crush the rich

In fact, Yin Lian was in charge of narrating this part.

Xia Guo's actors actually have a hard time understanding this aspect of their feelings—why did Wei's father and Wei's mother pay so much for their children?It's too unreasonable even as a parent, isn't it?It is actually not easy to explain them with emotion, so Yin Lian used the responsibility in a desperate situation as a metaphor at that time.

Combined with the environment at that time, someone really figured out a little trick.

For an era where survival is a problem, young children can easily be killed by various accidents if they do not have the care of their parents.As the only reliance, parents do bear responsibility, and it is the responsibility of the child's life.

With such a sense of responsibility, Yin Lian described in detail some details of the relationship between parents and children at that time, so that the actors can more or less figure out the feelings that can be substituted.

Some people substituted the feelings of fleeing from the snowy mountains with their lovers on their backs in a desperate situation, and some substituted the feelings of taking care of the lonely and helpless young children in the previous performances. Although the situation is quite different, the emotional performance is surprisingly comparable.

They are all skilled actors, and they don't need to have a certain experience to perform.And the explanation given by Yin Lian is very comprehensive, almost equivalent to refining the key points of a biography of a character. In this case, it will definitely be better than in Gui Chengshan's play.

One effort and one effect, regardless of factors such as material conditions and talents, in many cases whether a thing can be done well depends mainly on effort and intention.

There are also many comments about the plot in the comment area.

[Actually, Wei Mingyi may not know that her parents will not really kick her out of the house, but when the other party said this sentence angrily, even if she knew it was false in her heart, she couldn't help but laugh it off.I can understand her struggle. 】

【Ah, this ancient reality is very annoying.Sure enough, I still hate such a heavy family relationship... Before I was a little bit envious of the family relationship in the drama, I was really brain-twitched. 】

Regarding the details of the plot in this edition, some people were moved and some were entangled, but no matter which one it was, the audience generally accepted it. Compared with the same chapter by Gui Chengshan, the comment atmosphere can be said to be completely different.

You must know that for the chapter "The Elopement Girl" under Gui Chengshan, the positive and negative reviews are extremely polarized.Although Gui Chengshan often feels that his works must be controversial to be popular, but after reading a few bad reviews, he feels that harsh reviews are almost inevitable.

"Elopement Girl" was complained by the audience, ridiculed for spending too much time on emotional entanglements, Wei Mingyi's scenes were too long and the plot was too long, boring and irritating, many audiences didn't want to watch it at all, they just wanted to watch Li Mingfang solve the case.

As a result, the Heihuaizhu version of Wei Mingyi has more plots. Although the memory killing time involved is not long, the details are not lacking at all. The audience seems to have selectively forgotten the previous criticisms of Gui Chengshan's version, one by one. Seeing it with relish, the mood is high.

...that's a double standard.

Gui Chengshan unbelievably watched a unit more than a dozen times. When he saw it for the third time, he realized that Hei Huaizhu's works were indeed handled much more delicately than his. In many plots, perhaps the main characters are simply I said a sentence or two, but it really perfected the character of the character and the logic of the plot very powerfully.

Although not every audience is a playwright, modern people have read countless films, even if they can’t tell the theory of filming, they will instinctively have a subconscious evaluation of the fluency of the plot and the integrity of the story. On the bright side, maybe it's just vague feelings like "feeling comfortable" and "I like the plot".

When he saw it for the fifth time, he noticed Yin Lian's contribution in the whole story.Although in many cases, the plots of passers-by are just a few lines, but it does greatly increase the completion of the entire world view.

He didn't know that when Yin Lian was writing the script, he visited several prototype cities 500 years ago for several days, and recorded a lot of humanistic scenes at that time—what kinds of topics did different groups and classes talk about? What kind of feelings and reactions did some current events have... Then she picked out the parts that she thought were suitable, and selectively used them in the set.

But Gui Chengshan has been watching the main story repeatedly at this time, and has not turned on the free camera, so he doesn't know about this, and what he sees is only a drop in the bucket.

In panoramic films, depending on the director's degree of obsessive-compulsive disorder, the degree of perfection in hiding the plot is also different.Some crews will present all the behind-the-scenes stories on the set, while others will hide the side details to save effort, and only reveal the part of the plot that is within the audience's sight.

Yin Lian was obviously the former, while Gui Chengshan chose the latter due to limited time and effort.Heihuai Zhu's usual style usually moves flexibly between the two, but since Yin Lian provided the conditions, this time he cooperated with Yin Lian to perfect all the branches and backgrounds.

It is not difficult for Gui Chengshan to do this, but he is not willing to follow the script according to the script, and he has neither the time nor the heart to design a set script that is completely his own. Instead, he feels that Yin Lian's design has both lines and plot restrictions. Because of her lack of self-expression, she frequently clashed with her during filming.

In fact, the main plots of the two parties are the same. Although there are some differences in the details of the emotional expression, some background plots prepared by Yin Lian conflict with Gui Chengshan's expressive intentions, but it does not mean that the large number of background lines prepared by Yin Lian cannot be used. used.After all, part of it is to improve the world view, and the other part itself is involved in the same main plot line. Even if it is a small part that has conflicts, if you can take the trouble to change it, it may not be in line with Gui Chengshan's version.

It's just that Gui Chengshan had a prejudice against Yin Lian and didn't think highly of her, so he deliberately ignored these materials.

In this regard, the other two directors are actually the same.Although they were better than Gui Chengshan in terms of temperament, they also looked down on Yin Lian deep down in their hearts, so they never looked directly at the materials she contributed.

The difference is that Jin Qiwei and Wei Qi had listened to some of Yin Lian's ideas before, and they had already reflected on their arrogance when they watched it internally, while Gui Chengshan was very unwilling to watch a unit five times. Reluctant, reluctantly admitted... Yin Lian did make a little contribution to the drama.

With this mentality, it is not wrong for him to go downhill after he passed thirty.It can only be said that time will make some people grow up, but it will make others arrogant.

Fortunately, he still has the shortcoming of being stubborn most of the time. After watching the episodes over and over again, over and over again, he finally let that stubborn arrogance slowly crack.

The show is really well done.Leaving aside some very subjective issues such as conception or emotional communication, Hei Huai Zhu and Yin Lian can be said to have done a perfect job in terms of shooting intentions and narrative skills.Gui Chengshan does not admit that the other party has more experience or more skilled skills. If he must say, it is that Heihuai Zhu and Yin Lian are indeed more attentive than him in plot design.

He thought that Heihuai Zhu had already obtained the script, and Yin Lian had been preparing for this novel for many years before the film project was approved. They obviously had more time and more preparations—this is not Gui Chengshan is not as good as them, but the objective conditions are not satisfied.

If you give him more time to prepare—if you give him more time to prepare, will he really spend more time on shooting?This thought crossed Gui Chengshan's mind in an instant, knocking a question mark on the door of his heart.

In the past two years, he has shot at least [-] or [-] films a year, and he can be regarded as a model worker director in the industry. The filming time of "Ming Fang Washing Injustice" is even considered long, and it is because this IP is particularly valued.

The filming of film and television dramas in the industry, such as "Ming Fang Washing Injustice", with an average length of [-] episodes, ranges from one month to two months, but it is not that no one will spend three months to half a year preparing for a film. works.Gui Chengshan certainly does not belong to this category - he shoots a commercial drama, the shortest time is only ten days, and the longest time is no more than one month.

Note that this is not about a work like "Ming Fang Washing Injustice".Because there are actually five directors in this film even with Yin Lian, and Gui Chengshan is more often the independent director of general commercial drama films.The time is short, and the plot is often difficult to design in detail. Therefore, although this kind of film is also "panoramic", there is often no redundant plot besides the main line. The characters only move mechanically, occasionally mixed with A few key hidden plots are almost there.

Yin Lian is extremely ambitious, and what she used to study at the beginning were all kinds of classics and masterpieces.She has a lot of time to spend, and she doesn't lack materials and reference materials, so the whole set is made very delicate and heavy.

It was impossible for Gui Chengshan to imitate her.

...Of course, it's not really impossible, it's just unwilling.

A well-known director like him who is skilled and has many masterpieces, usually makes a lot of money by making casual commercial works.If the filming is good, there will definitely be a bonus of fame and popularity.However, it may take ten times or even dozens of times of energy and time to achieve a classic.

Classics are indeterminate.It may take hard work and trial and error several times to achieve a classic.But it's hard to achieve that kind of multiple.

On the contrary, I just shoot some skilled mass-produced works, but the income is easy and stable.

In this case, who is willing to bet on an uncertainty with certainty?

Gui Chengshan originally thought it was nothing, but losing to such a young creator made him feel extremely unwilling.

Such works have a great promotion effect on the author.Heihuai Zhu and Yin Lian, they really worked hard in the filming.This is the vigor and vitality of new creators. As long as they maintain this vigor, they will continue to improve, but Gui Chengshan will only be left far behind until he disappears from everyone.

He has never realized so clearly for a moment that he must either give up such comfort or such self-esteem.

In the midst of Gui Chengshan's entanglement, the word-of-mouth outside is still fermenting.

Yin Lian's current filming is far from forming her own style, and many things are still being tried.During this process, she did not form her own unique lens language, and most of the use of plot and rhythm remained in imitating classics.

Heihuai Zhu is in control of the main line of Mingfang's Record of Injustice Cleansing, but some of the completions on the set are completely tossed by Yin Lian himself, and Heihuaizhu just helped to optimize it in the later stage.Mingfang itself is a suspenseful story of a unit nature, but the case follows Li Mingfang's perspective completely.However, because it is a reasoning story with perfect logic, the plot that has not been shown before people also has a fairly complete and coherent hidden plot.

With the assistance of Yue Ke, Yin Lian had already completed the story line of each case, and even added some original stories that were not even hinted at, but Yue Ke once designed it in the previous creation process, but It was deleted for various reasons.

Take the chapter "The Elopement Girl" as an example.

Between Wei Mingyi's murder, false accusation of elopement, and her return for revenge, there was actually a period of time and a gap in character.Yue Ke actually thought about what kind of encounters would make her character change drastically, and made the subsequent designs.Yue Ke thought about the evolution of a girl's character with the thinking of an author, and felt that just being almost killed was not enough to complete this transformation, so she once conceived a complete hidden plot line in her mind.

Wei Mingyi has actually experienced more than one murder.

An innocent and innocent girl who has gone through an ordeal, under normal circumstances, she would not immediately turn black.In other words, suffering is only one of the reasons for a beautiful girl to transform from naive and simple to sophisticated, and other experiences are also necessary.

At least three-quarters of the plot of "Ming Fang Washing Injustice" takes place in Liucheng.Whether Liucheng is big or small, it is nothing compared to modern cities.Although the drama only has [-] episodes, because of the panoramic coverage, there is no problem how much Yin Lian wants to expand the plot.

She and Yue Ke just expanded the case plot of each unit at the beginning, making it more detailed and logical.Later, when Yin Lian was actually installing the background script, she found that if the multiple cases that happened in such a small town continued to extend the background, in fact, the background stories between different units had a good opportunity to be connected... So she wrote the whole background story. The plot details of the time rhythm have been adjusted in an all-round way, and the units that are close to the theme are connected with a line, and a net is formed between the lines.

For the sake of nature, she didn't blindly put all the plots together, but just let them come into the audience's field of vision in different ways.For example, in Wei Mingyi's line, Yin Lian tries to connect her main line with other stories of the same core, but it doesn't necessarily have a direct connection.

For example, in the small branch of the sixth case, there was a plot where the owner of a shop was killed, but the police couldn’t find the murderer no matter how much they investigated, but Li Mingfang found out that everyone in the family was committing crimes. perjury.The shop owner has a wife and a concubine in his family. The concubine is actually a girl from a good family who was deliberately designed by the shop owner and forced to marry back.

And in Wei Mingyi's plot line, when Wei Mingyi was near the path, I once heard people's comments about this "aunt". With beginning and end.

In addition, of course, there are various other related events, such as whose girl likes to participate in men's poetry parties, so shameless; It can be regarded as a foreshadowing of the subsequent plot.

Of course, in terms of the plot, what Wei Mingyi heard was not all.Yin Lian uses a relatively rare shooting method here, that is, conditional volume setting, which is also called subjective scene design in panoramic design. , highlight objects or add soft light or even special props, while in the field of dubbing, it emphasizes the emotions of characters by blurring, reducing other voices, raising, sharpening specific lines, and even adding echoes and BGM.

As far as the picture is concerned, the editing techniques of adding soft light, petals, and light effects to the encounter or confession scene of the hero and heroine on Earth are actually subjective scene sharpening, but this method is not common in Xiaguo. Because the whole body is affected by the panoramic film, this method is often abrupt, and it takes more time and energy to integrate and adjust. Second, with technological innovation, Xia Guo has more and more complicated ways of expressing light and shadow. The appeal is also much more natural, and some relatively simple and crude methods will naturally be gradually eliminated.

Subjective pictures are relatively common in old films, but subjective dubbing is not common, that is, only in the past few years have experimental films started to use this kind of technology.In fact, most films are not suitable, because generally speaking, people are not as sensitive to sound as the picture, and it is better to strengthen the performance of light effects than to make a big fuss about sound effects.

But Yin Lian used this technique just right.

Ordinary films do not design such an intricate world view, so there is no need to emphasize a certain aspect of things, but Yin Lian did it.In this story, the story of the concubine in Wei Mingyi's story reflects the traditional harshness towards women, while the person who was designed to be killed by Wei Mingyi in the story of the concubine is the fate of evil and evil.

In this city, what everyone does affects many others.

Gui Chengshan watched the drama relatively late, and he didn't pay attention to the branch line, so he didn't find the key to it.However, during the viewing process, many viewers involuntarily turned on the free camera to track because there were supporting characters they liked or hated, and they found that there seemed to be some hidden lines in the main line.

As a result, such a follow-up shocked my whole family.

If Li Fangming's main line is a cool novel, then all the branch lines reflect life after life, intertwined together, giving people a sense of fate.

There are also discussions on the Internet about this aspect.

At the beginning, there were people who yelled there, saying that in which part of the background they found the foreshadowing again, and in which part of the plot they found the fateful intersection of two stories.

But as more and more "foreshadowings" and "intersections" surfaced, the audience began to become more and more calm, each time they just added their own discoveries to the original list, and some people summarized everyone's discoveries Tables and mind maps were listed, but the mind maps were densely packed with more than tens of thousands of words, which aroused many people's amazement.

As time passed, everyone stopped making a fuss, and what followed was more and more shocking.

In fact, Yin Lian did not have such ambitions when creating the script and designing the scenes.Her arrangement of the scenes is a kind of follow the trend - in the beginning, in order to improve the logic of the plot, Yin Lian and Yue Ke wrote the independent chapters of each case together, including the content with and without hints in the original work, and then designed the set Yin Lian discovered that some of the details could be completely connected with each other, so she summed up the plots, and then rearranged and adjusted them.

The audience always thinks that creation is a very emotional work, but in fact, in many cases, creation is a rational work with an emotional state of mind.In creation, logic is bone, experience is skin, emotion is flesh and blood.

Flesh and flesh must be attached to bones, so if the logic fails, the story will appear deformed and make people feel uncomfortable.

On the contrary, if the logic is exquisite, then the flesh and blood attached to it will also appear lifelike, just like this time.

As the discussion about the plot increased, "Ming Fang's Wisdom of Injustice" began to slowly occupy multiple lists.Because the drama has not been filmed for long enough at this time, the only short-term lists that can be touched for the time being are actually relatively limited in influence.

Due to Xia Guo's special entertainment atmosphere and its own profound cultural accumulation, audiences and readers often don't catch up with fashion, but believe that Lu Yao knows horsepower and sees true chapters over time, so many times they prefer works that have been refined by time .

This includes not only the long-term development of Xia Guo's cultural industry, which has entered a stable period of accumulation, but also the improvement of Xia Guo's copyright system, the accumulation of various copyright databases, and the almost impossible reason for the audience to experience a film shortage.

However, with the growth of positive reviews, the sales of the film are indeed growing steadily. Although it is not so high in one day, it is indeed growing steadily every day. Occasionally, there will be one or two small peaks with the natural spread of word of mouth, but overall It's very stable.

According to Hei Huaizhu's judgment, if this trend continues for more than a year, this work will have a chance to enter the silver lists of major film and television museums.

The silver list is the so-called annual list, followed by the gold list with a lifetime as the time limit.

Yin Lian felt that she couldn't afford to wait when she heard the time limit, and thought she should be spared and let the play fly freely.

But no matter what, after "Ming Fang Washing Injustice Record" became popular, the income is also very considerable.Yin Lian received her first copyright share a month later, the amount was astonishingly large, enough for her to buy a few more star brains.Such a high return was something that Yin Lian had never expected, and she showed obvious surprise.

On the contrary, Heihuai Zhu didn't quite understand her surprise. After thinking for a while, he said, "It's not particularly high, it's almost even covering one-thousandth of the total population..."

Yin Lian wanted to say that this was an exaggeration, but after glancing at the list, she choked.

Xia Guo currently has several expanded subsidiary satellite residences, with a population more than ten times larger than that of the original world. This is the first. There are no pirated copies in Xia Guo, and the consumption price of cultural and entertainment products is low. People also have a strong sense of buying genuine ones. This is the first. two points.From these two points of view, this income is indeed not very exaggerated, and even among thousands of classic works, "Ming Fang Washing Injustice" is not even ranked.

Of course only for now.

Heihuai Zhu is very confident in private, and told Yin Lian that the filming of this work is better than he expected, and it is very likely to enter the hall of honor, but it may take time to test.

But that's for the future.For Yin Lian, the money that has been obtained so far is the most practical.She thought for a moment, considering where the money could be spent.Speaking of Xia Guo's technology, Yin Lian actually has a lot of things that are exciting, but when she has money in her hands, after careful consideration, she spends a lot of things that were originally on the list of excitement. 33 Novel Network

It's not that I don't want it, it's that the timing is not right.

Instruments need long-term use and maintenance.For Yin Lian, the most cost-effective purchase plan is to buy an instrument that he can use and can reverse analyze his technology step by step.But Yin Changsheng and the others are still in the learning stage. Many technologies are too professional, even if they buy them, they can't study them.

In the end, Yin Lian just took out a small part of the proceeds and bought some things that were not expensive in themselves.

These include 20 mental training devices, a large amount of data storage equipment and basic education teaching materials.Yin Lian only briefly scanned it, and felt that at least half of the contents can be directly used on the earth, and the remaining half can be gradually applied in the next ten, twenty, or even fifty years.

There is too much content, she can't read all of them in detail, she can only check them roughly.

At about this time, the AI ​​robot sent her a long-awaited message.

The house she placed on the satellite, because someone used some unsafe means during the illegal intrusion, accidentally triggered a chain reaction, causing the underground natural gas to be detonated, and the entire manor and the property inside were burned.