crush the rich

"Have you read the black director's version of "Ming Fang's Redress of Injustice"?"

"You didn't see it?"

"Why don't you watch it?"

"The same script, I have already seen Director Jin's version. It is said that the two films are the same version, so there is no need to spend money to buy a remake, right?"

The person who said it felt uncomfortable immediately, but he started to talk seriously: "Don't talk nonsense. How could the black director make a reprint. Let me tell you, the content of these two films is completely different. Although they are both The same case, but the performance of the characters in the two plots, the motivation of the case, and the direction of the story are completely different."

"Really?"

"Really. Why am I lying to you? If you don't believe me, I'll show you a video."

The person who spoke immediately pulled out a video interface, which was not a re-creation of fan editing, but a purely reviewed and authorized self-cut promotional video, so the duration is not limited.

What the other party pulled out was the comparison and editing of the plot in a certain case.

But at the beginning of the scene, a coffin was shaking slightly, the night wind was cold, the bamboo forest was rustling, and the coffin that was knocked constantly in the silent night had a gloomy and terrifying aura.The cold light leaked from the cold white lanterns, and in the silent night, the sound of coffins colliding from time to time seemed particularly thrilling and heart-shattering.

Finally, the coffin lid was opened slowly but unstoppably, and fell to the ground, sending out a vibrating echo, and a woman covered in blood crawled out of the coffin with difficulty, crawling all the way, leaving behind a semi-dry road. Bloodstains, until crawling into the depths of the bamboo forest.

This scene is a scene that audiences who have only watched the assistant director's version have never seen before.But even so, only by looking at the woman's appearance and the surrounding environment, the viewer can roughly tell which case it is.

He felt unbelievable: "This is Miss Wei? Hey, this doesn't fit the human design..."

Then his friend patted him and said: "Other people set it up. These two versions are not a plot, but a kind of character design! Except that the protagonists are roughly the same character—of course, the specific performance is also very different— —The characters and plots in the other cases are almost completely different!"

Facing Heihuai Zhu's version, Gui Chengshan's version can be said to have collapsed in all directions.

Everyone's comments on Starnet are also very merciless. People who have seen both works have expressed their preference for the Heihuaizhu version. They think that the standards of the two versions are very different, and the degree of completion is not the same.

"After I watched the version directed by Jin, I thought it was pretty good-looking and of a high standard, worthy of being a famous director. But after I watched the version directed by Black, I felt completely different. Apart from shock, it was still shocking. Every time I read a case, I felt I felt emotional ups and downs, and I felt deeply.”

"Theoretically speaking, Director Jin's version is more realistic and depressing, while Director Hei's version is more commercialized and faster. The former is more like a literary film, while the latter is more like a commercial film... But in fact, you If you’ve seen both versions, you’ll know that the black director’s version is far more touching, and after watching it, you may not be able to get back to your senses for a few days, and you can’t help but think about the plot repeatedly.”

"I think Director Jin's version is a good commercial literary film, while Director Hei's version is a work of art that truly touches people's hearts!"

On the Starnet, you can hear praises for Hei Huai Zhu's version everywhere.

Gui Chengshan has never really watched Hei Huai Zhu's works since they came out.He didn't think it was necessary, and he didn't have any intention of escaping from reality.

But the reality obviously cannot be avoided by him.

As the word-of-mouth of Hei Huai Zhu's version is rising step by step, it seems that praises from all kinds of people can be heard everywhere.Gui Chengshan has not seen such an influential work for a long time.This sounds unbelievable. After all, on Earth, many popular works will have an amplification effect.

But in Xia Kingdom, phenomenal works are indeed rare.

Because there are many works that appear every year, the competitiveness is strong, and various lists and publicity channels are strictly managed, neither fakes nor fakes are allowed, and the cost of publicity is high. As a result, if you try to forcefully promote works, the increased income cannot offset the increase. publicity costs.

Therefore, Xia Guo's entertainment industry really advocates limited publicity and creative publicity.Limited publicity and distribution means that when the quality of the work itself is excellent, it cooperates with word-of-mouth to carry out corresponding intensity of publicity and distribution, and uses the mutual augmentation of word-of-mouth and publicity to maximize benefits.The creative publicity is to arouse the curiosity of the audience through creative publicity methods, and then increase the word-of-mouth popularity and word-of-mouth score of the work, so as to trigger a group effect.

In other words, no matter what kind of publicity method is used, the final focus should be on word of mouth.

With word of mouth, there will be an influential and authoritative list, and there will be the trust of the audience.

And out of respect for different preferences and groups, Xia Guo's movie library score can be subdivided.For example, what is the rating of this film in different age groups, what is the rating among different professional practitioners and different professional groups, among audiences with different economic conditions, different education and growth environments, and different living areas? What are the ratings.

Through this subdivision, the audience can choose works that suit their preferences according to their own situation.Because these data are all sorted and monitored by the AI ​​system, it does not actually show which data comes from which individual relationship, so while ensuring accuracy, it also prevents some individuals from profiting through various private data.

Yin Lian had discovered before that Xia Guo's electronic data management is very strict, and there is no such profession as a hacker, because the data defense line here is stronger, and there is an absolute barrier of mental power.From a legal point of view, acts like hacking are also classified as criminal cases - because such an intrusion will inevitably lead to a mental firefight, and the confrontation of mental power will largely directly lead to life-threatening behavior.

In other words, hacking is basically equivalent to intentional injury or even intentional killing. It is not too much to allow self-defense and self-defense to cause death-because the harm involved cannot be estimated and measured.

Therefore, a lot of data on the star network cannot be falsified or forged, unless an independent server is established to perform a deceptive "link", but it is almost impossible to disguise this link as credible data-because the official system is in data management and verification. , There are also very strict rules and relatively advanced technologies. Ordinary people don't need to master these technologies. As long as they update their personal systems regularly, they can use these technologies naturally.

Of course, that's not to say that there really isn't room for hacking at all.If it is aimed at some remote autonomous satellites that do not share the corresponding technology, the possibility of successful sniping is relatively high.But such attacks are often unprofitable and therefore rarely necessary.

As for the public star network authoritative data, there is no possibility of falsification. Although this kind of data protection is definitely not specially established for the entertainment industry, there is no doubt that all industries will benefit from it.

Under such circumstances, Xia Guo's culture and entertainment has always been in a state of flourishing, and no matter how outstanding the works are, it is difficult to stand alone. The same is true for "Ming Fang Washing Injustice", which is far from being popular at this time. In fact, based on the ratio of the amount of information received by the two worlds, if the so-called phenomenon-level works on the earth have relevant information wherever the audience goes Stuff it in your ears, then Xia Guo’s so-called phenomenon-level works, that is, the frequented film and television information websites have a list and high ratings, and two or three people in your circle of friends have watched this film and All gave a good degree.

It doesn't sound so phenomenal, but for Xia Guo, this sense of existence is already very high.

Recently, Gui Chengshan has often received good reviews in related information circles. Although not every article compares their versions, most of them do.

And in the articles that do this, almost all the evaluations of Heihuai Zhu's version are higher than his version.

This made Gui Chengshan feel unbelievable, he just felt that he was about to choke to death with his breath held in his heart.

He is actually quite satisfied with his work this time.The original work has a good plot and a good rhythm, and he dug deeper into the theme, consciously sublimating on the basis of the original work.To put it bluntly, each of the seven or eight works he filmed this year can catch up with "Ming Fang Washing Injustice".

Among these reasons is that the adapted original work itself is not congenitally ingenious and has insufficient levels. In addition, Gui Chengshan himself has not had much inspiration, and he has not published an original script for a while. Even the last time he created an original work, the word-of-mouth of the work was not as good as the adaptation—— —Of course he will not admit that he has exhausted all his talents, but only admits that he is currently at a low point in his creation.

And the filming of "Ming Fang Washing Injustice" made him confirm this point even more.When he saw the finished film, he was even a little complacent, because he felt that he performed very well.

At that time, there were a lot of positive comments on the work on the star network, and by the way, some people praised the directors as worthy of being famous for many years. Gui Chengshan’s previous films had relatively mediocre reputation, and even a few works were often scolded. It has been a long time since I have received such criticism. He praised it, and suddenly felt a sense of elation.

However, who would have thought that this word of mouth would be reversed so quickly.

When the wind turned, Gui Chengshan was still in a daze.

He saw film reviews one after another, and every word in them seemed to have thorns, pricking his heart all the time, and said: "Hei Huaizhu's previous works are very touching, this "Ming Fang "Winning Injustice" is more like a good work met with a good director, which is called an aura. In contrast, the versions of the three directors are a bit too ingenious. Maturity is maturity, and the routines are also powerful."

"As far as the chapter "The Elopement Girl" is concerned, the level of the two versions can be said to be heaven and earth. It is also revenge after being cheated. The black director version of Ms. Wei has a smart and strong personality. The average IQ of the characters in the entire chapter is two years higher than that of the other version. Ten points, right? In the black director's version, what I saw was a bloody revenge after a murder...In the assistant directors' version, what I saw was a sticky relationship between a group of murderers and victims You love me you don't love my dog ​​blood soap opera."

"But to be honest, Wei Mingyi is really miserable..."

"Although Wei Mingyi in the original work is also very miserable, if I were Wei Mingyi, I would not want to live in the world of Gui Chengshan. Director Gui probably wanted to tell a story about complicated human nature, and pitiful people must have something to hate, but, again Not all victims must be guilty... To be honest, Wei Mingyi is not guilty of what she did. Even in Gui Chengshan's version, her indecisive character is not the reason for that kind of encounter."

Gui Chengshan looked at these paragraphs of comments, stared at the purchase button of the Heihuai Zhu version of the movie for a long time, instinctively repelled watching it, and held his breath again, really wanting to see why he was so underestimated. Gritting his teeth, he still chose to buy.