People in Tokyo, almighty useless people

Everyone needs colleagues who play special roles, looking for clues,

In script killing, winning or losing is relatively important, and those with strong abilities will easily crush the audience.

In this way, werewolf killing and script killing are relatively close,

It's just that Werewolf is playing a role to promote the game. The core is to use rules and psychological warfare to fight.

Script killing is to play a role to sort out information and find the truth by analyzing clues.

The gameplay of script killing is also much more complicated in comparison.

"This won't work." Shi Liangping showed a meaningful look at Xidu, shook his head,

"This thing is not called a story element, Xidu, you have to review the questions carefully, and pay more attention next time."

Although what Xidi said is trendy, what does it have to do with the story elements?

Especially the escape room and board games are two different things at all, she can't even tell the difference between these two things,

Asking her to propose a trendy story element made it difficult for her.

"Why is this not a story element? Is this very trendy? Now Tokyo is full of escape rooms and script killing shops,"

Kyoko Nishijo said very dissatisfied that she was very dissatisfied with Shi Liangping's contemptuous apology.

She kept tapping the table to express her inner trauma.

"Stupid." Shi Liangping glanced at her, and added his own evaluation at the end.

Kyoko Xijue was very dissatisfied when he heard this sentence, and rushed towards Shi Liangping with all his teeth and claws.

Fortunately, Yihe Jianzi grabbed her and pinned her under the table in the way of grabbing hands.

It can be seen that she has been practicing grappling for a long time and is very proficient.

Shi Liangping picked up the pizza, the corners of his mouth slightly curved, and continued to work hard.

"Although I don't know what Nishitou thinks, but Ryohei refused, so forget it, I still believe in his gaze."

Yoko Maruhashi opened her mouth and commented.

In her eyes, Ryohei is her comrade in arms and the only true friend who can stand side by side with her.

She believed that Ryohei's taste would not be bad.

However, the last person is Ryohei,

She was curious, what amazing ideas would he come up with this time?

She straightened her back slightly, showing a serious expression.

Chapter 27, Critical Reality

Shi Liangping was still enjoying the pepperoni pizza in a leisurely manner, while sorting out his thoughts.

But when he looked up, he found that everyone was looking at him.

Xidu and others wanted to see what ability Shi Liangping, who had been commenting on everyone, was capable of.

Shi Liangping smiled slightly, are these guys so impatient?

"If you say my idea is not good, then you have to say something powerful, or you will suffer." Kyoko Nishidori who crawled back to the dining table from under the table looked at him angrily and said.

As the only one who was shot before he even expressed his thoughts, Xi Di was obviously very unconvinced.

Shi Liangping nodded with a smile, then got up.

In his previous life, he was considered a half-baked director, so this time he also used movies to express his views.

"Which Asian country do you think has the highest film industry in the world?" Shi Liangping looked around at everyone and asked straight to the point.

Seeing Shi Liangping's serious look, Maruhashi Yoko showed an expression of appreciation in his eyes.

Shi Liangping is really different from many people. If Yanzi expresses his views, he is asking for the consent of others.

Then Shi Liangping is just like exercising the domain, he will pull everyone into his own ideological domain, and then convince everyone.

Every time Maruhashi Yeko sees him expressing his views, he thinks it is a kind of enjoyment.

The question of which Asian country has the highest film industry in the world seems to be very difficult for several people.

"do not know."

"do not know."

"do not know."

"India."

Yanzi, Yihe, and Xidu couldn't express clearly, because they were entangled with several countries in their hearts, and they couldn't decide who was superior in the end.

Only Maruhashi said "India".

The three of them looked at Maruhashi in astonishment, as if they couldn't believe it.

Although they know that Indian movies are very powerful in recent years, they can't be so powerful, right?

"Bollywood in India is strong," Maruhashi shrugged.

"Bollywood is comparable to Hollywood, haven't you heard of it? Although this statement is indeed exaggerated, it is true that Bollywood is now the only film base that is close to Hollywood.

Some people say that India's film industry ranks second in the world. I don't know the accuracy of this statement, but it is true that it is very strong. "

Shi Liangping stretched out his thumb, expressing that he also agrees with this point of view.

Many people underestimate the status of Indian films in the film industry, especially the influence of Indian films in the world.

"Then do you know why Indian movies are so strong? Do you know what is the most used story element in Indian movies?" Shi Liangping continued to ask.

"Hey, hey," Kyoko Nishiju stood up and pointed at Shi Liangping angrily, "It's obvious that you are speaking your own point of view, so don't keep asking questions, don't go too far."

Kyoko Nishido tapped the table with the handle of the knife and fork in her hand,

As if threatening him.

Shi Liangping apologized somewhat apologetically, asking two questions in a row, it was indeed his lack of consideration.

He forgot that all the people present were quite knowledgeable except Xidi Kyoko.

There is no need to speak in such a low-energy guiding method.

He speaks directly, and everyone should be able to understand.

"Okay, let me just say it directly. Every movie in India in recent years has its core theme. For example, Three Idiots made a big fuss in Bollywood and criticized the country's education methods. Wrestling Dad criticized the society's attitude towards education. female injustice,

Little Lolita's Uncle Monkey God criticized religious issues and state relations issues, the starting line criticized the education system, and Jay Beam criticized bureaucracy and corruption.

Indian movies have had at least one blockbuster movie almost every year since 2015, and the core story elements used in these blockbuster movies are actually the same.

What do you think are the core story elements used in these popular Indian movies? "

Shi Liangping expounded his point of view straight to the point.

Several people fell into deep thought after listening to it, thinking carefully about the common nature of these movies.

But Maruhashi still has a more flexible head, she understood what Shi Liangping wanted to say when she was half obedient.

She organized her language a little bit, then said with a smile:

"The core story element used in these Indian films should be to criticize reality. By exposing the shortcomings of the country, the theme of the film is sublimated and it is more valuable to watch.

Moreover, the ills of one's own country are often the same ills that exist in other countries, and there is universal sympathy.

Therefore, the use of critical reality as the core story element also causes the film itself to transcend national boundaries, and it is easy to become a blockbuster masterpiece. "

Shi Liangping looked at Maruhashi's words and kept nodding his head.

Maruhashi Yoko really understands him, every time she says something she can easily react,

He really thinks that Maruhashi is like his good friend, who can communicate easily with anything.

Not to mention the artistry of Indian movies,

But Indian movies can be so commercially successful,

It shows that such movie models are very popular all over the world, and their commerciality is great.

"So, the most trendy story element in the world, isn't the answer very obvious?"

Shi Liangping looked at everyone indifferently, "It's just criticizing reality."

Everyone was amazed when they heard this.

Different times and different countries have different disadvantages, so criticizing reality as a story element has an advantage that all elements cannot compare with.

That is to criticize the reality is to keep pace with the times,

It is always the most trendy story element,

After many years, Cthulhu may be lonely, cyberpunk may become an unreachable dream like steampunk, and metaverse may be an old-fashioned setting.

But criticizing reality is still the existence that keeps pace with the times.

This is one of the best and most up-to-date story elements available in any era.

Maruhashi bit her little finger, showing a suddenly realized expression. This was the first time her mood was affected by the elements of the story.

Because when I write literary works all the year round, I will automatically bring a critical perspective of reality,

So she also fell into the habit of thinking. She believes that critical reality can only be used in literary works, while entertainment works should be more entertainment.

But entertainment works that criticize reality have always been very popular among people.

The excellent works of Ba Ling on campus that she knows include The Shape of Sound, 100% Psionic Power, High School of Passion, Confessions, High School of Revenge, The Original Sin of Octopus,

Criticizing those injustices in reality is an always trendy story element, and it will never be outdated.

The comics she wants to make can indeed follow this path.

Chapter 28, The General and the Woodcutter

"But it's more than that, right?" Maruhashi Yeko understood the meaning and recognized the story element very much.

But she was not satisfied with this, but looked at Shi Liangping with a smile,

"You should have something to add, right?"

Her eyes looked at Shi Liangping's every move, with a little provocative emotion in it,

Shi Liangping just sat back on the sofa leisurely, leaned on the soft sofa and took a sip of green tea, with a relaxed face,

Hearing Maruhashi's question, he almost spit out the tea suddenly,

"Ahem," Shi Liangping picked up a tissue, wiped the corner of his mouth, and looked at Maruhashi in embarrassment.

He really didn't finish his sentence, he wanted to whet everyone's appetite later,

How could Maruhashi know him so well like the roundworm living in his stomach?He really felt that Maruhashi and him must be good brothers for life.

Forget it, since everything has been exposed, then he can directly finish the second half of the sentence,

He just said that he would use story elements that criticize reality, but he didn't specify which aspect of reality he wanted to criticize.

There are also many social problems in Japan now, but there are not many that can really resonate with people.

Does he want to address the problems of "campus bullying" and "God treats girls" in reality, or is he targeting "workplace oppression" and "internet cafe refugees" and other issues?

It's a pity that he doesn't have any special insights on such a heavy topic, and he doesn't want to be a passerby who simply points out problems but cannot solve them.

He is not going to get involved in these things,

"The element of critical reality that I prepare is about life."

Shi Liangping didn't play tricks, but said casually while drinking tea.

"Life"

Now Nishiho and the others were at a loss, and even Maruhashi Yoko showed a troubled expression.

Are there any practical issues worthy of criticism in life?

Criticism ignores life?Critical disregard for animal life?Or is criticism indifferent to the lives of strangers?

Or is it to criticize the most classic life problem trolley problem?

No matter which aspect it is, it seems that it is not particularly easy to cut into.

At least they haven't seen anyone put forward an amazing point of view in this regard for many years.