hehe! [Transmigration Book]

The first part of "The Peony Pavilion" is "Teaching the Girl". The music at the beginning is cheerful and lively, but it is different from the joyous joy in the Yue opera to the end. The joy of this Kunqu opera always has a little softness.Drums and boards are used to control the singing rhythm, and qudi and sanxian are the main accompaniment instruments, so the opening music has a strong rhythm.The laughter of the old man who came out was also very rhythmic with the accompaniment...

Mo Yusheng blinked, City X and City S are not far away.There are also some differences in the dialects of the two places, but not too great. At least Mo Yusheng can understand most of them, and he can guess the ones he can't hear.

As soon as Du Liniang came out, there was applause.In the predicament, there are two sentences about Danjiao: "Yixi Feihu" and "One Door and Nine Niangs". Dan is the highlight of this family.Among them, Du Liniang is one of the "mothers".

Du Liniang was wearing a pink beige embroidered with butterfly love flowers, and underneath was a white pleated skirt.Du Liniang flung out her two long sleeves, and sang: "Jiao Ying wants to talk, and sees the promise of spring. With a heart of grass, how can I repay the spring?" The voice is absolutely mellow and tender.

As soon as Du Liniang spoke, Mo Yusheng recognized Wei Man's voice.

At this time, Lu Yuan introduced in a low voice: "Everyone, Wei, hasn't been on stage for a long time, and you really have a lot of face." Lu Yuan also knew that Mo Yusheng and Tao Tian were two laymen, so he continued to give Mo Yusheng and Lu Popularize Kunqu opera far and wide.

The author of "The Peony Pavilion" is Tang Xianzu. Among Tang Xianzu's achievements in many aspects, the creation of operas is the most important.His drama works include "Four Dreams of Linchuan". is his masterpiece.This "Resurrection" is "The Peony Pavilion". There is also an anecdote that this "Resurrection" is what Tang Weng heard in a dream after he was drunk.Because the story in the dream was unheard of and the legends of the characters in the dream were vivid, Tang Weng slept until noon the next day.After waking up, Tang Weng thought deeply about his dream, and immediately wrote down the plot of the dream.And six years later, when Tang Weng resigned from office and returned, he dug out the papers and polished them, and published Linchuan's first dream "The Resurrection of the Peony Pavilion".

The most classic part of "The Peony Pavilion" is the tenth chapter - "A Dream in the Garden", in which the phrase "whatever the day is beautiful and beautiful, whose courtyard is pleasing to the eye?" was even used by Cao Xueqin in Dream of Red Mansions, which led to some twists and turns.

The entire play of "The Peony Pavilion" lasted just over two hours, and Mo Yusheng couldn't take his eyes off it.When the last show--Yuanjia came to an end, Mo Yusheng was satisfied and pulled Tao Tian into the backstage behind Lu Yuan. There were people coming and going in the backstage, busy but not chaos.Looking at those people, Mo Yusheng aimed his eyes at Wei Man, but because of the work at hand, he could only return them with respectful and admiring eyes, otherwise they should have surrounded him directly.

Mo Yusheng and Tao Tian are fine people, so they can naturally surround them.

Wei Man was taking off her makeup, removing the complicated headgear and heavy wig.Mo Yusheng looked at the copper thread on Wei Man's forehead, imitating the forehead makeup, Wei Man removed one, and Mo Yusheng picked it up curiously after obtaining approval.Looking back and forth, Mo Yusheng finally put a forehead on his forehead.After a while, I felt stuffy, so I took it off again.

Here, with the help of a little girl, Wei Man has already removed the ink and heavy makeup on his face, revealing his original plain and gentle face.

Wei Man came over, carefully applied a layer of lubricating oil to Mo Yusheng's face, and then adjusted the copper wire bit by bit, and placed it on Mo Yusheng's forehead.

Mo Yusheng widened his eyes, looked at the person in the mirror, and said to Wei Man, "Aunt Wei, this is so strange."

Wei Man said: "It's just that you don't like it. You must know that in ancient times, both men and women were played by men. Men's faces are sharp and angular, without the softness of women, so there is forehead makeup. A circle of forehead stickers plus The two big black sideburns shrink the man's face into an oval shape, so that he looks more feminine."

After finishing speaking, Wei Man looked carefully at Mo Yusheng's face again, and said, "Xiao Jiu, in fact, you haven't opened your eyes yet, and your lines are not as sharp as Xiao Tian's. In this way, your dramatic appearance must be good , don’t you want to give it a try?”

Mo Yusheng covered his cheeks and looked at himself in the mirror.Because the forehead sticker covered nearly one-third of the forehead, the forehead sticker looked like a bang.Originally, Mo Yusheng was very dissatisfied with his appearance in this life. Although his appearance in this life is similar to his previous life, but I don't know if it is due to the effect of hormones. His life in this life is like having a PS, with soft lines...

As a child, he could console himself with the idea that children are gender-neutral.Now he is 12 years old!She has started to develop, and she still has such a sissy face...

Mo Yusheng looked at himself in the mirror, and his desire to have plastic surgery became stronger.He hasn't looked in the mirror for a long time... and his appearance has not developed in the heroic direction as he thought, but has become more refined...

However, Wei Man is Grandpa's friend after all.Although Wei Man's face doesn't look like that, Mo Yusheng still respects the elderly at that age.Finally, Mo Yusheng said: "Aunt Wei, I don't know anything now, and it's useless to change it. Can you let me study with you for two months?"

Seeing that Wei Man didn't speak, Mo Yusheng thought that some people had weird tempers.It should be said that most of you don't accept apprentices easily, for fear of smashing your own brand and losing your security at the end of the year.Mo Yusheng said hastily: "Aunt Wei, I didn't mean to ask you to accept me as an apprentice, but I just hoped that you would allow me to study with the theater troupe. How about trying again after two months?" back?That will be two months later, and I may not remember it by then!

Wei Man nodded, her proposal was just a whim.Even if Mo Yusheng is Mo Xiangde's grandson, as long as the other party is not so good that her heart itch, she will not accept him.As early as five years ago, after she accepted a closed disciple, she never appeared on stage again.Now, for the sake of Mo Xiangde's face, she made an exception once, which is already the maximum limit of what she has done.

Wei Man nodded and agreed.Then he called a woman wearing a bunt and narrow sleeves, and said to the woman, "Xiao Liu, take care of these two children for two months."

The woman surnamed Liu said, "Okay, Master."

The woman turned around and said to Mo Yusheng and Tao Tian, ​​"Hi, I'm Liu Yiqiao."

Mo Yusheng exclaimed, and said: "I know you, Auntie, you appeared in this year's domestic and foreign art exchange meeting!" Mo Yusheng saw her on the live TV. The sleeve-to-breast skirt was the most conspicuous person on that occasion, because no one could wear it more charmingly than her.

Liu Yiqiao smiled, and Mo Yusheng couldn't help but feel that she and Wei Man are indeed masters and apprentices, and this kind of gentle and gentle temperament in the south of the Yangtze River is really in the same line.Liu Yiqiao said: "It turns out that Xiao Jiu is also there!"

Mo Yusheng rubbed his head and said, "I'm watching live TV, Sister Liu, I will trouble you in the next two months!" I don't know if even maintenance can be taught, anyway, Liu Yiqiao is a woman in her thirties , also in his early twenties.That skin is even better than that of a high school girl who stays up all night!

Liu Yiqiao smiled and said, "I can't say it's troublesome. We will get along well in the next two months, Mr. Mo." As he spoke, he gave Mo Yusheng a blessing.Mo Yusheng hid for a while, then pulled Tao Tian and followed Liu Yiqiao out.

Tao Tian had no choice but to say, "Shengsheng, you just learn it, and I'll just watch you." Because his musical talent was completely denied by Grandpa Mo, Tao Tian really didn't think he could learn the high-level Kunqu Opera.Of course, a person as smart as Shengsheng naturally said otherwise.

Mo Yusheng glanced at Tao Tian and said, "Maybe you are very talented in singing?"

Tao Tian was even more helpless, but because of the look Mo Yusheng gave him just now, Tao Tian just waited.Just thinking about waiting for a while, Liu Yiqiao personally cut off Mo Yusheng's thoughts, so as not to drag him around.

Afterwards, Mo Yusheng and Tao Tian had a whole day of theoretical classes.

Although Kunqu Opera is a southern opera, it is divided into southern Kunqu and northern Kunqu.Kunqu Opera belongs to the style of Qupai, such as Bubujiao, Dielianhua, Zaoluopao, etc., with strict rhythms, so the requirements for singing and lyrics are relatively strict and cannot be changed at will.The biggest difference between Nankun and Beikun is their scales!Nankun is a five-tone scale, with only Gong, Shang, Jiao, Zheng, and Yu five-tone. The seven tones of Zheng, Yu, and Biangong have many characters and few accents, so most of them appear vigorous and clear.Because of this essential difference, it is impossible to sing the meaning of Beikun with a southern accent.

Of course, there are other differences between Nankun and Beikun, but Liu Yiqiao didn't go any further.Because, like Wei Man, she felt that most of Mo Yusheng and Tao Tian's studies were just for fun.As long as you know the biggest difference, you don’t need to pay special attention to the rest, just like British English and American English have the same meaning.

After explaining the general history, Liu Yiqiao took Mo Yusheng and Tao Tian off the stage and asked Mo Yusheng and Tao Tian to listen to their singing carefully.Liu Yiqiao said: "If you want to be able to sing, you must be able to listen!"

Afterwards, Liu Yiqiao followed suit.She is Wei Man's big apprentice and the chief person in charge of the theater troupe. It is already remarkable that she can spare half a day to spread the word to two rookies, Xiaobai.Of course, before leaving, she still asked Lu Yuan to be the nanny for Mo Yusheng and Tao Tian...

Mo Yusheng's ears moved, and he asked Lu Yuan, "The one who played the lady, what kind of voice does she use?" Mo Yusheng had heard that person's original voice, which was different from what she sang now.Her voice was much thinner, and she sounded like she was singing with her throat squeezed, but it was undeniable that the words she sang were all mellow and delicate.Although it is not as heaven-defying as Wei Man, who looks like a fifteen or sixteen-year-old boudoir lady, it is not bad.