Treasure Hunt America

The author of this painting, Qin Zhizhen, is not well-known, and there are not many records of this painter in Japanese history books.

But just by looking at his name, you can tell that this Qin Zhizhen must have been a native of the Celestial Dynasty who was naturalized from the mainland to Japan at that time, although there are not many records about this painter in China or Japan.

But to be able to leave a set of 60 pictures, a painting that describes the entire life of Prince Shotoku, the painter Qin Zhizhen can also say that he has no regrets in his life.

After all, even now, there have been so many great painters born in the world, but there has never been one who can leave such a masterpiece.

What's more, in the eyes of the Japanese, this painting is a national treasure among national treasures, and it can even be said to be a super national treasure!

However, the more important things to the Japanese, the happier Jin Muchen received. Anyway, in his opinion, as long as it is something that the Japanese love, it will be taken away.

Even if there is something that cannot be taken away, it must be destroyed. Anyway, you Japanese devils did the same in our China back then.

If it hadn't been forcibly plundered and destroyed like you did back then, how could our genuine Xuande furnace in China have disappeared in mainland China?

Up to now, although there are many incense burners known as Xuande burners circulating in the Chinese market, most of those Xuande burners are imitations of the Qing Dynasty or the Republic of China after research, and the real Xuande burners were produced during the Xuande period of the Ming Dynasty. The authentic Xuande furnaces have basically disappeared.

As for the reason for the extinction, it was because after Japan occupied the capital, it was swept away in the capital, because it was known that the genuine Xuande furnace in the Ming Dynasty was made of fine wind-milled copper imported from Siam in that year, and the collection value is very high.

So they have exhausted all means. This kind of Xuande furnace was searched from the capital, and the capital was the most concentrated area of ​​Xuande furnace at that time, so there were almost only some genuine Ming Dynasty Xuande furnaces left in China at that time. They were all seized by the Japanese using various invisible means.

But then because of the tight front line. In particular, the supply of arms was in short supply. In order to support the soldiers on the front line and provide them with arms, the Japanese actually melted all the Xuande furnaces they had collected and went to remove the shell casings.

It is precisely because of the scourge of the Japanese that we Chinese have not been able to see the true face of the genuine Xuande furnace in the Ming Dynasty.

The treasure left by our ancestors to our children and grandchildren has been passed down by the Japanese in this way. And in those more than ten years of suffering in the history of the war of resistance against Japan, the Chinese national treasure that was passed down by the Japanese was more than the Xuande furnace?

So now Jin Muchen is not relentless when it comes to this national treasure of Japan. The more valued it is by the Japanese, the more he wants to do it, the more the better.

Even in his opinion, if the whole of Japan is wiped out, only what is in his hands is the best, anyway, his attitude towards these Japanese national treasures. That is, never be soft-handed, take it all, and rob it all. Burn out is his attitude.

If there is something that cannot be taken away, even if it is destroyed, it will not be left to the Japanese. Anyway, they were in China back then, didn’t they do the same thing.

What I have done today is nothing more than repaying the grandson of others with the way of others.

After receiving this set of "Prince Shotoku's Biography", Jin Muchen continued to walk backwards and walked a few steps away. Just came across the famous "Tian Shou Guo Man Cha Luo Embroidered Tent".

This embroidered tent is that Prince Shotoku's favorite concubine, Lady Orange after Prince Shotoku's death. It was specially embroidered in memory of him.

It is said that this embroidered tent has faded quite seriously because of its age. And the whole embroidered tent is really not artistic at all. It can only be said that because of this Prince Shotoku and his favorite concubine, this embroidered tent is rated as a national treasure.

Jin Muchen stood in front of the embroidered tent and looked carefully. Many parts of the embroidered pattern on the embroidered tent were already blurred and distorted.

However, it can be seen from the content that it is Prince Shotoku who is sitting on the left hand side, with a few boys serving on him, and on the right hand side is a Buddha.

It must be because this Prince Shotoku believed in Buddhism and vigorously promoted and promoted Buddhism in Japan, so his concubine felt that after Prince Shotoku died, he must have entered heaven.

And after arriving in heaven, you will definitely become a Buddha on the spot, and you will have a good day when the Buddhas discuss Buddhist scriptures every day.

That's why she embroidered such an imaginary picture. To be honest, this embroidery work, whether in terms of embroidery skills and materials, if it is taken to China, let alone the royal family.

Even some ordinary people who are good at embroidery from the area may not be able to see such a thing, and even many people may despise the craftsmanship of the embroiderer.

But after all, this embroidery was born in Japan, and it was born in a time when Japan had just introduced embroidery more than a thousand years ago.

According to the Chinese view, it was not easy for the monkeys who had just climbed out of the thatched hut to sit in the real house and started to use chopsticks and porcelain to embroider such a pair of embroidery.

So from the perspective of tolerance, this embroidery work is already quite good.

In addition, with the addition of the halo of celebrities such as Prince Shotoku, it is not uncommon for embroidery of this level to become a national treasure of Japan.

Although Jin Muchen disliked this embroidery a bit, he still took the initiative to put this embroidery in his pocket. In the future, he plans to go to Europe to hold an auction and then sell this embroidery work.

Anyway, he doesn't like this kind of thing, but those Europeans definitely like it. The embroidered tent made by the favorite concubine of a legendary Japanese prince is definitely worth collecting.

Maybe the Japanese will **** it up at that time. After all, this is their national treasure. It has been auctioned off in Europe. It seems that it will not be the case if it is not brought back.

At that time, the biggest gain will definitely be yourself.

So Jin Muchen still pinched his nose and put this thing in his pocket.

After continuing to walk forward, after a few steps, Jin Muchen suddenly stopped in front of a bronze figure.

Because the shape of this bronze figurine looks very strange, to be honest, Jin Muchen has collected countless bronze utensils so far, and there are many works that have been cast into bronze figurines.

But as strange as the bronze statue in front of him, it was the first time he had seen it.

Most of the bronze figurines he "collected" in the past were small in size, generally the size of a palm, and most of them were cast in various shapes of singing and dancing.

For example, the portrait of Mrs. Maya that he 'collected' before, that is, there are many images of soldiers or other boys.

The bronze statue in front of him can be said to be completely different from the ones he "collected" before.

This bronze figure is about 1.75 meters tall. It is naked and has no hair on its head. Judging from its posture, it should be an adult man.

The man's legs are upright and his arms are drooping, but the back of his left hand is facing forward, and the thumb and **** are connected in a ring. The shape of the hand is very similar to the mudra in Buddhism.

On the other hand, the palm of the right hand is stretched forward. Such a strange shape makes Jin Muchen feel confused.

What exactly does this mean?

What did the Japanese do with the bronze statue here? Is it possible that such a naked bronze figure can also be rated as a national treasure of Japan?

Is it possible that these Japanese people have something wrong with their brains? But looking at the things in the Horyu Temple Treasure Hall before, it doesn't seem to be so!

There are many good things!

Then this bronze statue can exist side by side with other treasures in this treasure hall, which means that this bronze statue must be different from him.

Because the light was very dim, Jin Muchen could only take a few steps forward, and after these few steps, he really saw some doorway.

It turned out that the body of this bronze man clearly marked some acupoints and meridians.

This is also thanks to his super eyesight. You must know that the lights in the treasure hall were not turned on at this time, and it was pitch black. Jin Muchen didn't turn on the flashlight because he was afraid of being seen by passers-by.

All relying on his super eyesight, he moves here, so although he can see a lot of things clearly, there are some baby features that he can only see clearly until he gets closer.

Just like the meridians and acupuncture points on this bronze figure, it was only after walking into Jin Muchen that I could see clearly, it turned out that the bronze figure was actually marked with fourteen meridians with black paint.

And there are no less than hundreds of dense acupuncture points marked with white dots.

When he saw these meridians and acupuncture points, Jin Muchen's heart probably knew that this should be the legendary bronze man with acupuncture and moxibustion!

Thinking of this, Jin Muchen felt depressed for a while, this is also the treasure of our Chinese people!

But now it has become a collection of the Japanese imperial family~www.wuxiaspot.com~ Now it is openly displayed to you in the Horyu Temple Treasure Museum, really. . . . . .

When I think about it, I can't tell the sadness in my heart!

There are only three such acupuncture bronze figures in the world. We have one in the Palace Museum in China, and the other two, one in Russia and one in Japan.

And the one we collected in China is not as good as the Japanese one in terms of quality. Our Chinese medicine scholars want to study acupuncture, study meridians, acupoints, etc., and so on, they have to come to Japan, or go to Japan. Only in Russia can we see the acupuncture bronze figurines made by our ancestors.

Then after coming back, according to the proportion, I made a replica by myself. What the **** is this?

And the bronze acupuncture figurines we made back then were not just a few. Although there were not many, there were quite a few sets in total.

But now we only have a few small, semi-finished products. . . . . (To be continued.)