaking of Nabeshima, it is a holy place in the hearts of all Japanese porcelain makers. Its status in the Japanese porcelain industry is similar to that of Jingdezhen in the hearts of Chinese porcelain makers.

Nabeshima is the earliest place in Japan where white porcelain can be fired, but the time when he produced white porcelain probably dates back to the early 18th century, when we have been able to produce white porcelain for hundreds of years in China.

Porcelain in the true sense of China should have been born in the Five Dynasties and Ten Kingdoms period before the Northern Song Dynasty. of porcelain.

Therefore, it was not until the early period of the Northern Song Dynasty that we were able to produce the earliest white porcelain because we had found the right clay. It can be said to be far apart.

Jin Muchen's earliest collection of gold bindings can be said to be the earliest example of white porcelain fired in China.

However, the aesthetics of people at that time were also different from those of later generations. At that time, the royal family of the Song Dynasty preferred that kind of azure-colored porcelain, so in the Song Dynasty, that kind of pea-green or azure-colored porcelain was the mainstream.

The era that really changed the Chinese people's aesthetic concept of porcelain was the Yuan Dynasty, because the emperors of the Yuan Dynasty preferred that kind of blue and white porcelain, and this kind of porcelain needs to be glazed on the base of white porcelain, so the technology of firing white porcelain in China , In this era, it began to make rapid progress, and later in the Ming and Qing Dynasties, the firing technology of white porcelain was developed to its peak.

And this also happened to be the most golden period of Jingdezhen's development. In the later Ming and Qing Dynasties, Jingdezhen's porcelain firing technology, because of the accumulation in the Yuan Dynasty, became the porcelain capital of China, laying a solid foundation in the history of Chinese porcelain. Immortal status.

In the era when China was able to make white porcelain bases, people in other parts of the world did not have the concept of porcelain at all, and Europeans were still using pottery at this time. Even many wild peoples are still using wooden tools.

Japan, which accepted the influence of Chinese civilization earlier, could not make white porcelain at this time.

The Japanese have always wanted to learn from the Chinese how to burn white porcelain, but they have never been able to do it. It was not until the Edo period in the early 18th century that the Japanese found the right special-purpose white porcelain in the Nabeshima area. porcelain clay. So from then on they were able to actually fire real white porcelain.

And with white porcelain as the base, Japan's porcelain making technology. Only then did we enter the era of real rapid progress, and it was from this time that Japanese porcelain began to derive its own truly unique artistic style.

Therefore, Nabeshima, for the Japanese, especially the Japanese porcelain industry, has a pivotal position.

This piece of Jin Muchen's "collection" this time, the color-painted cherry blossom picture dish, is the Nabeshima area. After mastering the real technique of firing white porcelain, the first batch of really fired porcelain with a distinctly Japanese style.

The huge cherry tree was painted on the porcelain plate as a whole, which looks so beautiful, which can reflect the artistic skills of Japanese porcelain masters at that time.

Although it has been impossible to verify, this porcelain plate came from the hand of the master porcelain maker. But just relying on the area where this plate was produced and the historical era, this porcelain plate is enough to be regarded as a national treasure by the Japanese.

But now, this earliest Japanese national treasure-level porcelain has fallen into the hands of Jin Muchen, and the Japanese will want to see it again in the future. But it's not as easy as it is now.

After collecting this porcelain plate, Jin Muchen went straight to the next goal, and this goal was also a work that Jin Muchen was optimistic about when he stepped on the spot earlier.

Compared with the previous two pieces of porcelain, this work can be said to be more representative of the characteristics of Japanese porcelain.

Listening to the name, you can feel the Zen meaning of this porcelain, but in fact, although this porcelain is called a bowl, it is not a rice bowl used by monks to eat and change the fast. In fact, it is a tea bowl that Japanese nobles use when they drink tea.

This bowl is about ten centimeters high, five centimeters thick, wide at the top and narrow at the bottom. It is made of white porcelain. There are several cherry blossom trees painted on the bowl, and at the mouth of the bowl, there are dozens of scattered arrangements. an irregular hole.

And the location of these holes is exactly where the cherry blossom stamens of those cherry trees are located, which seems to be ingenious.

The shape of the whole bowl is extraordinarily beautiful, and it can be said to be unique. Just looking at this tea bowl can make people feel relaxed and clear.

If you use this tea bowl to pour a cup of tea, through the hole in the mouth of the bowl, looking at the pale yellow tea soup in the tea bowl will have a unique and pleasant feeling.

Moreover, the person who made this bowl is also from a small background. The name of the person who made this bowl is Ren Ya Mi Daoba. This guy is a famous porcelain maker in Japan, and he came from a family of porcelain making.

In fact, this guy's full name should not be called Ren Mi Daoba, his real name should be called, Takahashi Ren Mi and Daoba, it should be the unique title of the patriarch of his family.

Their Takahashi family, but Japan's famous porcelain-making family, was first founded by Takahashi Shigebun in 1740. Because it is very famous in porcelain-making, especially in making tea sets, he created his own school and began to specialize in making them. tea set.

So there is the inheritance of their so-called Daoba. This Daoba has been passed down from generation to generation, and it has been passed down to this Takahashi Ren Mi, it should have been passed down to the fourth generation.

It also happened to be in the late 19th century, in the late Edo period, that this generation of Dohachi fired such a tea bowl.

So this bowl has been red since its birth. With its unique shape, ingenious painting, and the exquisite white porcelain, this tea bowl has been sought after by dignitaries from all walks of life in Japan since its birth.

At the beginning, a total of eight tea bowls were fired, plus one teapot.

This set of tea sets was later collected by a royal member of Japan, and it turned out to be very good. During World War II, due to the strategic bombing of the Americans, the princes could not keep this set of tea sets.

In the end, there was only one tea bowl left. Later, the original owner of this tea bowl did not want to see this tea bowl, because he saw the damage of the thing. When he saw this one, he would inevitably think of the other tea bowls that were destroyed in the war. teapot.

I simply donated it directly to the Tokyo National Museum, but I didn't expect it to be cheaper for Jin Muchen today.

After a sound of glass breaking, the tea bowl fell into Jin Muchen's hands, and he clapped his hands in satisfaction.

This search in this museum is finally almost complete, and it's time to go elsewhere.

But before leaving here, he still has to leave some small gifts for the Japanese.

Then he started pulling all sorts of bombs out of the space to install in the glass covers of those treasures that couldn't be taken away, or under the bases.

I hope that after he is gone, these bombs can bring the most complete destruction to these Japanese national treasures.

For many people who have the feelings of the Virgin, these treasures are works of art belonging to all mankind. Even if the Japanese have a **** feud with us, we should go to crusade those Japanese, rather than punish these art treasures.

Besides, the war of Japan's aggression against China has been going on for decades, so what's the point of being so entangled? Might as well take a big step and go straight ahead.

But for such a person, Jin Muchen could only laugh in his heart.

He doesn't have the broad feelings of these Virgin Marys. Lao Tzu is just a little guy, just a little guy who likes to get along with the Japanese.

You can love the world, but I don't have the same feelings as you.

These Japanese are so **** good, and Japanese things should not be kept, even if these are the treasures left by the Japanese ancestors, it is the same and should not be kept.

What did the Japanese do in China back then?

Burn it all, kill it all, rob it all!

How many of our Chinese ancestors fell under the slaughtering knives of the Japanese, and how much suffering did we Chinese suffer?

At that time, you Japanese friends, why didn't you have such a philanthropic love?

How did the Japanese develop and expand? Didn't we rely on the huge amount of war reparations we received in China after the Sino-Japanese War, and then nourished it?

Later, they went even further and occupied so much land of our Chinese? How many resources were looted?

Only later, the Japanese army that can challenge the Americans in World War II?

And what about the ordinary Japanese people in your eyes at that time? Without their fanatical support, how could there be so many Japanese soldiers like beasts?

And the wounds that those Japanese soldiers left us Chinese should not be forgotten, let alone seventy years, one hundred years, one thousand years!

Especially after World War II, the Japanese did not openly and formally express their modesty to us on any occasion~www.wuxiaspot.com~!

Later, it became even more serious, tampering with textbooks, blurring the past, and now following behind the Americans, fighting against us everywhere, and blocking us everywhere.

Such a guy is absolutely unforgivable in Jin Muchen's view.

Now the descendants of these guys, there are still a lot of people who are visiting the Yasukuni toilet, and those Japanese people who are innocent in the media mouth, Jin Muchen sneered in his heart, some of those Japanese people have a good impression of China ?

There are quite a few people who even spoke Qiu Hua's remarks. Look at how these Japanese dogs talk on the Internet whenever there is any natural or man-made disaster in China in the past few years.

All of them are gloating and speaking coldly, so such people are not worthy of forgiveness at all! (To be continued.)

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