My documentary really doesn't want high ratings

There are solemn court ladies and domineering dignitaries.

The texture of colored glaze coupled with lifelike pictures makes the surface of the entire cabinet radiant.

The only fly in the ointment is that, after years, many characters have left.

All that remains is a bare groove.

But even so, Charles still couldn't put it down.

Paused for several minutes.

He stared at the top box in the picture with wide eyes.

For history students, this is something more attractive than money.

......

The inlay process is to combine jewelry and jade materials with wood, lacquer and metal objects.

Decorative process attached to the surface of utensils.

What kind of materials, patterns and colors are used for the missing parts to achieve the effect of repairing the old.

This is the biggest difficulty encountered by the group of young people in the mosaic group.

As Qu Feng's junior sister at the Capital Academy of Fine Arts, Kong Ju came to the Capital Museum earlier than Qu Feng.

Everyone prefers to call her Miss Kong or Kong Kong.

"If the engraving is this wide, it must be too much."

Kong Ju fingered a thumb-sized gap on the surface of the cabinet, as if thinking about something.

Like the lacquerware group, the master craftsmen of the mosaic group have retired.

It is thanks to this group of young people that they continue and develop the Baibao mosaic restoration technology of the Capital Museum.

Restoration of cultural relics is a delicate job.

Persistence and care are required.

Each group has its own challenges.

To say that the only distinctive group room in the entire Capital Museum is the Textile Restoration Department.

Charles was taken aback.

纺织品....修复？

Textiles are made of silk thread, which is basically useless if it is broken or damaged.

How to fix this kind of thing?

Charles was puzzled.

With great curiosity, Charles continued to read.

......

The Textile Restoration Department was established relatively late.

The staff are all women.

"No makeup, no perfume, no nails, no foundation."

"You can't turn on the air conditioner in this weather."

Several women laughed and said to the camera.

They were talking about the problems women face in restoration work.

While inheriting the traditional restoration techniques, the Capital Museum.

Also began to use the application of modern science and technology.

The process of textile restoration requires the analysis of modern instruments.

It was Chen Yang who was making complaints about not being able to turn on the air conditioner.

After graduating from the Capital Academy of Traditional Chinese Opera with a major in opera costumes, he entered the Capital Museum to work.

"Look, the water is going to go down at an angle."

Chen Yang directed the new staff while working.

What she is operating at the moment is.

Clean the spikes of palace lanterns.

Careful techniques, and a water-soaked brush repeatedly and gently brush the surface of the light spikes.

Let the accumulated dust and dirt flow down with the water flow.

"This is the palace lantern on the Changchun Palace, and it will be exhibited at the 90th anniversary celebration."

Chen Yang said to the camera.

Perhaps visitors to the Capital Museum have never thought of it.

The light spikes hanging above their heads are also repaired and cleaned repeatedly in this way.

Charles took a deep breath.

The restoration of cultural relics is often touched on the subtleties.

While cooperating with this group of cultural relic restoration workers.

At the same time, he was also muttering in his heart.

Why have I never seen such a good documentary.

I have only seen documentaries introducing cultural relics.

Think about the type of cultural relic restoration.

It's the rarest of the rare.

Shaking his head, Charles continued to read.

The screen turned and came to the room of "Bang Bang Bang".

Xie Yangfan has already repaired the fingers of the wooden Buddha statue.

Now I am repairing the belt part with my master.

"This thing is called fish maw glue, and we use this kind of glue on the bonding of wood."

Xie Yangfan faced the camera.

Pointing to a small white pot that was boiling in front of him, he said.

It has a white and viscous texture that needs to be processed by flames.

This is a glue that has been used for thousands of years.

Fish maw is used as a material, which can only be obtained through special cooking.

In the lacquer room.

Arthur's repair has also reached a critical moment.

Rong Junfeng came outside with a bowl of dark things.

People who work in lacquer rooms have to endure some allergy hazards.

Also suffer from bad taste.

The bowl Rong Junfeng was holding was pig blood.

Pig's blood is a traditional material in ancient architecture and lacquerware.

Its strength is lower than that of gray tires made of lacquer.

But cheap and available in large quantities.

When making gray tires, if the paint is completely scraped, the cost will be too high.

Fish bladder glue and pig blood materials are repair materials that Charles, a Westerner, has never seen before.

Can fish maw be used as glue?

Can pig blood be used as ingredients?

There was a big question mark in Charles' mind.

Of course, when he saw that the glue made of fish maw was used to glue the wooden utensils together without a single gap.

And when the pig's blood was smeared on the musical instrument "Se", it was exactly the same as the original color.

Charles' eyes widened completely.

This ancient oriental wisdom rocked it thoroughly.

Textile restoration colleagues moved to work on a larger palace.

Their task today is to restore the "Hundred Shou Picture".

"Working here is to endure loneliness. Like us who study art in school, we learn creative thinking, but here we can't have it at all."

Chen Yang said without raising his head.

At this time, she was carefully wiping a birthday character in her hand.

At the end, he smiled at the camera.

Young people with different majors and different personalities have different reasons for entering the Capital Museum.

But all will go through a long or short adaptation process.

The Capital Museum is indeed a unique workplace.

Celebrations approaching the 90th anniversary of the Capital Museum.

The cultural relics restored between each group room have been transported to their respective exhibition halls one after another.

In recent years, the Capital Museum absorbs forty or fifty fresh graduates every year.

This number will increase in the coming years.

Five years later, as the old employees slowly retire.

One-third of the Capital Museum's staff will be replaced with fresh blood.

Including Qu Feng, Kong Ju, Rong Junfeng, and Chen Yang.

This growing team of young people will truly determine the future of the Capital Museum.

The restored cultural relics were shipped out.

Qu Feng of the wooden group had rare leisure time.

Sitting in front of the window sill, holding a small log and a small carving knife in his hand.

A small Buddha head is being carved.

Within the palace walls of Nuoda, how to relieve loneliness is also a science.

Judging from the various small wooden carvings placed on the windowsill.

Qu Feng has found his own way.

Facing the camera, Qu Feng showed a side face.

"Everyone's understanding of Buddha is different, and it also has something to do with people's temperament. You can see that some people engrave Buddha with either a wicked smile or a frown."

"It's very difficult to engrave. The Buddha statue knows it instantly. It's difficult to grasp the taste. How to engrave that pure and mysterious smile is the most difficult."

"Cultural relics are actually the same as people. We first said that jade has six virtues in the past, and jade is better than a gentleman. Jade is just a broken stone. What virtue does it have?"

"However, Chinese people can see their virtues from above, so making a chair is the same as making a person. He uses a person's character to ask for it."

"The ancient Chinese people paid attention to the investigation of things, that is, to observe things with themselves, and to see themselves with things, so these things in the ancient capital museum are all alive."

"In the process of making things, people always find ways to integrate themselves into it. People have come and gone in this world, although they all want to leave something in this world."

"Many people think that cultural relics are valuable after they are restored by cultural relic restorers. In fact, it is not a simple aspect. During the restoration process, it communicates with cultural relics."

"He has integrated himself into it. The cultural relics are dead, but the things left by the cultural relic restorers are alive and passed on."