crush the rich
Chapter 641 641X
In fact, as a member of the film crew, although there was an embarrassing "dual version dispute", the versions of both sides have shots of the other party. If I have to say, they are actually joint participants in the film.
In this case, Gui Chengshan actually wanted to watch Hei Huai Zhu's film source at any time, just like the other two directors, not only participated in the internal screening, but after knowing the gap between them, he resolutely succumbed, and seemed quite gracious.
But Gui Chengshan doesn't have that face, so he would rather secretly buy and contribute to the other party's box office, and he doesn't want his awkward thoughts to be caught by the other party.
Then again, even if he hides it, who really can't understand his thoughts?
But everyone is too lazy to expose it.
If stubbornness is a kind of nature, smart people will not try to change the nature of others.
In the chapter "Elopement Woman", this elopement woman refers to Wei Mingyi, the heroine of the chapter.Of course, in fact, she didn't elope with anyone at all—on the contrary, it was her fiancé who coveted her family property, and she discovered the secret plot. For this reason, she not only tried to murder her, but also took the opportunity to beat her back.
Yue Ke's story is actually more in the style of traditional novels hundreds of years ago. One of the points is that the description of the characters' psychology will not be too detailed, and the overall story is more subtle, so in the story, it is simply described. Wei Mingyi's pain and resentment towards the perpetrator when she suffered these hardships did not describe her emotional line.
But if you want to say that this is just an ordinary story where good is rewarded with good and evil is rewarded with evil, it is not entirely true.Because in the original work, there is a plot that is very thought-provoking.In the story, Wei Mingyi doesn't like her fiancé, thinks his character is not good, and wants to dissolve the engagement again and again, but her family refuses to ask her if she has a crush in private.Wei Mingyi talked about the fashion of the times, thinking that she had the right to decide who to marry.
Later, she found out that her fiancé already had a lover in private, so she tried several times.The man also didn't like Wei Mingyi in his heart, but he was greedy for her family's extreme wealth, so he privately comforted his lover, saying that he only used Wei Mingyi, and only her was his true love.
However, turning around, after murdering Wei Mingyi and accusing her of elopement, he lamented how absurd and shameless it is for a woman to pursue true love. The comparison between before and after has formed an extremely ironic effect.
This paragraph caused heated discussions when it was serialized in "Lady".Not to mention that many talented ladies were deeply touched after reading it, and even some scholars and scholars who were relatively old-fashioned in their own ideas and concepts but had an upright personality were deeply touched after reading it.Mr. Yi, who has always been disgusted with this kind of behavior, even publicly published an article similar to introspection, stating his reasons for opposing the so-called "free love" in the past, and finally said that he still does not support boudoir women in pursuing the so-called true love. , but does not support such behavior, but agrees that they should have such rights.
This is very awkward to say, but everyone can understand the article.What Mr. Yi wants to express is that the implementation of this right may not necessarily make the social atmosphere better, but no matter whether it is good or bad, women must have such rights at least in name.
In fact, in comparison, people in this era may not feel as deeply about "The Elopement Girl" as people at that time.
However, this is not a different concept from ancient to modern, but a convergent concept from ancient to modern, so although the feeling is not deep, everyone can understand it.
When Gui Chengshan was filming, the plot was still completely in accordance with the original work, but in some expanded details, he added some of his own understanding on his own initiative.
For example, the plot of the original work is relatively simple, and it does not say whether "Wei Mingyi has someone in private and does not want to fulfill the marriage contract" is her own meaning, or is it a false accusation fabricated by her fiancé.Gui Chengshan took the image of a love triangle here, thinking that Wei Mingyi did have a suitor in private, but she was actually framed and had no intention of elopement at first, and she really had a crush on her fiancé, otherwise she wouldn't be so tricked Long.
Gui Chengshan added some bloody elements in it to make the emotional entanglement between the characters more complicated. Although the element of the mystery has been weakened to a certain extent, in his opinion, it is a change that makes the plot more tense.
From ancient times to the present, novels and dramas are all about people, and they are all about human feelings and experiences.Therefore, emotional disputes and bloody stories are definitely the common hobbies of audiences of different ages.No matter how technology develops, Gui Chengshan believes that this will not change.
He didn't think that Heihuai Zhu could find a better means of expression.
But when he actually watched the film, he found that Hei Huai Zhu really used a completely different line of interpretation from his own.
Here we need to mention Yue Ke's background setting for Wei Mingyi when he wrote this story.In Yue Ke's original setting, the reason why Wei Mingyi could not refuse the marriage contract was because of the constraints of the family.
But if it is just written like this, it is certainly understandable to modern Xia people, but it is difficult to resonate.In Xia Kingdom’s current social situation, only slightly less than half of the people choose to have children, and among those who choose to have children, perhaps less than [-]% of them will raise themselves, and because of the perfect social welfare system, most people do not expect their children to take care of themselves. So raising a child is often like raising a pet.
People used to keep pets as children, but now people keep children as pets.Of course, due to the relationship between social morality, this cannot be said directly, and many people really do not feel this.
But in Yin Lian's view, in this era, people's attitudes towards raising pets, raising AI, and raising children are actually quite mixed, and there is no clear difference.
With the development of society to a certain level, it is actually difficult for ordinary people to feel the deep feelings of parents and brothers, relatives and friends who depend on each other and help those in need.Xia people are independent and shrewd, relying on good social education, their moral values are very strong, but this moral view is also very clear-cut—not to say that their concepts are utilitarian or selfish, but that these concepts are too conservative .
For example, in the domestic customs, push forward 20 or 40 years, people's neighborhood relationship is often more free and has no boundaries, and random visits are common, but in Yin Lian's generation, they are already very particular. Into the.In fact, this does not need to rise to social indifference, it is simply that everyone's education pays more attention to privacy and respect.
In the Xia Kingdom, this situation is even more serious, and it has risen to the internal relationship of the family.
Parents cannot force their children to learn certain knowledge, they can only guide them accordingly.The law stipulates the minimum educational expenditure budget for children of each age, and the corresponding education and entertainment ratio. Parents can completely refuse if the amount exceeds this amount—of course, if the family conditions are good enough, parents may not necessarily refuse.
This not only protects the rights and interests of both parties, but also makes the family relationship procedural.In addition, in many cases, robots have replaced many jobs in the family, resulting in less parent-child contact in general, and family relationships are more polite rather than intimate.
Of course, considering that the civilization of the Xia Kingdom has not been interrupted for 500 years, and all kinds of literary materials have been well preserved in these years, it is not that everyone does not know the difference between ancient and modern family relationships, but the impression will be more one-sided.It's like in Yin Lian's world, many people have the impression that men were superior to women in ancient times, so all aristocratic families in ancient times should have good fame and fortune, and regard the chastity of daughters more than killing people-in fact, this is a stereotype.
From the perspective of modern Xia people, patriarchy oppressed children more seriously 500 years ago, so novels, movies and TV generally tend to describe in this direction.Under this stereotype, if there is no description, it is impossible for many audiences to understand the complex feelings of children facing their parents, and it is easy to treat the other party as a pure villain, and then feel that Wei Mingyi, who has not made effective resistance, is cowardly.
but it is not the truth.
Heihuai Zhu and Yin Lian discussed how to integrate the background of the times with Wei Mingyi's behavior so that the audience can understand and resonate.This is not the pursuit of sublimation, but if the behavior of the characters is incomprehensible to most audiences, it will become "unreasonable", even if in fact, these behaviors are reasonable and do exist.
Finally, they perfected the logic of the whole story by adding some plots.The main additions are a few plots - one is that in the memory, when the Wei family was still humble, the family moved north for Wei's father's business. When the carriage was about to arrive in the capital, the axle of the carriage broke. The mothers took turns carrying Xiao Mingyi on their backs.When the two entered the city, their feet were bleeding, but when Wei Mingyi complained that her legs hurt, Father Wei and Mother Wei hurriedly picked her up and walked away.
Later, when they arrived in the capital, the Wei family received bad news, saying that the Wei family's aunt was seriously ill.The parents of the Wei family rushed to see them, searched their bodies and collected a large sum of money, but failed to hire the best doctor because of lack of power and power, so the aunt went there within two days.
Later, when Wei Mingyi was negotiating marriage, Mrs. Wen said that the young scholar's family background was mediocre, but the future was promising. The parents of Wei's family also mentioned this matter at one point, saying that the aunt's husband was a good man, but poor and lowly couples suffer from everything, and the poor are sick. There is no cure for it, and I refuse to respond.
The second plot is the plot of discussing relatives.The parents of the Wei family proposed to Wei Mingyi that they should not be the richest or the most expensive, but they should be rich and stable.Others advised them to adopt a child, or find Wei Mingyi a relative, but the parents of the Wei family were worried that Wei Mingyi would be wronged, so they refused.
But in addition, it is not without adding a reverse plot.For example, Wei's mother felt that it was not a problem for a man to be fickle. She was furious at Wei Mingyi's reluctance to marry, and asked her if she had a crush on some poor scholar, and said sharply that if she wanted to marry a poor scholar, she would not go home again. when she died.
Because of the good foreshadowing, when Gui Chengshan watched it, not only did he not find it too weird, but he inexplicably understood Wei Mingyi's mood.
Sure enough, the barrage and comment area are also very understanding.
【Mingyi, don't be sad, your mother is just talking angry. 】
[At this time, it's time to act coquettishly, and my mother must be soft-hearted. 】
[Mrs. Wei, shut up, your daughter will take it seriously!You don't even want her to rub her feet, and you even feel sorry for her studying at night. How could you be willing to drive her out of the house! ? 】
[Stinkbugs are hateful!Mingyi passed away, how sad my mother is, woo woo woo. 】
Everyone in the barrage is very sincere, and there are many comments in the film review area, not only this paragraph, but also other parts.For example, during the time when they went to Beijing, many people were genuinely moved and envious of the deep love of Wei's parents, and they seemed to realize for the first time that poverty was so terrible for people at that time.
Gui Chengshan watched it for a while, feeling so sore in his heart that even the actors acted more naturally and fully than his version.
In this case, Gui Chengshan actually wanted to watch Hei Huai Zhu's film source at any time, just like the other two directors, not only participated in the internal screening, but after knowing the gap between them, he resolutely succumbed, and seemed quite gracious.
But Gui Chengshan doesn't have that face, so he would rather secretly buy and contribute to the other party's box office, and he doesn't want his awkward thoughts to be caught by the other party.
Then again, even if he hides it, who really can't understand his thoughts?
But everyone is too lazy to expose it.
If stubbornness is a kind of nature, smart people will not try to change the nature of others.
In the chapter "Elopement Woman", this elopement woman refers to Wei Mingyi, the heroine of the chapter.Of course, in fact, she didn't elope with anyone at all—on the contrary, it was her fiancé who coveted her family property, and she discovered the secret plot. For this reason, she not only tried to murder her, but also took the opportunity to beat her back.
Yue Ke's story is actually more in the style of traditional novels hundreds of years ago. One of the points is that the description of the characters' psychology will not be too detailed, and the overall story is more subtle, so in the story, it is simply described. Wei Mingyi's pain and resentment towards the perpetrator when she suffered these hardships did not describe her emotional line.
But if you want to say that this is just an ordinary story where good is rewarded with good and evil is rewarded with evil, it is not entirely true.Because in the original work, there is a plot that is very thought-provoking.In the story, Wei Mingyi doesn't like her fiancé, thinks his character is not good, and wants to dissolve the engagement again and again, but her family refuses to ask her if she has a crush in private.Wei Mingyi talked about the fashion of the times, thinking that she had the right to decide who to marry.
Later, she found out that her fiancé already had a lover in private, so she tried several times.The man also didn't like Wei Mingyi in his heart, but he was greedy for her family's extreme wealth, so he privately comforted his lover, saying that he only used Wei Mingyi, and only her was his true love.
However, turning around, after murdering Wei Mingyi and accusing her of elopement, he lamented how absurd and shameless it is for a woman to pursue true love. The comparison between before and after has formed an extremely ironic effect.
This paragraph caused heated discussions when it was serialized in "Lady".Not to mention that many talented ladies were deeply touched after reading it, and even some scholars and scholars who were relatively old-fashioned in their own ideas and concepts but had an upright personality were deeply touched after reading it.Mr. Yi, who has always been disgusted with this kind of behavior, even publicly published an article similar to introspection, stating his reasons for opposing the so-called "free love" in the past, and finally said that he still does not support boudoir women in pursuing the so-called true love. , but does not support such behavior, but agrees that they should have such rights.
This is very awkward to say, but everyone can understand the article.What Mr. Yi wants to express is that the implementation of this right may not necessarily make the social atmosphere better, but no matter whether it is good or bad, women must have such rights at least in name.
In fact, in comparison, people in this era may not feel as deeply about "The Elopement Girl" as people at that time.
However, this is not a different concept from ancient to modern, but a convergent concept from ancient to modern, so although the feeling is not deep, everyone can understand it.
When Gui Chengshan was filming, the plot was still completely in accordance with the original work, but in some expanded details, he added some of his own understanding on his own initiative.
For example, the plot of the original work is relatively simple, and it does not say whether "Wei Mingyi has someone in private and does not want to fulfill the marriage contract" is her own meaning, or is it a false accusation fabricated by her fiancé.Gui Chengshan took the image of a love triangle here, thinking that Wei Mingyi did have a suitor in private, but she was actually framed and had no intention of elopement at first, and she really had a crush on her fiancé, otherwise she wouldn't be so tricked Long.
Gui Chengshan added some bloody elements in it to make the emotional entanglement between the characters more complicated. Although the element of the mystery has been weakened to a certain extent, in his opinion, it is a change that makes the plot more tense.
From ancient times to the present, novels and dramas are all about people, and they are all about human feelings and experiences.Therefore, emotional disputes and bloody stories are definitely the common hobbies of audiences of different ages.No matter how technology develops, Gui Chengshan believes that this will not change.
He didn't think that Heihuai Zhu could find a better means of expression.
But when he actually watched the film, he found that Hei Huai Zhu really used a completely different line of interpretation from his own.
Here we need to mention Yue Ke's background setting for Wei Mingyi when he wrote this story.In Yue Ke's original setting, the reason why Wei Mingyi could not refuse the marriage contract was because of the constraints of the family.
But if it is just written like this, it is certainly understandable to modern Xia people, but it is difficult to resonate.In Xia Kingdom’s current social situation, only slightly less than half of the people choose to have children, and among those who choose to have children, perhaps less than [-]% of them will raise themselves, and because of the perfect social welfare system, most people do not expect their children to take care of themselves. So raising a child is often like raising a pet.
People used to keep pets as children, but now people keep children as pets.Of course, due to the relationship between social morality, this cannot be said directly, and many people really do not feel this.
But in Yin Lian's view, in this era, people's attitudes towards raising pets, raising AI, and raising children are actually quite mixed, and there is no clear difference.
With the development of society to a certain level, it is actually difficult for ordinary people to feel the deep feelings of parents and brothers, relatives and friends who depend on each other and help those in need.Xia people are independent and shrewd, relying on good social education, their moral values are very strong, but this moral view is also very clear-cut—not to say that their concepts are utilitarian or selfish, but that these concepts are too conservative .
For example, in the domestic customs, push forward 20 or 40 years, people's neighborhood relationship is often more free and has no boundaries, and random visits are common, but in Yin Lian's generation, they are already very particular. Into the.In fact, this does not need to rise to social indifference, it is simply that everyone's education pays more attention to privacy and respect.
In the Xia Kingdom, this situation is even more serious, and it has risen to the internal relationship of the family.
Parents cannot force their children to learn certain knowledge, they can only guide them accordingly.The law stipulates the minimum educational expenditure budget for children of each age, and the corresponding education and entertainment ratio. Parents can completely refuse if the amount exceeds this amount—of course, if the family conditions are good enough, parents may not necessarily refuse.
This not only protects the rights and interests of both parties, but also makes the family relationship procedural.In addition, in many cases, robots have replaced many jobs in the family, resulting in less parent-child contact in general, and family relationships are more polite rather than intimate.
Of course, considering that the civilization of the Xia Kingdom has not been interrupted for 500 years, and all kinds of literary materials have been well preserved in these years, it is not that everyone does not know the difference between ancient and modern family relationships, but the impression will be more one-sided.It's like in Yin Lian's world, many people have the impression that men were superior to women in ancient times, so all aristocratic families in ancient times should have good fame and fortune, and regard the chastity of daughters more than killing people-in fact, this is a stereotype.
From the perspective of modern Xia people, patriarchy oppressed children more seriously 500 years ago, so novels, movies and TV generally tend to describe in this direction.Under this stereotype, if there is no description, it is impossible for many audiences to understand the complex feelings of children facing their parents, and it is easy to treat the other party as a pure villain, and then feel that Wei Mingyi, who has not made effective resistance, is cowardly.
but it is not the truth.
Heihuai Zhu and Yin Lian discussed how to integrate the background of the times with Wei Mingyi's behavior so that the audience can understand and resonate.This is not the pursuit of sublimation, but if the behavior of the characters is incomprehensible to most audiences, it will become "unreasonable", even if in fact, these behaviors are reasonable and do exist.
Finally, they perfected the logic of the whole story by adding some plots.The main additions are a few plots - one is that in the memory, when the Wei family was still humble, the family moved north for Wei's father's business. When the carriage was about to arrive in the capital, the axle of the carriage broke. The mothers took turns carrying Xiao Mingyi on their backs.When the two entered the city, their feet were bleeding, but when Wei Mingyi complained that her legs hurt, Father Wei and Mother Wei hurriedly picked her up and walked away.
Later, when they arrived in the capital, the Wei family received bad news, saying that the Wei family's aunt was seriously ill.The parents of the Wei family rushed to see them, searched their bodies and collected a large sum of money, but failed to hire the best doctor because of lack of power and power, so the aunt went there within two days.
Later, when Wei Mingyi was negotiating marriage, Mrs. Wen said that the young scholar's family background was mediocre, but the future was promising. The parents of Wei's family also mentioned this matter at one point, saying that the aunt's husband was a good man, but poor and lowly couples suffer from everything, and the poor are sick. There is no cure for it, and I refuse to respond.
The second plot is the plot of discussing relatives.The parents of the Wei family proposed to Wei Mingyi that they should not be the richest or the most expensive, but they should be rich and stable.Others advised them to adopt a child, or find Wei Mingyi a relative, but the parents of the Wei family were worried that Wei Mingyi would be wronged, so they refused.
But in addition, it is not without adding a reverse plot.For example, Wei's mother felt that it was not a problem for a man to be fickle. She was furious at Wei Mingyi's reluctance to marry, and asked her if she had a crush on some poor scholar, and said sharply that if she wanted to marry a poor scholar, she would not go home again. when she died.
Because of the good foreshadowing, when Gui Chengshan watched it, not only did he not find it too weird, but he inexplicably understood Wei Mingyi's mood.
Sure enough, the barrage and comment area are also very understanding.
【Mingyi, don't be sad, your mother is just talking angry. 】
[At this time, it's time to act coquettishly, and my mother must be soft-hearted. 】
[Mrs. Wei, shut up, your daughter will take it seriously!You don't even want her to rub her feet, and you even feel sorry for her studying at night. How could you be willing to drive her out of the house! ? 】
[Stinkbugs are hateful!Mingyi passed away, how sad my mother is, woo woo woo. 】
Everyone in the barrage is very sincere, and there are many comments in the film review area, not only this paragraph, but also other parts.For example, during the time when they went to Beijing, many people were genuinely moved and envious of the deep love of Wei's parents, and they seemed to realize for the first time that poverty was so terrible for people at that time.
Gui Chengshan watched it for a while, feeling so sore in his heart that even the actors acted more naturally and fully than his version.
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