"I've never been to Tokyo."

In the past 7 years, Osamu Dazai's life has only been in the small field of Tsugaru.

This is not surprising. In Japan, parents do not have the habit of showing their underage children. For example, on the Shinkansen, it is difficult for children under the age of 10 to control their crying. If they make noise, they will disturb others.

Dazai is very quiet, but he is the youngest son in his family. His father and brother are both fighting in the political circles of Tokyo. Before he went to junior high school and transferred to a big city, he had no chance to show up.

The door of Tokyo has never been opened to him.

But when he came to Tokyo for the first time, in the crowded Tokyo Station, he was like a fish swimming in the ocean from a narrow river, extremely free and fun.

Osamu Dazai realized that he liked this strange, carefree and completely unrestrained environment, and he could flexibly avoid the sight of the station police.

If a child like him is found, he will definitely be sent back to Aomori. However, he has the ability to avoid people in his nature, and he walks through it like a ghost.

This can only be called talent.

where to go nowHe thought casually, he can’t find out where Tonosuke is, he has to go to the headquarters of the Yomiuri Shimbun, there is no way, his dear Mr. Tonosuke has excellent anti-reconnaissance ability, and he can’t see it when he reads his articles. There are clues, I don't know where he lives.

The entry point is only the headquarters in Tokyo, and the editor of the teacher, he remembers his name is Xiao Zhuangsu, right?

Before that, we need to find a temporary foothold. Where is the best place to go?

There is also Tokyo, always go to Sensoji Temple to check in, and there is also Tokyo Disneyland.

There are a lot of curious places, let's go one by one.

Thinking like this, he hummed a song and buried himself in the crowd again. No one paid attention to him, no one found him. Instead, he suddenly turned his head thoughtfully as he walked, as if he felt something in the dark. .

One found nothing.

Is it an illusion?

……

"So young..." After seeing Oda Saku's face clearly, Honda Taharu couldn't help saying, then she opened her eyes wide, realized that she had confided her heart and bowed 90 degrees, "I'm very sorry, Tonosuke-sensei."

One said: "No, there is no need to do this." He slightly bent down and responded, "I just want to thank you for liking my work."

Right now, he is sitting in the reception room of the Yomiuri Shimbun headquarters on the 15th floor with Honda Taharu and Xiao Zhuangsu. The smiling service staff serve them iced barley tea. Honda Taharu was a little nervous.

Xiaozhuang quickly helped to smooth things over and said: "Mr. Honda's initial drawing has been sent to you. If you are not satisfied with anything, you can just tell the teacher directly." After hearing this, Honda immediately took out the marker pen and notebook, and waited for it.

One said, "I have nothing to mention."

Honda: "Huh?"

Xiao Zhuang: "!"

As Party A, one is too lenient. Xiao Zhuang almost raised his forehead and said, "Don't you have any ideas, outlines in your mind, etc.? For example, what does Tonosuke think about the protagonist."

The original drawing is spread out on the spacious table. Since it is the No.1 work, Oda Saku didn’t put much ink on the protagonist’s body. He only said that he was about 16 or 7 years old, with short hair and a jacket. What people remember is that blank face that seems to be wandering.

It seems strange to describe his face as blank and wandering. According to Xiaozhuang, this description can be called derogatory, but after further contact with Oda Tsukune, he dismissed this idea.

Perhaps everyone who knows Oda Saku will have the general idea that he is a person like Baishui.

What to say?

Xiao Zhuang racked his brains to find words and phrases: everything with him feels very comfortable, there are no pretentious greetings, and no stinging words, whether it is exhaustion from work or negative emotions given by society, he can be fully accepted. There will be an illusion, no matter how many frightening things I have done, when I tell the teacher, I will only say this.

His calmness is not pretending, but from the heart.

Watching Mr. Tonosuke, when watching "Golden Basin Washing Hands", he always thinks of "The Lonely Gourmet". How should I put it, the plot seems to be weak and has no ups and downs, but it makes people watch it episode after episode, and don't want to stop .

That's how it feels.

Xiao Zhuang looked down, and for some reason looked at Honda's manuscript paper again. I don't know if it was an illusion, but I always felt that the protagonist in Mr. Honda's painting was somewhat similar to Mr. Tonosuke.

It's that white water-like expression...

One said: "But I really think that Mr. Honda's drawing is very suitable." He said, "As for the protagonist, to be honest, I never thought about what he would look like."

Because I set myself as the protagonist, "Golden Basin Washing Your Hands" can be said to be Odasaku's autobiography.

Just because of his expressive expression like that of Oda Saku, it can be said that Mr. Honda is a qualified book fan.

In the end, only some details were revised, because the conversation was very fast, and the topic couldn't help being brought to Yiyi's daily life.

"Hey? Did you come with the children at home?"

Not to mention Honda's many springs, Xiao Zhuangsu was a little surprised.

Does Tonosuke-sensei have a child at home... Ah, I said earlier that I would go to Yokohama to visit Tonosuke-sensei, but I haven't gone now. I am really disqualified as an editor.

Thinking of this, I feel a little heartbroken.

One: "Hey, because it's summer vacation, it's a bit boring to be bored at home, so I brought it to Tokyo."

This is somewhat strange. Shouldn't you leave it to your parents during the summer vacation?

One: "Both parents have passed away."

When Xiao Zhuang and Honda Duoharu heard this, they were both stunned, and then apologized with their foreheads on the table: "Sorry, Mr. Tonosuke."

Honda Haru was extremely anxious: "I'm really sorry."

One: "No, it was many years ago."

His parents have been gone for many years.

God, no wonder Mr. Tonosuke's writing style is so mature, and there is such a story behind it.

Sensitive Mr. Honda Taharu is already teary-eyed. She made up a complete story: her 17-year-old brother brought his younger siblings who were only in elementary school. After their parents died in an accident, they couldn’t even get compensation. Before that, they could only work part-time. Maintaining a poor life, always worrying about his younger siblings being sent to the orphanage, that's why he is so familiar with the life in the market, I hope that Mr. Tonosuke's life will improve after his debut...

She issued a military order and said: "I will definitely work hard!" She will definitely bring a new wave of readers to Mr. Tonosuke!

Xiao Zhuang: "If there is any inconvenience in life, please feel free to contact me, Mr. Tonosuke."

One: "?"

"The siblings of Mr. Tonosuke are..."

One said: "I was picked up by a familiar friend in the morning, and I should be at Tokyo Disneyland now."

……

Megumi Fushiguro and Tsumiki, who are also in Tokyo, have already set foot on the road to Tokyo Disneyland. The escort is Gojo Koro. Hearing that Yiyi is waiting for someone to come, Gojo Satoru volunteered to take them to Tokyo, but was called away by the director before leaving Do the task.

This is the normal state of conjurers, and they are on standby all year round.

Wu Tiaohong asked Fu Heihui where they were going, and the two said that they could just stay in another courtyard and not cause trouble to others, but Wu Tiaowu heard about this old-fashioned decision, and simply waved his hand: "Take them to Disney. "I also vowed, "How can there be a child who doesn't like Disney."

The two are thus represented.

Gojo Satoru said again: "Hui-chan's eyelashes are very long, and Tsumiki is also very cute, remember to prepare princess dresses for them..."

Before he could finish speaking, he was cut off, and Fu Heihui showed half-moon eyes, thinking that this is really an unreliable adult.

Tsumiki also had no intention of wearing a princess dress with Kei, so she just smiled.

In Tokyo Disneyland, there are quite a lot of activities suitable for their height. Except for the space mountain in Tomorrowland, they can play the rest.Behind the two children, Gojo Koro looked like a perfect housekeeper. He asked, "Where do we start?"

Hui and Jin Meiji have never been in contact with amusement facilities, but since entering the park, the playful side of children's nature has been aroused, and they studied the drawings for a while and said: "Let's go to the ghost mansion first."

It was Tsumiji who spoke, although she was gentle and cute, she had a strong curiosity about haunted houses, Fu Heihui had no idea, and naturally agreed with her choice.

It is said to be a haunted house, but the ghost mansion is in line with Disney's consistent theme. The setting is very childlike. Tsumiki and Hui squeezed together in a teacup carriage, waiting for the journey to start.

This seems to be a pure appreciation project. The teacup car is moving forward according to a fixed track, and Tsumiji and Hui are preparing to put down the railing to prevent the children from falling off.

Gojo Koro was waiting for them outside the arena. The little conjurer has the ability to protect himself, so don’t worry about it. In addition, he can feel the children’s alienation from him. It’s better to wait outside than to fulfill the guardian’s duties and play with them. .

However, he did not expect that an unexpected visitor actually entered the museum.

"Knockout, buckleup." Hui's ears moved, who was knocking on the wall of the teacup carriage?

Tsumiji also said, "What's the sound, are you moving, Hui-chan?"

Huizheng shook his head, but found that at some point, a person climbed up in the empty back row, about their age, with soft black hair like seaweed, but with an adult smile on his face.

That smile is cute and sweet and formulaic.

"Take me one." Osamu Dazai said.

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