Actors start from the college entrance examination

Chapter 63
"I'm so tired, I can't do it anymore." Seeing Han Xuefei leave, everyone fell to the ground instantly like a broken puppet.

Even Su Ze was very tired. After all, she tried her best every time she performed. Han Xuefei was not easy to fool.

"We must go out to eat at noon!" Zhao Yuncheng said loudly: "I'm treating guests, so make up for it."

"That's what you said!" Zhang Yu hurriedly said, "Hot pot."

"No problem, whatever you want."

Su Ze understood Zhao Yuncheng's thoughts, friends belong to friends, he must be embarrassed to eat all day long, and AA, this kid can't lose face, so he just treats guests directly.

It doesn't matter, everyone doesn't care about this little money, what they want is the atmosphere, the five of them came to a nearby hot pot restaurant at noon, and had a good time.

Seeing that Hu Lei is a follower again, Zhao Yuncheng joked: "Hey, it's not good for you to follow us all day at men's parties, right?"

"Hmph!" Hu Lei's pretty face flushed slightly, and she counterattacked: "It's rare that you, a cheapskate, treat you, can I not eat it?"

"Who is cheapskate?" Zhao Yuncheng frowned and said loudly, "Didn't you invite KFC last time?"

"Last time?" Hu Lei said disdainfully, "I think July or August?"

"It's obviously September!"

Even Zhang Yu and Ding Feng have gotten used to this pair of live treasures, pecking at each other is a daily operation, Su Ze naturally understands what Hu Lei is thinking, but is it a little bit for a girl to hang out with a few old men all day long?

Forget it, let her go.

Enter the system during the lunch break, start to train your eyes, stare at a candle, start from the very beginning.

In the dialogue class on Tuesday, Zhao Yuning turned on the computer and began to give a lecture: "You have already started to get into the Chinese opera dialogue, and you must persist in doing morning exercises every day. This is the reason why you can't leave your fists and tunes."

"Today, let's continue to analyze what is called excellent line skills. Listening to the teacher is one aspect. I hope you can master more important abilities."

"Teach yourself!"

"Last year, I worked as an actor's line director in the crew of "Tiankeng Falconry". I have to say that most young actors now have a common problem: they are prone to legato, word-eating or swallowing in performance."

"Don't underestimate this point. In many cases, the audience will not be able to obtain the complete information of the lines. Compared with young actors, the older generation is better at the clarity of lines."

After speaking, he turned on the screen and analyzed: "This is some clips from the recently hit TV series "Entrepreneurship Era". Let's see who is stronger, Zhou Yiwei or Huang Xuan?"

Everyone's eyes are shining, and it's the most anticipated time of the week to complain again?
"Is it because Huang Xuan's enunciation is clearer than Zhou Yiwei's?" Zhao Yuning did not hesitate, commenting: "Zhou Yiwei occasionally swallows words, such as the monologue he said to all the employees while standing on a stool when the company just opened."

"Listen, are there several important words that are unclear?"

Su Ze listened carefully, and it turned out that the handling of five or six lines was not in place, even if he listened carefully, he was vague, let alone the audience.

"In this case, the audience may miss a certain moment because of watching the subtitles, which is a pity for the actors and performances."

Zhao Yuning said: "Many actors have very good voice talents, have standard Mandarin pronunciation, have cadence handling lines, and are full of emotions, but you just don't understand what his lines are trying to say."

"So the evaluation of an actor's line skills is not based on how good his voice is, how standard his Mandarin is, how well he handles the stress and pauses of his lines..."

"First of all, it depends on whether the actor has explained the meaning of the lines!"

What follows is a monologue in which Yu Hewei plays the role of the elderly Cao Cao in "Military Alliance", standing on Dianjiangtai and summarizing his life.

There are many people's names, place names and idioms in it. It is a severe test for the actors to explain the lines clearly, but Yu Hewei did it.

I saw him unhurriedly handling the meaning of every word and every sentence clearly and clearly conveying it to everyone present. The audience seemed to experience Cao Cao's life with him.

This kind of clip Su Ze can recall a lot. When you hear an actor say a word or a sentence, you can experience the character’s previous situation and encounters, as if experiencing ups and downs with the character, and even feel the character’s subtle psychological activities and delicate emotional changes.

In the end, I think of my own similar encounters or emotional experiences, so I am moved by it, and I can't calm down. This is the sense of substitution that the lines give the audience.

For example, in "I'm Not the God of Medicine", Su Ze was deeply impressed by the line that Wei Qing, the old lady of the patient, said to Zhou Yiwei.Especially when the old lady said: We all have to die.

Everyone deeply felt the fear and despair of the old man in front of her when she faced death, and when she said that I don't want to die, I want to live, the audience felt so deeply the strong desire of an old man to survive.

There is also a deep plea for Zhou Yiwei from the bottom of his heart, which has nothing to do with whether the actor is famous or not.

"For us actors, there are two ways to shape the character image and reflect the character's characteristics: one is the body, and the other is the language."

Zhao Yuning said earnestly: "An actor with solid lines skills will definitely be able to find his own voice, tone, intonation, and rhythm that belong to the character, which is the unique way of expressing the character."

"The rest is how to make the audience forget that this is the actor himself when listening to the lines, and fully believe that he is the character."

Then the big screen played "Shadow" with Deng Chao playing two roles, how to clearly distinguish the different images and personality characteristics of the two.He boldly used hoarse and dark voice modeling when portraying Zi Yu's real body who had been hiding in a dark room for a long time without seeing the light of day.

It should be said that his voice shaping is bold, even exaggerated, but it does add a distinct and strong touch to the character's personality.

"Do you know what effective expression is?" Zhao Yunning said earnestly: "Many actors have the habit of self-indulgence and self-acting in their creations. They feel that if they handle their lines well and express themselves well, then it's over?"

"How many of you have thought about how to have a real and in-depth communication with your opponent?"

Everyone looked at each other in blank dismay, Zhang Zifeng and Li Landi fell into deep thought, especially Zhang Zifeng, who had worked with many seniors before, and felt deeply about it.

"The so-called effective expression is actually the state of the show that you often talk about." Zhao Yuning stepped off the podium and came to the crowd and said: "The actor's lines can really speak into the opponent's heart at that moment, and truly affect and change the opponent's behavior and psychology. and emotions, can such lines hit the opponent's heart?"

"Can you get real feedback from your opponent?"

"Will it bring the audience into a powerful and sincere emotional communication between the actors?"

The triple strike of the soul made everyone fall into contemplation, especially Su Ze. The theoretical study every day allowed Goldfinger to integrate the experience accumulated, and many flashes of inspiration were full of a sense of accomplishment.

(End of this chapter)