Chapter 448
"Hi brother Fa!"
Su Ze finally saw Chow Yun-fat. He still looks good at the age of [-], especially the familiar signature smile, which makes people look back instantly.
"Hello." Chow Yun-fat held Su Ze's hand and said enthusiastically, "I have seen many of your works and look forward to this cooperation."
Su Ze is very excited. Isn't the reason why he developed Hong Kong Island is to fight side by side with his childhood idol?
"Hello." Zhang Jingchu also came over, stretched out her hand and said with a smile, "Please take care of me."
Su Ze responded politely. For this one, he has long admired his name. Needless to say, his acting skills are well-proportioned. The main reason is Kong Xue's gossip.
Known as the public enemy of the director's wife?
After a brief contact, I have to say that Zhuang Wenqiang's vicious eyes, whether it is Fa Ge or Zhang Jingchu, are simply tailor-made for the role.
As for Liao Qizhi, an old acquaintance who has worked with the Magic Police, Su Ze has long been accustomed to the Hong Kong Island team's style of work after two works, and quickly integrated into it.
Going deep into the film circle of Hong Kong Island, Su Ze found that anyone who creates with heart is well protected.
For example, Zhuang Wenqiang wanted to write about an economic crime after he finished writing Infernal Affairs, which was eavesdropping, but he happened to be in an economic crisis and couldn't find investment at all.
I had no choice but to find my good friend Er Dongsheng, hoping that the other party would give me some suggestions for revision. Unexpectedly, not only did I not provide revision suggestions, but also praised the script. In the end, Er Dongsheng helped find investment and negotiate distribution, while Zhuang Wenqiang concentrated on writing .
The best proof is the script of Wushuang, which has been polished for ten years. Zhuang Wenqiang has also made many movies in the middle, Initial D, and the listeners of Tony Leung and Zhou Xun...
But Wushuang has never been given up. On the contrary, ten years later, he was able to see the light of day again.
After spending ten years studying counterfeit banknotes, in the eyes of Zhuang Wenqiang, the glory and ruin of counterfeit banknote manufacturers has extraordinary dramatic tension.
Making counterfeit banknotes is like making a movie. It is doing something that everyone knows is fake.
But what's interesting about it is that to make fake things look like real ones, it's best to be able to confuse the real ones.
Su Ze thinks so!
As the cooperation continues to deepen, Su Ze feels a kind of craftsman spirit, and the team atmosphere can easily cultivate professional and multi-level behind-the-scenes workers.
They are still working hard to create original ones, and the themes are deeper and more partial than the next one. Mainland screenwriters seldom touch on it, or even complete it.
In fact, in film and television works around the world, directors and screenwriters have the most say, and they can take the lead in ensuring the quality of dramas.
For example, South Korean screenwriter Park Hye-ryeon's "I Hear Your Voice", "Pinocchio", and Lee Soo-yeon's "Secret Forest". Their status is higher than that of actors, and they can directly attract audiences.
In this era, no matter what changes and efforts are made, the film and television works that revolve around the content are actually the most popular.
Many mainland screenwriters will be disturbed by investors and actors, and will also receive official opinions.Sometimes actors will bring their own screenwriters into the group, and specially modify their roles to disrupt the rhythm of the entire crew.
Although Su Ze has never seen this kind of thing, he has heard of it a lot. It may be because the directors who cooperate with him are all persistent directors, but...
Surviving in the cracks, it is still difficult to breathe, so how can we talk about creation?
On the contrary, the creative environment on Hong Kong Island is very pure. Creators like Zhuang Wenqiang and Mak Siu-fai can create with peace of mind, and the turnover and circulation of funds are handed over to producers and producers. Each job is carefully divided to ensure relative independence.
It is precisely because of the clear division of labor that local film directors, actors and screenwriters trust each other completely.
Acting can be handed over to the actors, the script can be handed over to the screenwriter for polishing, and the director is responsible for strategizing.
Why are people so fast?
That's why!
I have talked with Zhuang Wenqiang a lot. The market on Hong Kong Island is in decline. Many filmmakers have opened up the mainland market for their dreams. In order to pass the review, Zhuang Wenqiang had to make compromises, so the deception of eavesdropping on Fengyun was not thorough enough to form a strong contrast between drama and human nature.
Since there is no persistent greed, the meaning of redemption will naturally be reduced, and the teachings that they hope to convey to the audience will also become weak.
After the whole movie, the compact narrative is always missing a dose of seasoning?
Not enough flavor!
So Eavesdropping was only nominated for multiple awards, but did not win heavyweight awards like Infernal Affairs.
The audience's eyes are discerning.
"What do you think is the use of my role as a painter?" Chow Yun-fat asked Su Ze, "How would you play it?"
"The first function is that Li Wen used it to deceive the police, promote the development of the story, and finally lead to the reversal of the story."
Su Ze analyzed: "The second function is that Li Wen expresses his psychological process of making counterfeit money and his view of love through him. In fact, a large part of what he said through the painter's mouth is his own past. what I said to myself."
"As for the third role..." Su Ze said with a half-smile, "Handsome!"
Chow Yun-fat listened very carefully, but in the end he didn't realize it. Zhang Jingchu beside him couldn't help laughing.
Seeing Brother Fa stunned, Su Ze teased: "To be honest, only you, Brother Fa, can play the image of a big guy who hides his knife in his smile so well. Others really can't do it!"
Everyone roared with laughter, and Brother Fa also laughed happily. The cooperation between actors is like this, and it is fun to join forces.
Don't look at this young Sai Lei, but his acting skills are definitely good!
Not only the actors performed well, but Zhuang Wenqiang, as the director, did not forget his original intention. For a long time, the narrative center did not focus on the brilliance and prowess of the criminal investigators, nor did it settle on the social problems behind the crime and the dark reflections on human nature.
It is about the unfolding plan and implementation process of the crime itself, using a large number of lenses to restore everything in detail. In Su Ze's view, this kind of obsession with the crime itself, and even the sense of psychological substitution for the perpetrator of the crime, is unparalleled. biggest selling point.
Printing presses, electrotypes, acid-free papers, color-changing inks, counterfeit watermarks...
Just like playing a game to upgrade, every time you clear a level, you will give the audience a great sense of accomplishment.
The gray area between good and evil, gangsters who are more colorful than the police or at least have more stories, the extreme dual-hero model, anxious family inheritance after misplaced identities...
A business with strict rules and regulations that never misses, some golden sentences that are more common than moral dogmas that override good and evil...
To achieve the ultimate in any industry is art!
Of course, many bugs were also found during the filming process. For example, except for Uncle Xin, the faces, temperaments, motivations, and task shares of the other members of the team were very vague.
There is also the painter's wily and neurotic alternation, a complexity that lacks the support of the previous text.
A father's early death and a genetic inheritance can't account for this moodiness.
Every time Zhuang Wenqiang made an opinion, he accepted it seriously and tried his best to make up for it. Su Ze also deeply realized the charm of the so-called Hong Kong flavor:
Even though he is in an international metropolis, there is a sense of recklessness surging everywhere!
(End of this chapter)
"Hi brother Fa!"
Su Ze finally saw Chow Yun-fat. He still looks good at the age of [-], especially the familiar signature smile, which makes people look back instantly.
"Hello." Chow Yun-fat held Su Ze's hand and said enthusiastically, "I have seen many of your works and look forward to this cooperation."
Su Ze is very excited. Isn't the reason why he developed Hong Kong Island is to fight side by side with his childhood idol?
"Hello." Zhang Jingchu also came over, stretched out her hand and said with a smile, "Please take care of me."
Su Ze responded politely. For this one, he has long admired his name. Needless to say, his acting skills are well-proportioned. The main reason is Kong Xue's gossip.
Known as the public enemy of the director's wife?
After a brief contact, I have to say that Zhuang Wenqiang's vicious eyes, whether it is Fa Ge or Zhang Jingchu, are simply tailor-made for the role.
As for Liao Qizhi, an old acquaintance who has worked with the Magic Police, Su Ze has long been accustomed to the Hong Kong Island team's style of work after two works, and quickly integrated into it.
Going deep into the film circle of Hong Kong Island, Su Ze found that anyone who creates with heart is well protected.
For example, Zhuang Wenqiang wanted to write about an economic crime after he finished writing Infernal Affairs, which was eavesdropping, but he happened to be in an economic crisis and couldn't find investment at all.
I had no choice but to find my good friend Er Dongsheng, hoping that the other party would give me some suggestions for revision. Unexpectedly, not only did I not provide revision suggestions, but also praised the script. In the end, Er Dongsheng helped find investment and negotiate distribution, while Zhuang Wenqiang concentrated on writing .
The best proof is the script of Wushuang, which has been polished for ten years. Zhuang Wenqiang has also made many movies in the middle, Initial D, and the listeners of Tony Leung and Zhou Xun...
But Wushuang has never been given up. On the contrary, ten years later, he was able to see the light of day again.
After spending ten years studying counterfeit banknotes, in the eyes of Zhuang Wenqiang, the glory and ruin of counterfeit banknote manufacturers has extraordinary dramatic tension.
Making counterfeit banknotes is like making a movie. It is doing something that everyone knows is fake.
But what's interesting about it is that to make fake things look like real ones, it's best to be able to confuse the real ones.
Su Ze thinks so!
As the cooperation continues to deepen, Su Ze feels a kind of craftsman spirit, and the team atmosphere can easily cultivate professional and multi-level behind-the-scenes workers.
They are still working hard to create original ones, and the themes are deeper and more partial than the next one. Mainland screenwriters seldom touch on it, or even complete it.
In fact, in film and television works around the world, directors and screenwriters have the most say, and they can take the lead in ensuring the quality of dramas.
For example, South Korean screenwriter Park Hye-ryeon's "I Hear Your Voice", "Pinocchio", and Lee Soo-yeon's "Secret Forest". Their status is higher than that of actors, and they can directly attract audiences.
In this era, no matter what changes and efforts are made, the film and television works that revolve around the content are actually the most popular.
Many mainland screenwriters will be disturbed by investors and actors, and will also receive official opinions.Sometimes actors will bring their own screenwriters into the group, and specially modify their roles to disrupt the rhythm of the entire crew.
Although Su Ze has never seen this kind of thing, he has heard of it a lot. It may be because the directors who cooperate with him are all persistent directors, but...
Surviving in the cracks, it is still difficult to breathe, so how can we talk about creation?
On the contrary, the creative environment on Hong Kong Island is very pure. Creators like Zhuang Wenqiang and Mak Siu-fai can create with peace of mind, and the turnover and circulation of funds are handed over to producers and producers. Each job is carefully divided to ensure relative independence.
It is precisely because of the clear division of labor that local film directors, actors and screenwriters trust each other completely.
Acting can be handed over to the actors, the script can be handed over to the screenwriter for polishing, and the director is responsible for strategizing.
Why are people so fast?
That's why!
I have talked with Zhuang Wenqiang a lot. The market on Hong Kong Island is in decline. Many filmmakers have opened up the mainland market for their dreams. In order to pass the review, Zhuang Wenqiang had to make compromises, so the deception of eavesdropping on Fengyun was not thorough enough to form a strong contrast between drama and human nature.
Since there is no persistent greed, the meaning of redemption will naturally be reduced, and the teachings that they hope to convey to the audience will also become weak.
After the whole movie, the compact narrative is always missing a dose of seasoning?
Not enough flavor!
So Eavesdropping was only nominated for multiple awards, but did not win heavyweight awards like Infernal Affairs.
The audience's eyes are discerning.
"What do you think is the use of my role as a painter?" Chow Yun-fat asked Su Ze, "How would you play it?"
"The first function is that Li Wen used it to deceive the police, promote the development of the story, and finally lead to the reversal of the story."
Su Ze analyzed: "The second function is that Li Wen expresses his psychological process of making counterfeit money and his view of love through him. In fact, a large part of what he said through the painter's mouth is his own past. what I said to myself."
"As for the third role..." Su Ze said with a half-smile, "Handsome!"
Chow Yun-fat listened very carefully, but in the end he didn't realize it. Zhang Jingchu beside him couldn't help laughing.
Seeing Brother Fa stunned, Su Ze teased: "To be honest, only you, Brother Fa, can play the image of a big guy who hides his knife in his smile so well. Others really can't do it!"
Everyone roared with laughter, and Brother Fa also laughed happily. The cooperation between actors is like this, and it is fun to join forces.
Don't look at this young Sai Lei, but his acting skills are definitely good!
Not only the actors performed well, but Zhuang Wenqiang, as the director, did not forget his original intention. For a long time, the narrative center did not focus on the brilliance and prowess of the criminal investigators, nor did it settle on the social problems behind the crime and the dark reflections on human nature.
It is about the unfolding plan and implementation process of the crime itself, using a large number of lenses to restore everything in detail. In Su Ze's view, this kind of obsession with the crime itself, and even the sense of psychological substitution for the perpetrator of the crime, is unparalleled. biggest selling point.
Printing presses, electrotypes, acid-free papers, color-changing inks, counterfeit watermarks...
Just like playing a game to upgrade, every time you clear a level, you will give the audience a great sense of accomplishment.
The gray area between good and evil, gangsters who are more colorful than the police or at least have more stories, the extreme dual-hero model, anxious family inheritance after misplaced identities...
A business with strict rules and regulations that never misses, some golden sentences that are more common than moral dogmas that override good and evil...
To achieve the ultimate in any industry is art!
Of course, many bugs were also found during the filming process. For example, except for Uncle Xin, the faces, temperaments, motivations, and task shares of the other members of the team were very vague.
There is also the painter's wily and neurotic alternation, a complexity that lacks the support of the previous text.
A father's early death and a genetic inheritance can't account for this moodiness.
Every time Zhuang Wenqiang made an opinion, he accepted it seriously and tried his best to make up for it. Su Ze also deeply realized the charm of the so-called Hong Kong flavor:
Even though he is in an international metropolis, there is a sense of recklessness surging everywhere!
(End of this chapter)
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