hehe! [Transmigration Book]

Lu Yuan looked at it and said, "She uses a small voice, and a small voice is also called a false voice. Danjiao and Xiaosheng both use small voices, and Dandan's small voice is much softer than Xiaosheng's. She sings now. The first is The West Chamber, and she plays the role of Guimen Dan, who always uses a small voice, no matter where she sings. But there is no shortcut for this small voice, it is all practiced little by little."

Mo Yusheng nodded. The first episode of "The Story of the West Chamber" is amazing, and it is about Zhang Junrui's first meeting with Cui Yingying, and it was love at first sight.

Cui Yingying: "Beating Yingying and shooting swallows is so stubborn, cooking cranes and burning pianos is disgusting. Poor, pitiful, the worst thing is to spoil the scenery..."

And the one playing Zhang Junrui is Xiaosheng, who sang: "I have seen thousands of beautiful women, but I have never seen such a dignified and quiet woman. Her Bodhisattva face..."

A boudoir dancer and a fan student both really used a small voice to sing.The female is soft and delicate, while the male is slightly heroic without being rough and murderous.

Then, when Mr. Xiangguo came out, he had a thick and deep voice.Lu Yuan added: "This is Laosheng, also known as Xusheng, Zhengsheng, or Huzisheng. They mainly play male roles above middle age, and they use their own voices, which are called real voices."

Mo Yusheng summed it up, using a small voice for high pitches, and a big voice for low and alto notes.But... Mo Yusheng moved his ears, but continued to listen.This old man's skills are good, and he sings the bass so subtly that he thought it was a small voice at first.

Tao Tian wanted to give up several times, but seeing Mo Yusheng's serious expression, he took back what he had said.Tao Tian and Mo Yusheng listened to Kunqu opera all afternoon. When Mo Yusheng went back, he was still full of interest, while Tao Tian was already dizzy.No matter how beautiful Kunqu opera is, he can't hold it after listening to it all day!

After returning home, after having a light dinner, Mo Yusheng asked Wei Man, "Teacher Wei, how do I open my voice?"

Wei Man said: "You shout 'eh' a lot, morning and evening, from a small voice to gradually enlarge your throat, from a short voice to a long voice. Finally, shout out the scale. And you should also pay attention to practice on weekdays. Qi, you are Xiangde's grandson, Xiangde should have taught you how to practice Qi?"

The method of practicing qi?Mo Yusheng thought about it carefully, getting up every morning, being dragged by Grandpa Mo to practice Tai Chi together, does breathing practice count?

The truth counts!

Therefore, Mo Yusheng's anger was quite sufficient.And Tao Tian, ​​Tao Tian is not like Mo Yusheng who stays in the piano room all day long.Tao Tian, ​​who has been exercising a lot, has enough energy.

then……

Tao Tian couldn't rest after his ears were tortured for a whole day, and Mo Yusheng pulled him and shouted "Hey".Tao Tian rubbed his forehead, well, now that Sheng Sheng is in high spirits, he still doesn't want to interrupt him.

When Mo Yusheng practiced for over an hour and his throat started to become hoarse, Tao Tian decisively stopped Mo Yusheng's hoarseness.He stuffed Mo Yusheng directly into the bathroom, and when Mo Yusheng came out, he stuffed Mo Yusheng under the bed again, preventing Mo Yusheng from speaking.

Tao Tian thought that Mo Yusheng's interest would last a long time if he maintained it for a week, but he didn't expect that Mo Yusheng was still full of interest after a month passed.Tao Tian looked at Mo Yusheng with some pain. After listening to the opera for a month, Mo Yusheng became interested in the accompaniment of Kunqu opera again...

Mo Yusheng discovered that several of the accompaniment team for Kunqu Opera played Sudi, which is also called Qudi, and is mainly used for the accompaniment of Kunqu Opera.It is different from the thin and short Bangdi. The Sudi is relatively thick and long, but its sound is mellow and round, and most importantly, it also pays attention to the length of luck.

This has a complementary effect with Mo Yusheng's practice of hanging his voice for nearly a month!

So, Mo Yusheng went to ask the master who played the Su flute for advice.

Everyone in the troupe also knew that Mo Yusheng and Tao Tian were brought here by Wei, saying that they were the grandsons of old friends.Could it be some simple person who can be old friends with everyone Wei?cannot!Therefore, for these two people, the troupe was respectful from the beginning, for fear that they would make some mistakes.

A month passed, and they all saw that the younger one of the two children was really obsessed with music, whether it was vocal music or instrumental music.Most of the people who stay in the troupe are people who have been engaged in the Kunqu opera industry all their lives. Such professional workers cannot work without a passion.There is a connection between Le Chi and Le Chi, which can be comprehended with just one look and one movement.

Especially Mo Yusheng has a unique face, and most of the people working in the troupe are in their 40s and [-]s.Among ordinary people at this age, children have long been able to make soy sauce.But there are few married people in this troupe. Because of the occasional performances, it is difficult for them to let go of their love for Kunqu Opera and the troupe and have children.Many have even decided not to have children, and they know that their husbands and in-laws will find it difficult to accept such a decision.For this reason, many people also plan not to get married.And Wei Man is now alone, even though she is not married and has no children.

Mo Yusheng is not the kind of person who can't let go of his airs. In just one month, there are quite a few people in the troupe who like him.For example, the old flute player passed on his flute playing skills to Mo Yusheng, and he didn't ask Mo Yusheng to call him his master.

This relaxed and pleasant atmosphere made Mo Yusheng feel quite comfortable.Now that Mo Yusheng is comfortable, he has more time to study Kunqu accompaniment and singing, and Liu Yiqiao's evaluation of Mo Yusheng is getting higher and higher.In addition, Tao Tian's skills, which were semi-forced by Mo Yusheng, also improved a lot.

One day, Mo Yusheng and Tao Tian just came back from Master Pan, the master who played the flute.As soon as I came back, I saw Wei Man unpacking the package. The express delivery in this era has become so powerful that you can order it the day before, and it will be delivered to your door the next day.

After Mo Yusheng said hello, he was about to go around when Wei Man stopped him.Wei Man happily lifted the top robe, touched the fabric, looked at the workmanship, and said, "This old shop really lives up to its reputation, and the workmanship is really exquisite."

Mo Yusheng still didn't know what was going on, so he heard Wei Man say, "Xiao Jiu, I made this specially for you, why don't you try it?"

Mo Yusheng was surprised and asked, "What do you order?"

Wei Man took it for granted, "Of course it's the costumes! But Xiao Liu said that you have made great progress recently, and there will be no problem with appearing on stage in a month."

Mo Yusheng's eyes widened. What does this mean?

Wei Man said, "Didn't you say a month ago that you wanted to perform on stage for Aunt Wei? Now the costumes are here!"

Mo Yusheng: "..."

Tao Tian: "..." Although I was very happy to see Sheng Sheng's surprised face, I always felt that something was wrong.

It took Mo Yusheng a long while to find his voice. What he said a month ago was just a casual remark.Moreover, he became interested in learning Kunqu opera at the beginning, and later discovered that some small skills of Kunqu opera can be applied to wind music.In the end, Mo Yusheng said dryly: "Mr. Wei, I'm still far behind." This is for sure. Compared with the rest of the troupe, Mo Yusheng's current level is really far behind. .

Wei Man smiled and said, "Don't worry, it's nothing to just try." She had heard Liu Yiqiao say that Mo Yusheng's rapid progress made her want to accept him as an apprentice.Wei Man knows Liu Yiqiao very well, regardless of Liu Yiqiao's gentle and graceful appearance, she can't be picky inside.She only accepted two apprentices, which of the two apprentices is not talented?Mo Yusheng's talent should not be underestimated to make Liu Yiqiao want to accept disciples.

Wei Man's eyes turned to Tao Tian, ​​this one?According to Liu Yiqiao, this person is also talented, but compared to Mo Yusheng, he is not enough.Wei Man groped for a while, and finally decided to let the two come to a period of "The Peony Pavilion: A Dream in the Garden" soap robe for a month.This section is mainly based on Du Liniang's singing, supplemented by Liu Mengmei's libretto.She also asked Liu Yiqiao before, if at their speed, could she sing this passage in a month.Liu Yiqiao thought about it and thought it was okay, but without their study tasks for this month, it would be heavy.

The role of Du Liniang was originally the protagonist of "The Peony Pavilion", and all stories are unfolded from Du Liniang's vision.And Du Liniang's character and behavior must reveal the dignified and quiet that is unique to a lady, but also have the courage and liveliness to dare to challenge the world.Such a role is undoubtedly very difficult, but...

Wei Man glanced at Mo Yusheng, and remembered the sound of the two hanging their voices every morning and evening. Wei Man felt that he could look forward to it.

Mo Yusheng said: "But, Teacher Wei, I don't know anything." To be honest, Mo Yusheng really doesn't know anything!

Wei Man said: "Well, in the next month, we will attack the section of "The Peony Pavilion: A Dream in the Garden". I believe that with Xiaojiu's intelligence, he will definitely be able to learn it well."

"..." Mo Yusheng thought for a while, "The Peony Pavilion: A Dream in the Garden"?Isn't this the chorus of Du Liniang and Chunxiang? "Teacher Wei, there is no Chunxiang in this paragraph."

Wei Man said, "You can sing alone, or do you want Xiaotian to accompany you?"

Tao Tian: "..." I finally knew what was wrong, how could there be only one person on the stage watching?Even if there is no libretto, there must be a person beside him making gestures together.

Mo Yusheng: "...Let brother Xiaotian be Chunxiang?" Thinking of that scene, Mo Yusheng wanted to laugh...

By the way, Mo Yusheng, if you think this way, do you think you will play Du Liniang?

Wei Man shook his head, and Tao Tian felt relieved, thinking that he probably didn't need to use it.Wei Man said: "When I ordered costumes, I ordered a man and a woman. In this way, Chunxiang's role can be changed to Liu Mengmei."

Tao Tian: "..." In other words, he still wants to go?But... Tao Tian compared his height with Mo Yusheng's, so it should be Mo Yusheng wearing a female costume, right?By the way...he hasn't seen Shengsheng in women's clothing and heavy makeup yet!

Mo Yusheng: "...But, Mr. Wei, is it really okay to change like this?" Although many scenes have been changed, but I haven't seen one where the role of a maid is changed to a lover!