Wizards are mighty

People in different worlds are all "virtual works" in a certain sense in the eyes of higher narrative layers.

But their worlds are almost equivalent to two parallel lines that are completely impossible to intersect.

Except for one situation.

That is, when the higher narrative layer interferes, the original world is "split".

As a result, the split world stitches the worlds of other lower narrative layers.

In this way, the new world formed by the "split bodies" of the two lower narrative worlds seems to be fused together.

But the original two mother worlds are still the same.

In popular terms, when people in the higher narrative layer have a "view" or even "inspiration", the world in the lower narrative layer will split.

As the saying goes, there are a thousand Hamlets in the eyes of a thousand people. When a thousand different higher narrative layer beings observe their lower narrative world, their world will naturally split into a thousand copies.

These thousand copies may be similar or completely different. Everything depends on the views of those beings in the higher narrative layer.

In fact, it is no longer clear who is the copy and who is the source.

Each world may have gone through countless evolutionary versions in the process of generation.

If these evolutionary versions are forgotten in the world of a higher narrative layer, then they will naturally hide in the lower narrative layer and will not be discovered again.

For Vic, the situation of their worlds is very enviable.

Because the multiverse where he and the virtual Vic are located is actually a world that is "focused on" by the existence of a higher narrative layer.

If they want to get out of the attention of the higher narrative layer, they have to spend a lot of effort to let another or even another group of worlds replace their positions.

In a sense, they themselves are the "replacement products" of the other two worlds.

Because the original worlds of Vic and the virtual Vic are actually two completely unrelated worlds.

Those worlds may have been in the attention of a higher narrative layer.

But after the "author"'s operation, their world was created.

The original two worlds naturally successfully hid.

And after they completed a series of actions, their worlds will naturally split and hide.

Replaced by other copies.

This is a very complicated logic, and it is difficult to explain it at once.

But the relationship between the narrative layers is quite bizarre.

So it is better not to delve into it.

…

…

…

After waiting for a while, Vic planned to jump directly to the day of "creating the world".

Of course, this first depends on whether the "author" agrees.

In fact, before this, he had tried to adjust the time countless times.

But because of the obstruction from the higher narrative layer, or "unauthorized power", he could not quickly jump to the future time period under the watchful eyes of the "author" at the higher narrative layer.

Well, maybe some "author" wanted to water down the word count.

In short, after adjusting the time a little and finding that no one stopped him, Vic directly adjusted it to the end and came to the day when the "author" created the world.

…

…

No strange phenomenon occurred, nor did any earth-shattering explosion occur.

This is not surprising, because Vic himself is not in any world or any space.     The process of creating the world was unexpectedly fast for him.

It was as if in a moment that could not be divided, a new world had been created and appeared in his perception.

This perception was not the five senses, nor was it the perception of the regular dimension or any of his previous perceptions.

This perception was more like a ticket.

It allowed him to go to an "other world".

"No..."

At this moment, Vic was refreshed and seemed to understand something.

It turned out that the so-called third axe was something like this.

No wonder the illusory Vic kept talking about the third axe before, but did not talk about specific measures.

He only told him to go to a new world to help the "author", but did not say what benefits they would get from doing so.

Originally, he thought this was the reward the "author" asked them to make.

But now that he thought about it, since the "author" had absolute control over them, it was impossible for him to help them for the so-called reward.

Because the "author" himself could ask them to do anything at any time.

In other words, in this low-narrative world created by the "author", the "author" himself was truly omnipotent.

The author can only, and must be, willing to help them simply because he is willing to help, or because he has developed feelings for the existence of the projection he created.

Therefore, the only explanation for this third trick is not that the author wants them to help.

Rather, the "Vic" and "Illusory Vic" of the original world need him now to become the new "substitute that is concerned by the higher narrative layer."

In other words, after perceiving that world and establishing a connection with that world, Vic himself is already part of a "new world."

He himself has become a shield for himself in the past world.

"I see."

Vic smiled with relief.

As expected, this is indeed his style.

No wonder his past self did not realize this in his memory.

Now it seems that he was not unaware of it.

It is clear that this part of the memory has not been "copied".

"Forget it, it doesn't matter."

"What's the difference between different 'me' in almost the same world?"

"But after doing these things in this world, I should be able to get rid of the attention, right?"

The new Vic has already thought of the next development.

The current world is a world created by the "author" who needs to perfect the settings in it.

In other words, he is now a member of the combined world of the replica of the world of "the past Vic, the past illusory Vic" and the replica of "the future world that has not yet been created".

It sounds very confusing, but the actual situation is that after he completes his task, this world will also be out of the attention of the higher narrative layer, and he will directly control this world.

As for why this world will also be out of the attention of the higher narrative layer...

Nonsense, it's not a big deal for the "author" to evolve a new world.

In the new world, "Vic" only needs to be a background board.

He doesn't need to participate in the story at all.

In order to avoid confusion, there is no need to use the current world.