With a Door In Mind

Latest URL: At this time, the gates of the museum are closed.

However, there are many packed cultural relics piled up in the open air and in various warehouses.

Covered with a rain cloth.

Because of the cold weather, people were drinking wine and singing songs in the house.

There were a dozen of them in total.

Zhou Xiaochuan looked around and found a back door. Seeing that no one was guarding it, he unlocked it and walked in.

No one would have thought that there would still be people in the city who would dare to come in and steal things.

Zhou Xiaochuan came to the place and looked around.

Come to these boxes and look at these things.

There are a lot of things in these boxes, including things from the Orientals themselves, and some things in Egyptian style.

But the most things are from country Z.

The exhibits include prehistoric stone tools and painted pottery, bronze wares from Shang and Zhou Dynasties, pottery and stone reliefs from Han Dynasty, Buddha statues from Wei, Jin, Southern and Northern Dynasties, gold and silver wares and three-color wares from Tang Dynasty, porcelain wares, calligraphy and paintings from Song, Yuan, Ming and Qing Dynasties, etc.

There are also various Buddha statue heads and the like.

It doesn't matter what it is, it is directly put into the space.

The entire exhibition area was divided into four exhibition areas. He wandered around in the exhibition area, and immediately put away the things he saw.

The first to enter is their own "main building".

There are about 20 showrooms, displaying R original carvings, dyeing and weaving, metalworking, weapons, swords, ceramics, calligraphy and painting, architectural components and other exhibits according to the era.

A total of more than 100,000 cultural relics.

Put it all away, he doesn't need it and doesn't keep it for them.

There are only 9 exhibition halls in the second hall, and there are not many things, and it seems that there is no foundation.

There are only some stone tools, Jomon, Yayoi pottery, filling wheels, Han mirrors, copper duo, ceramics and so on.

The third one looks more upscale, and there are not many things, but I heard that the things here are all treasures that were supplied to the royal family by Horyuji Baojin.

A total of 300 pieces.

There are mainly three categories, gold and bronze Buddha, Jiyue noodles, and paintings, but everything looks like a heavy sense of the times.

Naturally not staying.

The last one is the Dongyang tube, which contains most of the things obtained from the mainland.

There are so many things here, thousands of pieces of calligraphy and paintings are on display, all kinds of bronze, porcelain, jade, gold and silver cast objects, various stone carvings, Buddha heads, ivory, snuff bottles... There are various types.

He knows blue and white porcelain, Tang Sancai, Ru kiln, Ge kiln, ceramics, Jianzhan which looks very beautiful, etc...

Not to mention the quantity, there are hundreds of types, and even tens of thousands of pieces.

What makes him even more funny is that these people like to build a basement and put things in the basement.

And there's even more stuff in the basement.

It is four or five times that of the above.

It seems that there are so many babies that I can't let them go outside!

These things were naturally taken into the space by him.

Confirming that nothing was missed, he took out a Jianzhan from the space, with a black background and a golden edge, and the inside was a black background with flared blue and white, which looked like a starry sky.

Like a universe in a bowl.

It looks very comfortable.

There is an introduction next to it, but it is in Japanese. I don’t know what it is written in. I think it is to introduce the history of this Jianzhan.

Then he took out several paintings, some of which were exhibited in the hall, and some were hidden in the basement.

Inside was a copy of Wang Xizhi's "To My Sister Stickers", which he knew.

It's just that I don't know who wrote it. It would be terrible if Wang Xizhi himself wrote it.

A few other things seem to be incredible.

He didn't take out the rest of the porcelain to look at. He didn't know the history of them, so he just had fun looking at the appearance.

It would be interesting to sort out these things and interpret the history behind them.

In the entire museum, a total of nearly 300,000 pieces were collected.

These things have not been sorted out, and he is a little tired of looking at them.

It would be great if there is a master who can confirm these things, the source, and the historical background.

But this is not one person

doing things.

We can only talk about it later.

But these things look more comfortable.

After finishing it, he walked towards the gate, while those people were still singing and dancing there.

Put all the people into the space directly.

Then left the museum.

After the gate was re-locked, he drove around the street.

They won't be able to see the missing things until tomorrow, but no one will suspect that these things were taken away by someone.

It must be an organization that comes to mind.

At eight o'clock, I had already boarded the plane to Hong Kong Island.

It was getting late at this time, and there were many fewer pedestrians on the road.

I drove around the city in a car, but I couldn't find where the devil's money and gold were kept. As for the odds and ends of the money from the masses, I'd better forget it.

But he was just wandering around the city.

After all, this place doesn't look that big.

In fact, there are thousands of square kilometers, not to mention one night, and it can't be completed in a few days.

Zhou Xiaochuan's car was parked in front of a temple. On the stone pier at the entrance, the four characters of **shrine were very obvious.

And the four characters are all Chinese characters.

He still knows this stuff.

Driving around in a circle, the inside looks eerie.

It occupies a large area, with a length of 500 meters and a width of nearly 200 meters, presenting the shape of a trowel.

I was going to put a pile of gasoline on fire.

But it doesn't feel right to think about it.

Since it is a spiritual sustenance, natural disasters are more appropriate than man-made disasters, and gasoline is still too obvious.

Touched his chin.

Afterwards, he parked the car near the main hall, and he started to do what he did on Hong Kong Island.

Fortunately, the rock underneath is not a whole piece.

Otherwise, it will not be accepted at all.

There is a huge stone inside, more than 100 meters long and more than 50 meters wide. A full five thousand square meters.

After the stone is removed.

The entire area and the surrounding areas collapsed instantly.

The groundwater below began to gush out.

Zhou Xiaochuan was about to leave, but he glanced at the location of the main hall.

I don't know if I don't look at it, just look at it.

Damn, after the main hall was scattered, it was supported by a large piece of cement on the ground. Although it fell into it, the wreckage could still be picked up.

After thinking for a while, I poured all kinds of liquor from old M in the space directly into the main hall and other halls.

If you use gasoline, the smell is too obvious.

Alcohol burns for a while and the smell disappears.

Suddenly the fire engulfed the main hall~www.wuxiaspot.com~ The wooden rankings and photos inside were also burned.

And several residents in the temple also died.

Zhou Xiaochuan glanced at it, and felt that it was okay. If he could still guess that it was man-made, then he really couldn't help it.

The movement at this time also awakened the nearby residents.

After a while, all kinds of cars began to drive towards this side.

The people who just came over looked dazed when they saw the scene in front of them.

Others are grieving.

Some even knelt on the ground and prostrated themselves, chanting something in their mouths, as if they were reciting a spell.

Seeing this, Zhou Xiaochuan drove the car and left the original area, heading towards the direction near the airport.

It is estimated that he will come to this place often in the future.

You cover it once, and I collapse it once.