My documentary really doesn't want high ratings

Are the fingers added?

Why can't he see it?

The wood-carved Bodhisattva in the lens has been washed and baptized for thousands of years, and the gold paint has peeled off, leaving the texture of the wooden body exposed.

However, the preservation is basically intact, the clothing patterns are naturally and smoothly depicted, and the decorations are complicated and simple, which is extremely rare.

It is a fine product among wooden Buddha statues.

The early wooden Buddha statues have always been the favorites of museums.

As long as the wood carvings before the Song Dynasty and the Yuan Dynasty have become important collections of the museum.

Such as the Cleveland Museum of Art in the United States and the Metropolitan Museum of Art.

Wooden Buddha statues are placed in very important positions.

Send Dai Wooden Buddha Statue the pinnacle of our wood carving statues.

Although the statues of Liao and Jin Buddhas in the same period are not as handsome as those in Song Dynasty.

But the face is more square and round, and the figure is more plump.

"Now the first pass of color is over, and we will make the second pass of color when it dries."

Xie Yangfan used a tissue to make the color on the little finger of the Buddha statue more harmonious.

The Woodenware Room is a department with a long history of the Department of Cultural Heritage, Science and Technology of the Capital Museum.

The famous dragon chair in the Hall of Supreme Harmony was once restored by the master craftsmen of the carpentry room and other departments.

But their current section chief is Qu Feng of the younger generation.

After graduating from the Supreme Academy of Fine Arts, Qu Feng studied with a teacher in accordance with the rules of cultural relic restoration.

So as to study the restoration of wooden cultural relics.

"This is a collection that will be displayed in the Palace of Compassion and Ning soon. When it was delivered, two of its fingers were broken, a part of its lip was missing, and the ribbon around its waist was also broken."

Qu Feng looked at the camera and said.

How modern people repair its damaged body while maintaining its appearance thousands of years ago is a test of human aesthetics.

It is extremely rare to meet a suitable restorer after a thousand years.

"Because this gesture is broken, but the lower part still exists, so we can judge its form based on the shape of this finger."

Qu Feng said, pointing to a gap in the Buddha statue.

The wooden Buddha statue maintains the shape of fingers holding flowers.

Gentleness reveals kindness.

Looking into the lens, you can't feel it has a gap at all.

......

Charles stared at the fingers carefully.

Pause key was pressed.

After looking at it for tens of seconds, I didn't see any trace of repair.

Charles clicked his tongue.

This technique is really uncanny!

......

In recent years, the Capital Museum has recruited many highly educated people like Qu Feng.

The Ministry of Cultural Heritage Protection and Science and Technology is a department specializing in the protection, restoration and research of cultural relics.

Today young people account for more than half.

On the promenade with red walls and glazed tiles, the fusion of modern decoration and ancient architecture does not make people feel abrupt at all.

The woodware group is located in a courtyard at the entrance of the West Sansho.

Green is the most here.

Compared with other departments, it has the most artificial colors, and there are several green apricot trees in the Carpentry Group.

It ingeniously forms a contrast with the restoration of woodware.

In the capital with more and more high-rise buildings, when more and more people can only put potted plants and green plants next to their desks.

They can also work in an environment with fragrant melons and fruits.

Taking advantage of their free time, several people took useless cloth to prop it up.

Several other people held ripe apricots struck by bamboo poles.

The crackling sound of apricots falling to the ground filled the entire Xisan School with apricot fragrance.

Some trees were planted by themselves, and some were planted by their masters.

There are also some ancient people who lived in the Ming Dynasty or Qing Dynasty.

Rong Junfeng of the lacquerware room welcomed some foreign guests.

"They're from the Museum of Victoria, they've got good paint, they're not for paint, they're for light protection."

The translator introduced Rong Junfeng to a group of blond and blue-eyed people who walked in.

Huaguo is a country rich in poetry, and in terms of quantity, there is such a person who cannot avoid it.

That is Emperor Qianlong, who wrote 4 poems in his life.

Although we can't see these 4 poems today, we can see the place where these [-] poems are stored.

In order to store poems, four royal manuscript boxes were specially made.

The one that is being repaired is one of them.

The vermilion wooden box is square.

The surface has been carved with many auspicious clouds and Zhulongs, which symbolize auspiciousness and imperial power, through the skills of craftsmen.

Rong Junfeng explained to the foreign guests the origin and source of the color of the royal manuscript box.

Most of the royal manuscript boxes are still intact.

There is only a slight gap in the side line.

Not much to fix.

What made Rong Junfeng even more troublesome was a black rectangle next to it.

There are pictures carved in gold wire on the surface.

But the damage is so serious that it is impossible to see what kind of equipment it is.

It is actually a musical instrument in Huaguo, and its name is "Se".

It is the har in the harmony of the harp.

Se belongs to the court musical instrument, and its volume is much larger than that of Guqin and Guzheng.

In the everyday life of ordinary people, Ser is also the least known.

For the repair of this thur.

Except to complete what it does.

The important thing is to paint.

Lacquer is required for the restoration of wooden cultural relics.

Rong Junfeng came outside with a bowl of black things.

Under the sunlight, the black surface glows with a black gold luster.

Seeing this, Charles was taken aback.

What is this?

Rong Junfeng spread the black lacquer in the bowl on a white panel.

Waited for half an hour.

After waiting for half an hour, I fiddled with the shovel in my hand.

The original black paint was flicked away immediately.

A texture that is close to translucent inside is revealed.

Charles' eyes widened.

so amazing!

The translucent lacquer has been repeatedly adjusted by Rong Junfeng.

When it was painted again, it was exactly the same color as the surface of Se.

"When repairing cultural relics, we all need to use this kind of natural lacquer. It is picked from the gum tree. Ancient utensils are all colored with this kind of lacquer, so we have to follow the ancient method."

Rong Junfeng explained while painting.

Charles nodded, slightly.

I have a little admiration for the profession of cultural relic restorer in my heart!

In order to restore the original color of cultural relics, every step is done according to the original production method.

This requires cultural relic restorers to have different repair knowledge when facing different utensils.

Unknowingly, Charles seems to have become addicted to this seemingly boring repair work.

As soon as the screen changed, we came to the mosaic department.

At this time, the people in the mosaic group gathered in front of a cabinet-like utensil.

"According to the groove of the cultural relic, then go for an inlay, and now after it is carved, it will be stained."

Kong Ju said to the camera.

A simple and simple Huaguo wooden cabinet.

It is covered with images of foreigners.

This is the only ornamentation that existed in ancient times but does not exist today.

It's called.

Chrysanthemum pear with a hundred treasures embedded in the treasure map top box cabinet.

Fanren is a general term for foreigners or foreign nationalities in ancient China.

During the heyday of the Ming and Qing Dynasties, they had to accept tribute from many foreign countries.

Tribute has strict benefit procedures, including kneeling movements, standing postures, advance and retreat routes, etc.

After accepting the tribute, the imperial court usually gave back silk, porcelain, gold and silver, etc.

Gifts in return are worth far more than tribute.

To show the demeanor of a great country, the decoration of the Fanren Jinbao map appeared at this time.

reflect the social climate of the time.

After the name of the country, with the decline of national power and the change of the international situation, there will no longer be foreign tribute.

This ornamentation is no longer used.

Look at the top incense cabinet in the picture.

Charles' eyes lit up.

In terms of shape, it is indistinguishable from traditional wooden cabinets.

But the delicacy lies in the fact that there are many patterns on the surface of the cabinet.

These patterns are not simple gongfu ÷ cabinet depiction.

Instead, it is carved out of glass shells one by one and inlaid on the surface of the cabinet.

There are generals on horseback and children playing.