Actors start from the college entrance examination

Chapter 447

Su Ze looked at himself in the mirror. This time the role was very challenging, and it was a setting with a bit of schizophrenia.

Li Wen in the story is dedicated, timid, professional, and affectionate, and even a little too honest and timid.

The real Li Wen is conceited, cold-blooded, bold, and highly intelligent, and even crueler than the painter he imagined.

Not just Li Wen, almost every major character in this work plays someone else in some way.

The so-called Wushuang, on the one hand, means that there are no two heroes, and on the other hand, it just names the real double.

For example, Fa Ge's entity is an elderly police officer named Wu Zhihui. His age is not directly proportional to his status, so he is often ignored by his colleagues.

Li Wen, who played by himself, was able to see exactly this point, so he described the painter's appearance as his appearance.Just like in Let the Bullets Fly, the audience will be confused between Huang Silang and the stand-in.

The screenwriter used the appearance of the painter and Wu Zhihui to set up a trick in Chow Yun-fat's double role play.

The painter who lives in Li Wen's story is suave and personable, with his hair always neat and tidy, his windbreaker always facing the wind, and he always says with a confident smile: I'm fine, he's the only one.

During the shootout scene, brother Xiao Ma possessed his body. According to Zhuang Wenqiang's plan, the audience must be nostalgic.

Su Ze closed his eyes, slowly replaced Li Wen, and walked into the heart of the character.He has no real feelings for the female character Xiuqing, he will express it directly, but he is not polite when using it.

He only glanced at the so-called first love Ruan Wen from a distance, but used his selfishness to harm her fiancé.He even imagined how great his life and Ruan Wen's life was, and how great his sacrifice was...

In fact, it is just a memory that cannot be let go when you have low self-esteem. After you succeed, it will be infinitely magnified, and it will eventually cause evil results.

The greatest cruelty is probably Li Wen, who was shrewd and calculating, and finally lost because of a Ruan Wen who didn't remember him at all.

The more I go into it, the more I feel that the script is excellent. It is indeed a work that Zhuang Wenqiang has honed his sword for ten years.It has the goodness of Hong Kong Island movies in the traditional sense, and it also has the goodness that is no longer sticking to the tradition.

In the gap between his good actions and crimes, the light of wisdom shines.

In Su Ze's view, the theme presents a progressive relationship. Money can be copied, but can people be copied?

People can be copied, so can feelings be copied?
The most daring thing is that as a kind of video narrative, it relies on literary narrative tricks.Zhuang Wenqiang takes advantage of readers' blind spots in reading, lays one after another foreshadowing in the narrative, leads the viewing thinking to the wrong path he hopes, and finally reveals the whole truth.

What the audience saw in the movie before may be just a facet of the event. After taking a facet as a fact, the truth rushes forward, and all the facets appear.

Su Ze laughed. I have to say that the creators have an abusive mentality. They are satisfied by the surprise of the other party and enjoy the unexpected sense of accomplishment from the audience?

Li Wen is a very complicated character, even more complicated than the magic police.As hinted at in Jumanji, a puny person always fantasizes about becoming a muscular man in the game.

The humble man, under similar psychological urging, dreamed of becoming a handsome gentleman like a painter, engaged in counterfeit banknote production, and had no accidents for three generations.

Hypnotized himself as an upright, kind, and steadfast person to cover up his selfishness, cruelty, and greed.

Apply the honey of love to everything he does, but he doesn't love Xiuqing, he just uses it, and he doesn't love Nguyen Van, who was a dream when he was poor.

Only by marrying her will the dream come true, just like the dawn in the sweetness.

Cold-blooded and selfish!
Every time Su Ze studies the script, he has the illusion of playing a jigsaw puzzle, as if there are fragments in front of him.

I have seen similar works before, and their fragments have been rearranged by the rational thinking of science and engineering, which is a precise beauty.

The fragments of Wushuang have been rearranged by the perceptual thinking of liberal arts students, and the final point is the true or false feelings, which determine the true or false of people and the true or false of things they do.

For example, using concrete characters to play the abstract psychology of people has the style of "I'm Not There" and "Detective".Skin grafting to become another person has the shadow of "The Skin I Live In", the gun battle is "Blood Heroes", pointing a gun to my head is from "The True Colors of a Hero"...

As for "Infernal Affairs", it is everywhere.

The wonderful thing is that Zhuang Wenqiang did not stop at the simple collage level, but injected chemical reactions into new substances and achieved new aesthetic forms.

Su Ze is looking forward to the cooperation with Chow Yun-fat, and hopes to see the handsome figure of Xiao Ma holding a gun when he was a child. This should be an attempt to re-endow classic characters.

But from the perspective of director Zhuang Wenqiang, it should be hoped that the shock from the production and printing process of counterfeit banknotes is even greater than the shock of Chow Yun-fat holding two guns and firing.

The former is a heavy blow of psychological spectacle, and it is the professional psychological crushing of meticulous color-changing ink, acid-free paper, and moiré pattern, while the latter is an unexpected encounter with a one-off effect on the timeline.

"It's said that Hong Kong Island makes movies fast." Zhuang Wenqiang couldn't help admiring after hearing Su Ze's understanding of the role: "It sounds like utilitarianism?"

"That's right, I never thought it was wrong!"

"I just want to show the best effect to the audience in the shortest time. Is it wrong?"

Su Ze was stunned at first, and then laughed dumbly.

"From your point of view, you should be able to see what Li Wen and the painter represent?" Zhuang Wenqiang looked at Su Ze and said seriously.

"It seems to see the two glorious eras of Hong Kong films."

As soon as these words came out, Su Ze could clearly see Zhuang Wenqiang's emotional changes, which were memories, enjoyment, regret, unwillingness...

The painter, who was once brilliant in the 80s and 90s, was chic and elegant with his own glory. All kinds of gun battle scenes are the violent aesthetics of John Woo and Chang Cheh. The mushroom cloud formed after the explosion has the free and easy killing in old Hong Kong movies.

Just like the protagonist who can never be killed in "The True Colors of Heroes 2", that kind of personal charm has already surpassed reality.

Li Wen is like the current Hong Kong movies, full of dilapidation.

More reality can be seen in him. When he fails, he has to give up his persistence and love. This is completely different from the previous type of individual heroism.

Zhuang Wenqiang admired Su Ze very much. Among other things, the research on the script and characters has far exceeded expectations.

Li Wen seems to be submissive most of the time, but when the audience savors carefully, they must be able to feel the layering of the performance, which is very difficult.

Not to mention Chow Yun-fat, in Zhuang Wenqiang's view, Fa Ge is a rare actor with temperament, and the so-called personal charm has surpassed the so-called acting skills.

The artist's unceasing release of personal charm and uncontrollability is the selling point that the director most wants to show to the audience, and Li Wen's strength and weakness are even more sparks.

Ask yourself if you are a fan of Fa Ge, watching idols making bad movies in recent years, Zhuang Wenqiang is heartbroken!
Brother Ma,
Let me save you!

(End of this chapter)