Treasure Hunt America

[Broadcast] Pay attention to reading at the starting point, and get first-hand news of 515 red envelopes. Students who have not snatched red envelopes after the Chinese New Year can have a go this time.

Although it is a copycat, who made these bronze mirrors a national treasure of Japan, and they were used by the imperial family in Japan back then, so even though they could not get into Jin Muchen's eyes, they were all accepted by him.

Anyway, as long as these bronze mirrors are stained with the name of the Imperial Japanese Empire, they will have a B grade. Even if you don't want to collect them, if you take them to Europe for an underground auction, you will definitely be able to sell them for a good price. Come.

So Jin Muchen didn't mind how rough the workmanship of these bronze mirrors was. He smashed the glass cover directly and put these bronze mirrors in his pocket.

In the eyes of Jin Muchen, the bronze mirrors in front can definitely be described as appalling. They are not round, and the lenses are not very flat. When taking pictures of these mirrors, it is impossible to clearly see the appearance of people. .

But there is no way, who made Japan's technology at that level at that time, at that time Japan just introduced the method of making bronze mirrors from China.

The first batch of bronze mirrors produced must of course be used by the Heavenly Royal Family, and even if they are not good, they are made in their own country, so even if the Heavenly Royal Family doesn't like it, they must be used.

However, it is estimated that after using it a few times, it will be thrown in the warehouse without even looking at it.

Until now, it was said that they were showing some of the family property of the Heavenly Emperor to show that they were having fun with the people, and then the Heavenly Emperor's talents dug out the **** from the warehouse.

After collecting a few pieces, Jin Muchen finally saw some good things, such as the next sea beast grape mirror, the workmanship of this bronze mirror, and the previous bronze mirrors are completely different.

The shape of the whole mirror is very regular. Moreover, the surface of the mirror is also very smooth. Even after more than a thousand years, the emission function of the mirror surface is quite excellent. Although the mapped portrait is a bit dim, the clarity is much clearer than the previous bronze mirrors.

You must know the bronze mirrors in front of you. Not to mention clarity, trachoma can be seen even on the mirror surface, which shows the roughness of the workmanship of those bronze mirrors.

But this sea beast grape mirror is different. The workmanship is very regular, the mirror surface is very smooth, and the carving on the back of the mirror is also very beautiful.

In the middle of the back of the mirror is a small circle. There are five sea beasts in the small circle, and the middle one is the largest. Next to them are four small sea beasts. Because of the relationship between the technology and workmanship of the past, these sea beasts were very vaguely cast, so they could only roughly know that they were sea beasts, but they could not tell what kind of sea beasts they were.

Around these sea beasts is the decoration of the waves of the sea, outside the small circle is a large circle, and the large circle is all decorated with vines.

It is precisely because of the decoration of these graphics that the specifications of this bronze mirror are immediately more noble than those of the bronze mirrors seen earlier!

Jin Muchen looked at the bronze mirror and touched his chin. This should not be a bronze mirror that the Japanese could cast at that time!

Sure enough, look down at the introduction, the seventh century AD. Works from the Sui and Tang Dynasties, imported from the Heian era. . .

Your grandma's, as expected, this is a bronze mirror made by the Chinese!

It should be the later Heian period. I don't know through what channel, the bronze mirror that spread to Japan, and later because of its exquisite workmanship, it was included in the bag of the Emperor of Heaven, but starting from today, this bronze mirror will go home!

Jin Muchen went down with a hammer in a happy mood, smashed the glass cover, and then pocketed the bronze mirror.

With this bronze mirror as an introduction, Jin Muchen believes that there must be more in the future. Better bronze mirror.

Sure enough, the next bronze mirror made Jin Muchen a little dizzy. It's actually a dragon mirror!

The engraving on the back is a coiled dragon, and the holding button on the back of the mirror. It is carved into the shape of the sun. If this picture is placed in China, it will be a picture of a coiled dragon orbiting the sun!

Such a pattern was used exclusively by the royal family in the past. The origin of this bronze mirror is not simple. Jin Muchen was ecstatic.

Looking down at the introduction, as expected, the works of the Tang Dynasty in the eighth century AD were imported in the Heian period. . .

Sure enough, it was the work of our Chinese, and it was later introduced to Japan during the Heian period.

Think about it too, in the Heian era, it happened that the Mongolian Yuan invaded and destroyed the Southern Song Dynasty. When the Southern Song Dynasty perished, because of the brutality of the Mongolian Yuan, many Chinese people came to Japan in order to avoid those barbarians.

And these people not only brought more advanced technology to Japan, but also brought a lot of good things, and those good things that were brought eventually became the national treasures of the Japanese.

Thinking about that period of history, Jin Muchen was also heartbroken.

It was also from the Song Dynasty that the Chinese began to gradually lose the spirit of martial arts. His old Zhao family relied on a cup of wine to release the military power and became the emperor, and then he was afraid that other powerful officials would follow the same example, so he began to promote literature and suppress martial arts.

Then a bunch of Confucians who only knew how to kneel and lick the royal family concocted a set of fallacies and heresies, especially the new Confucianism advocated by the so-called Confucian master Zhu Xi of the Song Dynasty, which is a set of **** things that do not understand the literati.

Women's three obedience to four virtues, and the binding of little feet started from this old man. After his fallacy and heresy was vigorously promoted by the royal family, even if the Chinese nation has completed the most thorough self-castration, it has completely lost the spirit of martial arts and external expansion.

Later, Zhu Chongba of the Ming Dynasty still used his theory. As a result, two hundred years later, these Confucian disciples knew that the party was fighting for money and making money. As a result, the Ming Dynasty was abruptly defeated. in the hands of these Confucian disciples.

But that's all for the rest. The bronze mirror in front of you still needs to be collected. Even though the strict Japanese couldn't find out, such a coiled dragon mirror was used by the royal nobleman during the Tang Dynasty.

But the origin is extraordinary, it must be the royal family of the Tang Dynasty, which is definitely not wrong, so this dragon mirror was finally included in the bag of the Japanese imperial family.

Because this mirror belongs to the imperial family, it is not easy for the archaeologists in Japan to make random assessments. Otherwise, if this mirror falls into the hands of those museums, it will definitely be regarded as a national treasure.

Put away this mirror, and continue to walk back, um!

How did this bronze mirror appear here? Jin Muchen couldn't help being stunned when he saw the bronze mirror with wind milled sea inkstone pattern in front of him!

He had seen this mirror when he came to step on the spot that day. It was in the East Asia Pavilion and placed in the exhibition area of ​​the Tang Dynasty.

This mirror is a famous Japanese national treasure, but how did you get it into the Horyu Temple Treasure Museum today?

Jin Muchen couldn't help but feel strange for a while, but thinking about the hidden relationship between the Horyu Temple Treasure Museum, the Tokyo National Museum, and the Japanese Imperial Family at that time was relieved.

The Tokyo National Museum has had a close relationship with the Emperor of Heaven since its inception. The first place where it was created was the Yushima Sanctuary, which was the private land of the Emperor of Heaven.

At the beginning of its establishment, it was nominally managed by the Ministry of Education, but at that time, most of the items in the museum were donated by the imperial family.

Later, the museum was renamed the Imperial Household Museum for a while to show the relationship between the museum and the imperial family.

Later, after the end of World War II, it was not really handed over to the Ministry of Education for management until 1947.

But until now, the attributes of this museum have not been clearly defined. It is not wrong to say that it is a public museum, because many things in this museum were later allocated by the state and then purchased from private hands. came up.

But it is not wrong to say that he is a joint-stock museum, because until now, many of the precious exhibits in this museum are some of the top families in Japan, and the gatekeepers are displayed here.

For example, the imperial family, they have the most exhibits in this museum, and the treasures in the entire Horyu-ji Museum are all theirs.

Then in the East Asian Pavilion over there, or in the main pavilion in front, if there are one or two treasures belonging to the Heavenly Emperor, it would be nothing unusual.

Thinking of this, Jin Muchen was not so curious about why this bronze mirror with sea inkstone pattern appeared here.

Anyway, the exhibits in this museum are displayed on a regular basis. I think there should be new exhibits on display in the East Asia Pavilion, and there is no place to put them there, so I took this national treasure back to the treasure of Horyu Temple. The exhibition will continue in the museum. Anyway, this bronze mirror belongs to the Emperor of Heaven, and it is not wrong to put it here.

However, this saved Jin Muchen a lot of trouble. Originally, he thought he would have to wait until he went to the East Asia Pavilion before he could receive this baby!

This bronze mirror with sea inkstone pattern is not simple. It seems to be the only one in Japan that has been certified by experts. It belongs to the famous emperor of the Tang Dynasty.

And the background of this emperor is really not small, he is a famous sage in Chinese history, Tang Taizong!

This bronze mirror~www.wuxiaspot.com~ is not exactly used by Tang Taizong himself, but he specially arranged for someone to build it in order to celebrate the longevity of his beloved eldest empress.

Later, during the war and turmoil in the late Qing Dynasty, it was brought back to Japan by Yamanaka Singjiro of the Yamanaka Chamber of Commerce in Japan. Later, it was given to the Japanese imperial family, and it has been treasured to this day.

It is precisely because of the special status of this bronze mirror in history that the talents of the Tianhuang family are willing to take out this bronze mirror and let those archaeological experts identify it.

It turned out that the identification was very good. It was used by the empress of the famous Tang Taizong in Chinese history!

Is this still great? So this seemingly ordinary bronze mirror immediately rose to the height of a national treasure, even a super-first national treasure.

As for the people of the Heavenly Emperor, when they saw that this thing was identified as such a precious national treasure, they were too embarrassed to take it back, so they put it in the Tokyo National Museum, and it became the treasure of the town hall here!

ps. For the children who are chasing more, do you still have free appreciation tickets and starting coins? The countdown to the 515 red envelope list is coming. Let me get a ticket, ask for an extra ticket and an appreciation ticket, and finally rush! (To be continued.)