Chapter 449
Su Ze stood in front of the huge floor-to-ceiling windows of the hotel, watching the lights of thousands of houses on Hong Kong Island. Last time, the magic police, this time Wushuang, felt more and more deeply about this land over the past few months.
Compared with Central, which is rich in clothes and full of money, gangster films prefer Mong Kok, Temple Street, Yau Ma Tei, and Tin Shui Wai, which are full of mud and sand, and prefer the dark and stormy nights, where uncles in various places command their children and nephews to compete for the speaker. Fighting, this constitutes the greatest vitality of Hong Kong films.
So Su Ze even suspects that the decline of Hong Kong films is essentially the ebb tide of this sense of quackery and recklessness?
Is it the new political style after the reunification?Or the pervasive contemporary commercial civilization?
Is it the law of the supremacy of interests, all the crises and challenges that brotherhood encounters?
Just like the classic line: We are no longer suitable for this world, because we are too nostalgic.
Thinking of this, Su Ze couldn't help admiring Zhuang Wenqiang's power. According to this rule analysis, Wushuang is a text that goes retrograde and goes in the opposite direction.
It is no longer that they are obviously in an international metropolis, but there is a sense of recklessness everywhere, but it is obviously a group of reckless people, but they are operating a pattern of an international metropolis everywhere.
Transnationalization, large-scale industrialization, and industrial chainization are the tunes of criminals playing the mainstream society together.
There is no way, because what the audience is more interested in now is wealth, or getting rich overnight.
Compared with loyalty, or grievances, this is something that is more pleasing to this era.
Thinking of this, Su Ze lamented the wonder of this cooperation. If you want to talk about the theme of police and robbers, or the theme of suspense, it is his old business since his debut, known as the king of suspense.
But this time the script is completely different. Most of the pages are not focused on the criminal process, but instead show how to print counterfeit money.
As the leader of a criminal gang responsible for counterfeiting banknotes, the painter encountered difficulties after the release of the new US dollar.Color-changing inks, microprinting, watermarks... each innovation left his craft behind.
Until one day, crime meets art around the corner.
I played Li Wen on the stage. He is a great painter, but he has no artistic creativity and can only copy the works of masters.
In order to make money, Li Wen gave up self-expression and concentrated on imitating famous paintings.This kind of work has no status at all in the circle, it is just a repetitive labor force.
But I am born to be useful, garbage is all misplaced treasures.
After joining the counterfeit banknote manufacturing gang, Li Wen, relying on his irreplaceable core skills, has undergone an earth-shaking reversal of his identity, from a replaceable [-]-line painter to a senior engineer in a transnational criminal gang.
According to Zhuang Wenqiang's research in the past ten years, the craft of a counterfeit banknote has to go through more than a dozen processes such as drawing, pattern making, gravure printing, and inspection.
The first drawing is to draw every fine line on the banknote with a pen!
Does anyone know the texture on the Franklin collar on the dollar bill, where "THE UNITED STATES OF AMERICA" is abbreviated?
No matter how good the painting is, the watermark is still exposed.The watermark of the real banknote is pressed in during papermaking, but the method adopted in the script is to divide the paper into three layers, sandwich the watermark paper in the middle, and press the counterfeit banknote with two imitated counterfeit banknotes on the top and bottom.
Since the filming, Su Ze has a new understanding of the role of Li Wen. No matter what his personality is, he has to be said to be a real artist!
From beginning to end, each link is reproduced as it is.Most artists are paranoid, Li Wen is, and so is Wu Fusheng.
Making counterfeit banknotes is a handicraft handed down from generation to generation.He originally studied art, but in order to obtain the color-changing ink necessary for making counterfeit banknotes, he robbed at gunpoint.
He raised the gun and pulled the trigger, and several lives were lost in the blink of an eye.
You say this is murder?
No, no, in his opinion, this is the raw material of art.
The biggest reversal of the script is Wu Fusheng's whereabouts and true identity, which was also created by the gold medal screenwriter Zhuang Wenqiang, but the core of the story and the source of inspiration are not his first creation.
The source actually comes from a classic Hollywood crime film in the 90s, but because of this, Zhuang Wenqiang sharpened his sword for ten years and designed another game within the game.
From inside the movie, out of the movie, from the current movie, to the history of movie.He wants to make this non-original, more creative than original.
All paranoid lunatics!
"Hey, that year's debut work was called Flying Sand Wind Transition, and I specially asked Ekin Cheng and Chen Xiaochun to act in it."
"Young and Dangerous series, everyone knows that Liu Weiqiang played leftovers from his early years."
"In the end it hit the street, and the box office was less than 500 million."
"Then no one asked me to direct the play."
Recalling Zhuang Wen's emphasis on talking about his history of blood and tears, probably since then, he began to hold back his "Wu Shuang" big move.
Keep all unexpected dramatic tension to yourself.What I want is not just the C position, but the unparalleled status.
Toss the script.
From news organization to hard knowledge popularization, to character weaving and reverse structure, it has been polished intermittently for ten years.
Specializes in counterfeiting and criminal psychology.
Who doesn't love money, I will give you a fake way to make money!
First unload the burden of creation, and then continue to improve the depth of thinking and the interpretation space inside and outside the film based on the original classic creativity.
The high imitation has reached the limit, and what you have achieved may be a height that the original work has not touched.
Close your eyes and recall a shootout scene during the day, in a thick smoke, Fa Ge carried two AK-47s on his shoulders and fired furiously, all the enemies were wiped out.
Dodging the explosion smartly, one rolled sideways into the trench, and the flying shotgun fired two shots in a row, and the enemy was headshot.
Su Ze looked at the blood boiling, this is clearly "Blood Heroes" + "Hot Detective" + "The True Colors of Heroes 3"!
I don't know why, tears welled up in my eyes, thinking about when the movie "The True Colors of Heroes" was released, Fa Ge was 31 years old.He is in his prime, shooting action scenes, his physical function and appearance are at their peak.
He is 63 years old this year, double his age when he played Little Ma.Heroes' twilight is an eternal problem, and real heroes in history will encounter them, let alone actors.
This is why Fa Ge is willing to make tough moves, willing to consume himself.Because he knew that the glory of the past had already been turned over, if you were still struggling, you would be disgusted by people, especially the fans who had followed for decades.
Why not take the initiative to walk down the steps and joke about yourself.
Many intend to reproduce the classics, but unfortunately they have been criticized.Not because the actors have changed, not because the age of the story has changed.
It's like the kind of counterfeit money that makes people feel that it doesn't feel right in the first second. After all, even Fa Ge himself can no longer reproduce him in the past.Now he goes out to take the bus, and when the refrigerator is empty, he goes to the street to buy groceries.
This is open-mindedness!
The same is true for Li Wen, a complete loser.The painting was not appreciated, so he set it on fire and burned it, then turned around and smoked, his face was full of indifference.
At Ruan Wen's painting exhibition, he hid in the corner with a glass of wine, and picked up the postcard of the painting exhibition on the table to read.The actions seem to be unintentional, but they are actually intentional.
All the people who participated in the art exhibition were people of status, except himself, a poor painter.I want to try my best to hide myself and not meet any pair of eyes.
Staying away from the crowd and looking down at the cards is a good choice to relieve tension.Even after joining a criminal gang, he is often surrounded by fear.
Threatened to kill by the painter, grabbing his hand abruptly, and slowly pulling the trigger...
There was fear in his eyes.
(End of this chapter)
Su Ze stood in front of the huge floor-to-ceiling windows of the hotel, watching the lights of thousands of houses on Hong Kong Island. Last time, the magic police, this time Wushuang, felt more and more deeply about this land over the past few months.
Compared with Central, which is rich in clothes and full of money, gangster films prefer Mong Kok, Temple Street, Yau Ma Tei, and Tin Shui Wai, which are full of mud and sand, and prefer the dark and stormy nights, where uncles in various places command their children and nephews to compete for the speaker. Fighting, this constitutes the greatest vitality of Hong Kong films.
So Su Ze even suspects that the decline of Hong Kong films is essentially the ebb tide of this sense of quackery and recklessness?
Is it the new political style after the reunification?Or the pervasive contemporary commercial civilization?
Is it the law of the supremacy of interests, all the crises and challenges that brotherhood encounters?
Just like the classic line: We are no longer suitable for this world, because we are too nostalgic.
Thinking of this, Su Ze couldn't help admiring Zhuang Wenqiang's power. According to this rule analysis, Wushuang is a text that goes retrograde and goes in the opposite direction.
It is no longer that they are obviously in an international metropolis, but there is a sense of recklessness everywhere, but it is obviously a group of reckless people, but they are operating a pattern of an international metropolis everywhere.
Transnationalization, large-scale industrialization, and industrial chainization are the tunes of criminals playing the mainstream society together.
There is no way, because what the audience is more interested in now is wealth, or getting rich overnight.
Compared with loyalty, or grievances, this is something that is more pleasing to this era.
Thinking of this, Su Ze lamented the wonder of this cooperation. If you want to talk about the theme of police and robbers, or the theme of suspense, it is his old business since his debut, known as the king of suspense.
But this time the script is completely different. Most of the pages are not focused on the criminal process, but instead show how to print counterfeit money.
As the leader of a criminal gang responsible for counterfeiting banknotes, the painter encountered difficulties after the release of the new US dollar.Color-changing inks, microprinting, watermarks... each innovation left his craft behind.
Until one day, crime meets art around the corner.
I played Li Wen on the stage. He is a great painter, but he has no artistic creativity and can only copy the works of masters.
In order to make money, Li Wen gave up self-expression and concentrated on imitating famous paintings.This kind of work has no status at all in the circle, it is just a repetitive labor force.
But I am born to be useful, garbage is all misplaced treasures.
After joining the counterfeit banknote manufacturing gang, Li Wen, relying on his irreplaceable core skills, has undergone an earth-shaking reversal of his identity, from a replaceable [-]-line painter to a senior engineer in a transnational criminal gang.
According to Zhuang Wenqiang's research in the past ten years, the craft of a counterfeit banknote has to go through more than a dozen processes such as drawing, pattern making, gravure printing, and inspection.
The first drawing is to draw every fine line on the banknote with a pen!
Does anyone know the texture on the Franklin collar on the dollar bill, where "THE UNITED STATES OF AMERICA" is abbreviated?
No matter how good the painting is, the watermark is still exposed.The watermark of the real banknote is pressed in during papermaking, but the method adopted in the script is to divide the paper into three layers, sandwich the watermark paper in the middle, and press the counterfeit banknote with two imitated counterfeit banknotes on the top and bottom.
Since the filming, Su Ze has a new understanding of the role of Li Wen. No matter what his personality is, he has to be said to be a real artist!
From beginning to end, each link is reproduced as it is.Most artists are paranoid, Li Wen is, and so is Wu Fusheng.
Making counterfeit banknotes is a handicraft handed down from generation to generation.He originally studied art, but in order to obtain the color-changing ink necessary for making counterfeit banknotes, he robbed at gunpoint.
He raised the gun and pulled the trigger, and several lives were lost in the blink of an eye.
You say this is murder?
No, no, in his opinion, this is the raw material of art.
The biggest reversal of the script is Wu Fusheng's whereabouts and true identity, which was also created by the gold medal screenwriter Zhuang Wenqiang, but the core of the story and the source of inspiration are not his first creation.
The source actually comes from a classic Hollywood crime film in the 90s, but because of this, Zhuang Wenqiang sharpened his sword for ten years and designed another game within the game.
From inside the movie, out of the movie, from the current movie, to the history of movie.He wants to make this non-original, more creative than original.
All paranoid lunatics!
"Hey, that year's debut work was called Flying Sand Wind Transition, and I specially asked Ekin Cheng and Chen Xiaochun to act in it."
"Young and Dangerous series, everyone knows that Liu Weiqiang played leftovers from his early years."
"In the end it hit the street, and the box office was less than 500 million."
"Then no one asked me to direct the play."
Recalling Zhuang Wen's emphasis on talking about his history of blood and tears, probably since then, he began to hold back his "Wu Shuang" big move.
Keep all unexpected dramatic tension to yourself.What I want is not just the C position, but the unparalleled status.
Toss the script.
From news organization to hard knowledge popularization, to character weaving and reverse structure, it has been polished intermittently for ten years.
Specializes in counterfeiting and criminal psychology.
Who doesn't love money, I will give you a fake way to make money!
First unload the burden of creation, and then continue to improve the depth of thinking and the interpretation space inside and outside the film based on the original classic creativity.
The high imitation has reached the limit, and what you have achieved may be a height that the original work has not touched.
Close your eyes and recall a shootout scene during the day, in a thick smoke, Fa Ge carried two AK-47s on his shoulders and fired furiously, all the enemies were wiped out.
Dodging the explosion smartly, one rolled sideways into the trench, and the flying shotgun fired two shots in a row, and the enemy was headshot.
Su Ze looked at the blood boiling, this is clearly "Blood Heroes" + "Hot Detective" + "The True Colors of Heroes 3"!
I don't know why, tears welled up in my eyes, thinking about when the movie "The True Colors of Heroes" was released, Fa Ge was 31 years old.He is in his prime, shooting action scenes, his physical function and appearance are at their peak.
He is 63 years old this year, double his age when he played Little Ma.Heroes' twilight is an eternal problem, and real heroes in history will encounter them, let alone actors.
This is why Fa Ge is willing to make tough moves, willing to consume himself.Because he knew that the glory of the past had already been turned over, if you were still struggling, you would be disgusted by people, especially the fans who had followed for decades.
Why not take the initiative to walk down the steps and joke about yourself.
Many intend to reproduce the classics, but unfortunately they have been criticized.Not because the actors have changed, not because the age of the story has changed.
It's like the kind of counterfeit money that makes people feel that it doesn't feel right in the first second. After all, even Fa Ge himself can no longer reproduce him in the past.Now he goes out to take the bus, and when the refrigerator is empty, he goes to the street to buy groceries.
This is open-mindedness!
The same is true for Li Wen, a complete loser.The painting was not appreciated, so he set it on fire and burned it, then turned around and smoked, his face was full of indifference.
At Ruan Wen's painting exhibition, he hid in the corner with a glass of wine, and picked up the postcard of the painting exhibition on the table to read.The actions seem to be unintentional, but they are actually intentional.
All the people who participated in the art exhibition were people of status, except himself, a poor painter.I want to try my best to hide myself and not meet any pair of eyes.
Staying away from the crowd and looking down at the cards is a good choice to relieve tension.Even after joining a criminal gang, he is often surrounded by fear.
Threatened to kill by the painter, grabbing his hand abruptly, and slowly pulling the trigger...
There was fear in his eyes.
(End of this chapter)
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