On the Compatibility Between Conjurers and Writers

"The work is a mirror of the writer." Shuji Tsushima heard this sentence from nowhere.

"Golden Basin Washing Hands" is over. Looking at it from the beginning, this is just a boring growth story. The killer who washes his hands in the Golden Basin decides to become a cartoonist, but due to his poor life, he has to become a thug or work in a convenience store. A series of ironic or heartwarming stories happened, occasionally interspersed with thought-provoking social events.

A slum child who steals bread to feed his sick sister, a schoolgirl who sells knee pillows after running away from home, a mother who rescues abused children but is jailed for kidnapping...

Some readers asked: "Are you attacking society, Mr. Tonosuke, or are you calling on the public to pay attention to the dark side of society?"

Tonosuke replied, "No, I'm just describing life, the life I see."

There are laughter and sadness, and the impoverished life can also shine with the light of humanity.

At the end of the story, the author Tatsuya delivered his debut work. He said: "I want to draw a work that makes people smile." Just a moment of joy is enough.

Shuji Tsushima thought, what moved him?Is it his straightforward description?

Is it a style of writing that is neither deliberate nor pretentious?It's not always a corny little story, although he doesn't write it so sickly.

"I want to see him." Such a desire sprouted from the bottom of my heart.

Want to meet him, want to chat with him, want to know what kind of person he is.

With the above thoughts in mind, he left Tsugaru without hesitation and boarded the train to Tokyo.As for the Tsushima family falling into a vortex of chaos after he left, that had nothing to do with him.

Looking sideways at the car window, the Shinkansen is passing through the high suspension bridge across the mountain. When he was at home, he especially liked to look at this place. The mountain is green and the suspension bridge is earthy gray. In his mind, he fantasizes about the rumbling and rumbling of the vehicles. Ming, at that moment, he seemed to travel through time and space, back to 1920.

Looking down from top to bottom brought a new feeling. He looked at the dense forest in the distance, saw the mountains that complemented the blue sky, met the antique Japanese-style mansion deep in the dense forest, and thought of those maids who might be panicked.

The corners of Shuji Tsushima's mouth curled up.

He murmured, "Need to get a new name."

He didn't know what to think of, and said to himself, "By the way, it's called Dazai, Dazai Zhi, what a magnificent name."

He wanted to say hello to Mr. Tonosuke, bent down to him comically, and introduced himself in an exaggerated tone: "I am Osamu Dazai, please give me your advice."

……

Yiyi didn't know that Dazai was running towards him, and what bothered him recently was the issue of manga adaptation.

"I've already found a painting, Mr. Tonosuke." Xiao Zhuangsu said, "It's Mr. Honda Taharu under the "Weekly Magazine"."

"I'm not familiar with "Weekly Magazine", but if Xiao Zhuangsang recommends the painting teacher, there must be no problem." Yiyi said.

Hearing that the young Tonosuke teacher trusted him so much, Xiao Zhuangsu was very moved. Of course, he didn’t show it on his face. If he made a sobbing sound, he would seem too unreliable even on the phone. He wants to become a qualified editor who is relied on by the teacher That's okay, Mr. Tonosuke is only 17 years old!

After thinking about it, a blazing flame spewed out from behind him. He looked very aggressive. When his colleague looked up and saw Xiao Zhuangsu like this, the corners of his mouth twitched, and he whispered in his ear, "Xiao Zhuangsang, you are following Daozhisuke!" Is the teacher on the phone, he looks really excited."

"That's right, I heard that Tonosuke's works have been adapted from manga and TV dramas in succession. It's amazing. I heard that the teacher is only 17 years old. This is the so-called young talent."

Oda Saku said to one: "I'm just an ordinary novelist (pigeon spirit)."

However, among the debutants at the same time, he was considered to have gone very smoothly. His first work won the Newcomer Award, and it is one of the most influential awards in China. He adapted comics, made TV series, and made movies, and he kept reprinting. After it came out, the sales volume of the second novel was not bad, and it was recognized by a certain academy award. It accumulated step by step, steadily climbing in the literary world, and finally when the sixth novel collection was released, because the work empathized with the general public After accumulating steadily, he became a well-known national writer.

This is the life of most famous artists after the age of 50 or 30, but he completed it before the age of [-].

The editor-in-chief also intervened in their conversation, and the swivel chair sneakily moved behind the two: "So, it's time to become famous as soon as possible." His voice made the two men's skin crawl.

Not far away, Xiao Zhuang was still negotiating with another: "In this case, can I trouble you to come to Tokyo when I have time? I need to discuss the character image with Mr. Honda."

"Ms. Honda is a fan of Mr. Tonosuke, but there are a thousand Hamlets in the eyes of a thousand people. If the characters in her works don't meet your expectations, you have to correct them immediately."

One said: "I understand." Then they agreed on the time and place to meet.

In Japan, the status of painting teachers is very low, especially when adapting the original work, low income and tight deadlines are the problems that every painting teacher will face. In addition, if the original work is critical, it is likely to be published in the middle or later period. Set up a big overthrow, and draw everything from scratch.

Before they grow into original authors, they have to go through a lot of grinding. Even so, there are many manga teachers who take the initiative to become painting teachers in order to make their debut.

Haru Honda is such a manga artist.

She is not very old and has not graduated from university. Compared with orthodox manga artists, Honda Taharu is more like a fan. Originally, she just drew some manga on the p station, with her favorite fan works.

The fanbooks drawn by her are selling very well at major cp exhibitions, and friends from the same club urged her: "Why don't you submit an article and see, maybe you can make your debut, Honda-chan's words are also very popular on campus, right? ?”

I was excited to submit an article for "Weekly Magazine", and was asked if I would like to make it a painting. I was hesitant at first, but when I heard that I was painting for "Golden Basin Washing Hands", I agreed without a word.

She herself likes this story very much. Perhaps the protagonist in the other party's novel is also struggling to become a cartoonist. She has a strong sense of resonance. In addition, the story of "Golden Basin Washing Hands" is also quite heart-warming.

If it is to paint for it, even relying on love to generate electricity can do it!

……

The date agreed to meet with Haru Honda is July 7th. Yiyi did not leave Tsumiki and Megumi in Yokohama, but brought them to Tokyo. Gojo Satoru said to help Megumi find the copy of the ten shadow spells, and finally there is To get an idea, he said that someone would send the books to Wujo's apartment in Tokyo, and one could be picked up.

The relationship between Gojo Satoru and Ichiichi is a bit subtle, which may have something to do with Odasaku's character performance. In terms of ability, Odasaku is very strong, very strong, and his physical skills may be second only to Fu Heisher. With the seamless supplement , his ability has been improved to a higher level.

Even so, he doesn't have the oppressive feeling of a strong person. Gojo Satoru will say: "Jie and that guy from the Zenyuan family are more like a strong person than you."

But one of them replied: "I don't think I have anything strong."

Gojo Satoru could only cut once.

His relationship with Yiyi is connected by Fukurohui. After entrusting Fukurohui to Yiyi, the busy Gojo Satoru should not go to Yokohama more, unless he wants to tease Fukurohui, but he He just used the remote apartment in Yokohama as a transfer station between missions, and used the one that he would never complain about as a tree hole, invading again and again, and complained while eating the pudding he bought for Fukuihui and the others: "Recently, Jie's Weird attitude."

"He is super indifferent to me, and he doesn't even want to call him to play games, and he doesn't accompany me to buy crepes in Shinjuku." He said, "I heard that he doesn't eat much recently and has lost a lot of weight. Jeff said it was bitter. summer."

"Does Xia Tian still have this effect?"

Meow, meow, gossiping with him.

One replied in Oda's usual tone: "In summer, some people will lose weight, it's too hot, they can't eat, and they will become irritable."

"Is Jie that kind of person?" Wujo Satoru interrupted.

One shook his head and said, "I don't know."

Gojo Satoru racked his brains again: "Is that the one, menstrual period."

One: "?"

He said it was incomprehensible, but he needed someone to cheer him on, so he grabbed one and said, "What do you think about Jie? You saw him at the soba noodle shop last time. The boss with dark circles on his face The bitter one is Jay."

Xia Youjie wanted to have a friend like you even for one, but Xia Youjie was really unlucky, but he said with a troubled expression on his face: "I don't remember."

Gojo Satoru sighed: "It's all because he is unrecognizable, he is not as handsome as me at all."

The two of them were full of such unnutritious conversations, and they got along like ordinary friends again.

Now it's time to visit Gojo Satoru's apartment in Tokyo.

He first sent Fu Heihui and Jin Meiji to Wujo Gona, and told Wujo Wu that if there was anything in the manuscript that he didn't know, he should ask Gojo Wu, and don't ask for a deep understanding just because he looks like a strange adult. Fu Heihui nodded and agreed one by one. up.

After setting up the two children, I went to Tokyo Station to transfer. There are always many people at Tokyo Station. Even at two o'clock in the afternoon, after lunch, the station still looks like people next to each other.

One walks back, towards the central area, followed by Dazai Osamu, who follows the adults, and keeps left, towards the port area.

The two passed by without feeling.